Little Felipe has been sick for a long time. To hasten his recovery, his parents send him to spend the summer of 1958 in the villa of his grandparents, located in the wealthy quarter of Cadiz. The warm climate of southern Spain is good for the boy, but the inhabitants of the great home may be a different story as all the relatives within are a tad strange. There Felipe meets his great-grandmother and her tough nurse Adoracion who patiently listens to grandmama's reminiscence's of the bandoleros who died for her. Felipe is not allowed to leave his bed, but his hours pass pleasantly thanks to the ministrations of the sexy Mari, a virgin, who loves to tease her four strapping aspiring lovers. As the summer progresses, Felipe interacts with all of his relatives and from their strange behavior finds himself learning an awful lot about life and love.

16-year-old Adrian makes angels out of wax and used to sing in the church choir. In search of a better life, he decides to leave Transnistria to work in Europe with his friend Ion. But their plan is not destined to come true.

16-year-old Adrian makes angels out of wax and used to sing in the church choir. In search of a better life, he decides to leave Transnistria to work in Europe with his friend Ion. But their plan is not destined to come true.

从邻居圆圆哥哥的望远镜中，鹿鹿看见了一个她以前从未见过的世界，感到世界它过去就在我身边，但我从来就没有去注意过它。其实很多事不也是这样？你不了解它，就很难去发现它。鹿鹿理解了妈妈，理解了老师，甚至也理解了圆圆和他的哥哥。她发现了身边是一片闪光的天地，鹿鹿长大了。该剧获1992年飞天奖特别奖。

沃尔特·贝克特（Walter Beckett）是CIA一名新人特工，他正在华盛顿首府接受组织的培训。任务很简单，就是在不为人知的情况下和同行交接一个高精尖的密码箱。瓦尔特在街头闪转腾挪，高度戒备，终于顺利拿到箱子。当他坐在街头长椅上，边吃面包圈便打开箱子时，一只鸽子飞了过来。鸽子直勾勾地盯着面包圈，沃尔特本想把它打发走，却阴差阳错将鸽子关在了箱子里。鸽子好奇地瞪大眼睛，摆弄着箱子里的仪器，却使箱子变成了恐怖的杀人武器。混乱由此降临，华盛顿街头一片火海，沃尔特该如何应对这些灾难…… 　　本片由Lucas Martell工作室历时五年完成。

沃尔特·贝克特（Walter Beckett）是CIA一名新人特工，他正在华盛顿首府接受组织的培训。任务很简单，就是在不为人知的情况下和同行交接一个高精尖的密码箱。瓦尔特在街头闪转腾挪，高度戒备，终于顺利拿到箱子。当他坐在街头长椅上，边吃面包圈便打开箱子时，一只鸽子飞了过来。鸽子直勾勾地盯着面包圈，沃尔特本想把它打发走，却阴差阳错将鸽子关在了箱子里。鸽子好奇地瞪大眼睛，摆弄着箱子里的仪器，却使箱子变成了恐怖的杀人武器。混乱由此降临，华盛顿街头一片火海，沃尔特该如何应对这些灾难…… 　　本片由Lucas Martell工作室历时五年完成。

影片從祖父的故事開始，窗邊的鴿子似乎帶來了一段記憶，講述祖母在實體與影像中的缺席，而那些失去影像的記憶，也在時間的洪流與記憶的不可靠性中逐漸扭曲。導演以媒材的物質性比喻記憶的失落、質變以及可疑性，冷靜平淡地道出厚重的歷史與個人命運。