故事讲述了因家族继承而横跨二十年的恩怨情仇，整体故事在描述因私利而不择手段的同时，也强调了最终只有通过正道获取才会赢得社会尊重和实现人生价值，从而折射出这个新时代下各类关系处理的基本特征。 主人公徐川本是个朴实无华的快递小哥，为给妹妹治病，而意外卷入豪门争斗。但是徐川并没有因为生活发生物质的改变而变得虚浮，而是本着对叶辰君的感恩之情与试图谋取个人利益而败坏整个叶家的叶旭琛展开各种斗争，原本以为生不逢时没有用到的专业知识终于得已运用，最终实现逆袭。树立了感恩...

姜瑜曼穿成七零年代傅景臣怀孕的恶毒前妻，拒重蹈覆辙，带空间随傅家下乡，囤物资、改善生活，与傅景臣升温感情。智斗重生的姚思萌，考小学老师获尊重。傅家回城，她与傅景臣带娃在大院幸福生活，姚思萌自食恶果。。

前世男主萧逸带着祖传宝物上古瓷瓶、被杀手无天一路追杀，重伤后意外闯进大宅院华府，与女主芷柔相恋，被花老爷发现后，男主肖逸为保护心爱之人芷柔一家人安全， 主动吸引杀手无天等人再次踏上路逃跑之路，后带着宝物跳下山崖神秘失踪。经历百年，意外穿越到郭晓峰身上、又一世历经风雨，帮助同学吴莉父亲神鹍达公司，揪出公司叛徒，让神鹍达集团公司逆袭成为沧州第一，自己也成为了集团公司的董事长，又一世传奇故事。

主要讲述的是：京城将军府嫡长女穆音楼本是天命之女，但母亲难产去世，父亲常年在外征战。继母趁父亲不在家，将她毒成傻子，与妹妹穆芸儿一起对她进行长达十年的虐待：吃狗粮、睡狗窝、每日下毒，导致她神志越来越痴傻

王凡在睡梦中梦到自己变成了一名洗车工，遭受了徐家徐耀的不公平待遇后，妻子抛弃，女儿又因巨额医药费无法医治，被离散多年的父亲认回后发生一系列的事。

剧情讲述南梁大将军之子龙辰因家族惨遭灭门后穿越至东周宫廷，被迫成为太监身份。面对南梁的挑衅，龙辰凭借诗词造诣参与文斗，一边帮东周化解危机，一边暗中策划复仇恢复家族荣耀。该剧融合穿越、权谋、宫斗等元素，展现主角逆袭与复仇的叙事脉络

剧情讲述南梁大将军之子龙辰因家族惨遭灭门后穿越至东周宫廷，被迫成为太监身份。面对南梁的挑衅，龙辰凭借诗词造诣参与文斗，一边帮东周化解危机，一边暗中策划复仇恢复家族荣耀。该剧融合穿越、权谋、宫斗等元素，展现主角逆袭与复仇的叙事脉络

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.