赵大勇携怀孕妻子燕子回乡下祖宅躲避债务，堂兄大军警告老宅被“人面山蜘蛛"占据。大勇不信，居住期间遭遇恐怖人脸、巨大蜘蛛卵、疯癫女人索要孩子等诡异事件。发小大壮借机渲染恐怖，大勇逐渐怀疑大军。后发现大壮才是幕后黑手，利用草药制造幻觉，企图独占父亲留下的遗产。最终，大壮被捕，木箱中的照片集揭示了父亲的深情，大勇与燕子返回城市，决定面对债务重新开始生活。

一朝被迫害，沈衔月意外的觉醒了弹幕视角，有人想要诬陷她、暗杀她，甚至联手布局对付她，她借弹幕预判了这些阴谋，逆袭成为了冷面帝王裴玄的最爱。她一步步的揭穿所有的谜题、制止叛乱，最终成功登顶后位，和冷面帝王裴玄一起共成一段佳话。

一朝被迫害，沈衔月意外的觉醒了弹幕视角，有人想要诬陷她、暗杀她，甚至联手布局对付她，她借弹幕预判了这些阴谋，逆袭成为了冷面帝王裴玄的最爱。她一步步的揭穿所有的谜题、制止叛乱，最终成功登顶后位，和冷面帝王裴玄一起共成一段佳话。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

USA正式确定<妙警贼探>第六季，该剧将以六集的迷你季结束全剧。

USA正式确定<妙警贼探>第六季，该剧将以六集的迷你季结束全剧。

空巢老人万阿姨在社区遇上“暖心”青年小王。从一贴暖宝宝开 始，小王以“干儿子”的姿态步步深入：送鸡蛋、开讲座、免费旅游、 跪地认亲……他用虚假的关怀填满万阿姨的情感空缺，却悄然将黑手 伸向她的养老金与房产。亲生子女的劝阻反被视为嫉妒，家庭在欺骗 与误解中分崩离析。当百万积蓄随着一通电话消失，当“儿子”彻底 失联，万阿姨才幡然醒悟：最温柔的靠近，往往包裹着最冰冷的算计。