看着周围的环境，我久久无法相信眼前的一切，我竟然重生了，重生在了极寒爆发的前七天。这一天，我被男朋友妈妈约出，他用2000万让我离开他的儿子，可我果断拒绝了。但紧接着，我不仅丢了工作，还被房东赶出了出租屋，极寒末世也随之告发，为了活着，我在偌大的城市废墟中苟延残喘

极寒末日来临，我在家里吃着烤肉，哼着歌，笑看监控里男朋友一家饿噶在家中，我睁开眼，我看到我的丈夫毛不凡站在沙发旁边。毛不凡俯视我，既然你醒了，就赶快把饭做了吧，待会儿爸妈该回来了。看着这熟悉的一幕，我才意识到重生到末日爆发前一个月...

一部关于Shining乐队Niklas Kvarforth眼中的精神疾病的艺术短片，是对这位与自杀、吸毒和自毁主题密不可分的音乐人的个人展现。

一部关于Shining乐队Niklas Kvarforth眼中的精神疾病的艺术短片，是对这位与自杀、吸毒和自毁主题密不可分的音乐人的个人展现。

讲述1918年冬，400名新入伍的乌克兰士官生必须坚守基辅，阻挡苏联红军的大规模入侵

讲述1918年冬，400名新入伍的乌克兰士官生必须坚守基辅，阻挡苏联红军的大规模入侵

Andras Kovacs, a leading light of the new Hungarian cinema, brought his "docudrama" technique to his 1966 film Cold Days. The story deals with the systematic slaughter of Bosnians by Hungarian fascists during World War II. Kovacs is not quite a revisionist historian, but he does cast doubt on the "official" interpretations of this horrible human-rights violation. Nor is the audience allowed to slip into complacency: it comes as a shock to discover that many of the characters whom we're rooting for turn out to be the villains! Both written and directed by Kovacs, Cold Days was originally released as Hideg Napok.