In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

影片聚焦三个孤独症孩子及其家庭的故事。当丈夫难以承受孩子孤独症的命运选择跳楼，当“妈妈”成为无法与外界沟通的孩子宇宙里唯一的词汇，当被悉心照顾成年的孤独症孩子安慰哭泣的母亲“我照顾妈妈”……这些不是故事，是超千万孤独症人士真实的人生切面。

影片聚焦三个孤独症孩子及其家庭的故事。当丈夫难以承受孩子孤独症的命运选择跳楼，当“妈妈”成为无法与外界沟通的孩子宇宙里唯一的词汇，当被悉心照顾成年的孤独症孩子安慰哭泣的母亲“我照顾妈妈”……这些不是故事，是超千万孤独症人士真实的人生切面。

珊卓（莫莉·帕克 Molly Parker 饰）表面看似一名普普通通的女孩，却有着异于常人的爱好。人人避之而不及的冰冷尸体总是能够触动到她内心里最柔软的地方，令其心生爱怜，久而久之，这种特殊嗜好日渐发展壮大，令珊卓深陷其中无法自拔。 　　一次偶然中，珊卓前往殡仪馆送花，震惊的发现这世界上竟然还有给尸体化妆的入殓师这一美差，当即决定以此为目标开始努力。在学习的过程中，珊卓从尸体身上学到了太多活人无法教会她的知识。麦特（彼得·奥特布里奇 Peter Outerbridge 饰）是医学院的学生，他珊卓沉着的气质深深吸引，可随着了解的加深，麦特渐渐发现了珊卓的秘密。

替身演员陶冶一直憧憬着想成为明星。偶然的机会，副导演舒雪晗给他介绍了一个“男一号”的角色。在过程中陶冶与“女一号”和“女一号”的儿子李特别产生了感情，假戏真做。最后梦想成真并且收获了一份意外的感情。

荷尔蒙 制作的微电影 类型: 剧情 / 爱情 / 短片 制片国家/地区: 泰国 语言: 泰语 片长: 17分钟 又名: Find Someone Special

邻家女孩与当红偶像的邂逅！ 　　痛恨帅哥的阴沉女，在自家餐馆遇见国民偶像团体成员。当红偶像竟变成店里常客，此时皇太却深陷丑闻风波，男团的未来岌岌可危。两人的命运邂逅会擦出什么火花？

闻宇臣，海都市医院金牌医生，也是海都市龙头盛世集团的太子爷，看似光鲜的背后，却生活在不幸福的家庭里，父母离异，父亲再婚，生下同父异母的弟弟闻景荣，兄弟二人感情不好。苏暮雪作为王家不受重视的继女，这样的两个人却被命运凑巧牵扯在一起，而一切都源于那场车祸，苏暮雪那天喝了很多酒，妹妹王巧巧一直以来都特别厌烦苏暮雪的存在，本想设计开车撞死她，却恰巧被林若曦舍身救下，苏暮雪也由此失忆且双目失明，王巧巧假造车祸现场，诬陷苏暮雪是罪魁祸首，苏暮雪入狱三年被保释。 那场车祸之后，林若曦昏迷三年未醒，同时肾衰竭严重，急需要肾移植，林若曦曾救过闻宇臣，为报恩情，闻宇臣得知苏暮雪的肾源是匹配的，还未等其下手，苏暮雪继父王大发公司出现问题，王大发为了利益，打算把她嫁给海都出了名的变态周强，苏暮雪逃离中遇到了醉酒的闻宇臣，两人有了一夜之情。