颜茸茸从小因为脸上的胎记而自卑，大学就被家里人逼迫打工赚钱 养家，却在打工期间遭遇危险， 被司家继承人所救。颜茸茸意外怀 孕，被司家继承人带走， 两人日久生情，还意外揭开了颜茸茸身世 之谜……

颜茸茸从小因为脸上的胎记而自卑，大学就被家里人逼迫打工赚钱 养家，却在打工期间遭遇危险， 被司家继承人所救。颜茸茸意外怀 孕，被司家继承人带走， 两人日久生情，还意外揭开了颜茸茸身世 之谜……

世界因你温柔：六年前，战渊被继弟（战家私生子）战明文算计，与实习生苏颜发生了关系，两人素不相识，却因此结下缘分。六年后，已经成了小摊贩主的苏颜，被苏雪再次卖了，为一百万彩礼，让她嫁给一个六十岁的退休老头。但苏颜误打误撞和退伍回来的战渊闪婚。两人再续前缘。随着跟战渊的相处，她发现了隐藏在战渊身上的秘密，更意外见到了当年孩子天折的真相

世界因你温柔：六年前，战渊被继弟（战家私生子）战明文算计，与实习生苏颜发生了关系，两人素不相识，却因此结下缘分。六年后，已经成了小摊贩主的苏颜，被苏雪再次卖了，为一百万彩礼，让她嫁给一个六十岁的退休老头。但苏颜误打误撞和退伍回来的战渊闪婚。两人再续前缘。随着跟战渊的相处，她发现了隐藏在战渊身上的秘密，更意外见到了当年孩子天折的真相

父亲去世后，漂亮的Saltanat不得不离开宁静的小村，前往大城市，去与一个富有的男人结婚。她的母亲身在狱中，背负巨债，正等着女儿给她援助。她的童年好友Kuandyk一直忠心地陪在她身边，默默地守护着她。Saltanat很快发现城里的男人并不信守诺言，她的希望也就此落空。Kuandyk尝试通过其他方法来筹钱，但情势反而变得更糟糕。尽管身处逆境，这两个年轻人却不言放弃。

父亲去世后，漂亮的Saltanat不得不离开宁静的小村，前往大城市，去与一个富有的男人结婚。她的母亲身在狱中，背负巨债，正等着女儿给她援助。她的童年好友Kuandyk一直忠心地陪在她身边，默默地守护着她。Saltanat很快发现城里的男人并不信守诺言，她的希望也就此落空。Kuandyk尝试通过其他方法来筹钱，但情势反而变得更糟糕。尽管身处逆境，这两个年轻人却不言放弃。

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.