该剧讲述了潜伏在伪警察局中的地下党员邓子华在苏联情报员萨拉丽娃的协助下，获取日军东宁军事要塞的图纸的故事。

抗日战争时期的东北三江市，中共地下组织被破坏，潜伏在伪警察局中的地下党员邓子华掩护自己的上级于德江撤离。脱险后的于德江查找叛徒。苏联情报员萨拉…

像冰柱的形成一般缓慢，但总有一天它会摔落得粉身碎骨。安卡喜欢猫。还有上帝。沉寂冬日，未曾提及的往事如同冰冻泻湖上的裂痕般再度浮现。种种碎片拼凑成的小渔村群像，讲述了温情与冷血的微妙平衡中，人与人、人与动物、动物与动物之间相互依存的关系。

Rodrigo and Beatriz are a couple who, after going through a traumatic event, invite their friend, Ana, to stay isolated at their home during the pandemic. Everything goes smoothly for the first few days, with an uncomfortable atmosphere of seduction between the three of them, but nothing out of the ordinary. Then, one morning, Rodrigo sees Ana's name on the list of deaths from covid-19. Everyone thinks it's weird and believes it was just a mistake in the publication, but strange events start to happen around the house. Rodrigo is intrigued and starts a personal investigation to find out if Ana is really alive.

该片讲述了一位凶杀案目击者不得不亲自开展复仇的故事。主角亚历山大和父亲在开车出行的途中意外成为一伙醉酒的少年犯罪分子的目标，在暴行之下亚历山大的父亲因受伤而去世，而亚历山大本人则成为这桩谋杀和殴打凶案的证人。对于帮派来说，他成为了一个必须被抹消掉的证人。因此，亚历山大不得不由受害者变为猎手，为自己和父亲复仇。

Rodrigo and Beatriz are a couple who, after going through a traumatic event, invite their friend, Ana, to stay isolated at their home during the pandemic. Everything goes smoothly for the first few days, with an uncomfortable atmosphere of seduction between the three of them, but nothing out of the ordinary. Then, one morning, Rodrigo sees Ana's name on the list of deaths from covid-19. Everyone thinks it's weird and believes it was just a mistake in the publication, but strange events start to happen around the house. Rodrigo is intrigued and starts a personal investigation to find out if Ana is really alive.

„Werner Nekes geht nicht von einer Musik aus, sondern schafft sich seinen Rhythmus selber, durch ein paar einfache, wenig variierte Klopftöne. Nach diesem Rhythmus montiert er die Aufnahme eines Mädchens, das vor einem Hintergrund in wohltuend grellen Hundertwasserfarben schaukelt. Er schneidet ohne Rücksicht auf den natürlichen, physikalischen Bewegungsablauf. Dadurch, dass er verschiedene Perspektiven, auch die der auf dem Kopf oder auf der Seite stehenden Kamera, ineinander schneidet, erreicht er einen neuen, völlig überzeugenden optischen Rhythmus.“

„Werner Nekes geht nicht von einer Musik aus, sondern schafft sich seinen Rhythmus selber, durch ein paar einfache, wenig variierte Klopftöne. Nach diesem Rhythmus montiert er die Aufnahme eines Mädchens, das vor einem Hintergrund in wohltuend grellen Hundertwasserfarben schaukelt. Er schneidet ohne Rücksicht auf den natürlichen, physikalischen Bewegungsablauf. Dadurch, dass er verschiedene Perspektiven, auch die der auf dem Kopf oder auf der Seite stehenden Kamera, ineinander schneidet, erreicht er einen neuen, völlig überzeugenden optischen Rhythmus.“

Two young men from opposite sides of the socioeconomic spectrum embark on a dangerous course of self-destructive behavior in this striking and brave Russian drama. Eric is a classical singer and pianist practicing for an important audition. 　　On the bus one day, he encounters the volatile Lyokha, who is subsequently arrested by a pair of police officers and taken into custody. For much of the film, their stories play out in parallel, with Eric spending his time rehearsing sublime Schubert lieder, passing time with his wealthy but dissolute mentor, Slava, and imbibing liters of vodka from a corner store, while Lyokha is causing trouble with almost everyone he encounters. The two meet up again one evening among a group of Eric’s friends, one of whom is his presumed boyfriend, and Lyokha proceeds to antagonize almost everyone assembled with boorish behavior and homophobic diatribes. Despite Lyokha’s cretinous conduct, the singer is drawn to the animalistic boy and gives him a place to stay. Where the relationship, and the film, proceeds from here is unexpected, moving, sometimes surreal, and always surprising. Coming from a culture in which being gay has recently become perilously difficult, Winter Journey feels like an urgent and brilliantly acted missive, portraying an existence where violence, alcohol, and drugs provide necessary escape and love seems next to impossible.

《宋之韵——宋词》创作历经12年，由国内顶尖纪录片人联袂奉献。她秉承了《唐之韵》的一贯风格，全片以词人和流派为分集，但她没有停留在文字解析的层面上，而是更关注那些作词的人——关注他们的命运、他们的喜怒哀乐、他们对事物的观察，以及他们对国家和人生的态度。该片画面唯美、制作精良，即将再掀观众对宋词的关注和喜爱。