当安吉莉卡（Angelica）从一家疯人院的昏迷中苏醒后，她必须通过直面过去的自己来重新找回自我。这些墙壁背后隐藏着无数她必须战胜的恐怖事物，其中还包括一个想让她在节日期间被装在尸袋里回家的访客。

A week before Christmas a viral outbreak turns the citizens of Los Angeles into the walking dead. On the brink of severing ties with both his wife and longtime partner, L.A.P.D. officer Frank Talbot finds himself trapped with them. As death closes in their survival is further threatened by the fact that both men love the same woman.

When the psychopathic jailbreaker Hopps and his cousin steal a camper to continue their flight, they notice too late that there's a baby on the back seat. At first they want to kill it, but...

一个避难所的志愿者爱上了一个非法移民的故事。

Daphne Zuniga stars here as Kelly, a young woman who has been plagued by nightmares of a burning man her entire life. Upon entering college, she pledges a sorority that forces them to perform an initiation night prank. With several of her friends, she breaks into a store and unfortunately discovers that it is impossible to exit from the building after it is entered illegally. Trapped in a new nightmare, Kelly must fight for survival when a madman begins killing her pledge sisters one by one.

Brian原本过着平凡幸福的生活，谁知在一个晴朗的日子里，两伙黑帮的街头火并彻底打碎了他的幸福。儿子误中流弹身亡，愤怒的Brian也在和黑帮对抗时被射中喉咙，几乎命丧当场。虽然经过抢救捡回了一条命，但是Brian失去了声音，破碎的小家再也无法复原。万念俱灰的Brian此时已完全被仇恨支配，出院后不久，Brian开始疯狂健身，练习格斗、射击、飙车等技巧，他发誓要在一个月后，亲手干掉杀害了儿子的凶手——墨西哥黑帮光头老大。看似难如登天的不可能任务，由于爱和仇恨的支撑，让Brian走入了最后的修罗场……

The third in the quartet of black-and-white films comprising the Quay Brothers' Stille Nacht cycle (the others being Dramolet, 1988, Are We Still Married?, 1992 and Can't Go Wrong Without You, 1993), Tales From Vienna Woods was also made with the intention of exploring imagery that they planned to develop further in their first feature Institute Benjamenta, which was then in limbo awaiting funds. In fact, so close were the short and the feature in terms of overall tone (despite the one being animated and the other live-action) that the former was subsequently recycled as the latter's theatrical trailer, in a slightly but not significantly modified form. A clue to the film's purpose is embedded in a wreath adorning a pair of asymmetrical deer antlers: Ich bin im Tod erblüht ("in death have I blossomed" - for once, an onscreen translation is provided). This is followed by a sequence in which an animated severed hand explores a dusty archive of arcane exhibits, the central display of which consists of a table with multiple legs that's been suspended from the ceiling above a base of forest detritus, notably pine cones. As the camera circles slowly around to the front, we see that the table has been decorated with the same asymmetrical antlers, and at the back a pair of testicles can be glimpsed beneath the table top. What the film is doing, in characteristically oblique form, is endlessly replaying the moment when the deer met its death: the film delicately but unmistakably implying (through the metaphorical use of pine cones) that it was shot in the testicles. From time to time, in the dead of night, the table regurgitates the bullet via a long-handled spoon that emerges from between its rear legs, intercut with images of the bullet emerging from the gun and commencing its journey to the target, slowed down to highlight every step.

一首歌，一座帐棚，四个爬山的好朋友。在错综复杂的关系下，各自有各自的打算，没想到，死亡却意外的来临。

《第三章》是诡异恐怖片“最热门”电影系列的一部分，它聚焦于工作室一些最为离奇、惊悚的片段，并以全新的叙事架构呈现。此次，我们将跟随一名受虐狂漂流者的后续冒险，他被困在了“戈尔收藏家”的巢穴之中。“戈尔收藏家”是一个施虐狂屠杀策划者，曾挑选该漂流者作为其邪恶行径的继承人。

第二次世界大战期间，日本军医恭二替一名患梅毒的上尉治疗时，不幸也染上了这可怕的疾病，此后便一直活在恶梦及痛苦中。战后，恭二仍然积极行医，但碍于自己的病，一直婉拒与女友美佐成婚，奈何美佐坚决守候，一耗便是六年的青春光阴。恭二父亲不知道儿子的苦衷，亦常埋怨他对美佐不公平，直至儿子道出自己的不幸，两父子才打破多年来的隔膜……