The third in the quartet of black-and-white films comprising the Quay Brothers' Stille Nacht cycle (the others being Dramolet, 1988, Are We Still Married?, 1992 and Can't Go Wrong Without You, 1993), Tales From Vienna Woods was also made with the intention of exploring imagery that they planned to develop further in their first feature Institute Benjamenta, which was then in limbo awaiting funds. In fact, so close were the short and the feature in terms of overall tone (despite the one being animated and the other live-action) that the former was subsequently recycled as the latter's theatrical trailer, in a slightly but not significantly modified form. A clue to the film's purpose is embedded in a wreath adorning a pair of asymmetrical deer antlers: Ich bin im Tod erblüht ("in death have I blossomed" - for once, an onscreen translation is provided). This is followed by a sequence in which an animated severed hand explores a dusty archive of arcane exhibits, the central display of which consists of a table with multiple legs that's been suspended from the ceiling above a base of forest detritus, notably pine cones. As the camera circles slowly around to the front, we see that the table has been decorated with the same asymmetrical antlers, and at the back a pair of testicles can be glimpsed beneath the table top. What the film is doing, in characteristically oblique form, is endlessly replaying the moment when the deer met its death: the film delicately but unmistakably implying (through the metaphorical use of pine cones) that it was shot in the testicles. From time to time, in the dead of night, the table regurgitates the bullet via a long-handled spoon that emerges from between its rear legs, intercut with images of the bullet emerging from the gun and commencing its journey to the target, slowed down to highlight every step.

A dog and a doll are both seen masturbating in this short film that also serves as a music video to Sparklehorse's Dog Door.

当安吉莉卡（Angelica）从一家疯人院的昏迷中苏醒后，她必须通过直面过去的自己来重新找回自我。这些墙壁背后隐藏着无数她必须战胜的恐怖事物，其中还包括一个想让她在节日期间被装在尸袋里回家的访客。

安宁寂静的大森林开始遭到人类的入侵，粗壮的树木被砍伐，链锯喧嚣刺耳，动物们惊恐逃窜。鼯鼠妈妈正在哺育出生不久的幼崽，面对摇摇欲坠的大树无计可施。鼯鼠夫妇情急之中叼起幼崽逃跑，慌乱间一只幼崽跌落大树。夫妻俩遍寻不见，伤心不已。 幸运的幼崽落在宽大的树叶上，在森林之神的哺育下渐渐长大。小鼯鼠开始学习飞翔，但受到鸟儿们的欺负，它奋起反击，打败了嫉妒的鸟儿们。这时伐木工再次来到森林，动物们全都垂头丧气。得知原委后，气愤的小鼯鼠决心教训一下无知的人类……

《森林传说》是一部适合举家一同观赏的影片，它介绍了芬兰独一无二的森林和森林中形形色色、异彩纷呈的生物。电影中的主角是森林中的各种生物：熊、驼鹿、蛇、猫头鹰、蚂蚁、青蛙、鼯鼠，以及古老的精灵鸟类如北噪鸦、乌林鸮，还有很多其他的生物。更难得的是，它是一部完全用自然的语言来拍摄的电影，其真实性是《森林传说》获得的空前成功的原因之一。它的简约优美赢得了评论家的盛赞，让观众趋之若鹜。观众欣赏着舒缓的节奏中独特的自然景观，和借用北方森林的古老神话传说讲述的故事。

一个避难所的志愿者爱上了一个非法移民的故事。

乔纳森·罗斯（Jonathan Ross）踏上探寻之旅，去寻找英国那些奇幻的被遗忘的寓言、神秘的谜团以及失落的当地传说。

Plot under wraps.

当独立厂牌4AD不断发行有趣的音乐作品时，奎氏兄弟同意为His Name Is Alive乐队制作一部音乐片。该片最初的灵感来自于一幅手握球拍站在门前的女孩照片。她随着节奏不停地踮着脚尖，一旁有只小兔子看着她。 一个悲切的声音唱着，“我们的婚姻还存在吗？”