Production: Pez Cine

Production: Pez Cine

曼德拉 （ 伊德里斯·艾尔巴 饰）奉献一生反抗种族隔离政策，他由革命战士变成和平斗士，把一个严重种族分裂的国家变成平等和谐国度，为全世界树立榜样，但却付出了沉重代价。曼德拉43岁时被控以企图推翻政府等罪名判处无期徒刑，与妻子温妮 （ 娜奥米·哈里斯 饰）天各一方，从此没有机会陪伴自己的子孙成长。即使在监禁27年后他终于重获自由，更成为万民敬仰的总统及英雄人物，但却失去了一生中最爱的女人，长年的分离与政治迫害，把两夫妻的距离越拉越远，当曼德拉宣扬和平宽容的理念，温妮却背负着仇恨宣战。在人民的自由和所爱的女人之间，曼德拉作出了沉痛的抉择 。

他是个赤脚通山走的乡村男孩；他是个高呼自由万岁的热血青年律师；他是反政府的武装革命领袖；他是个被监禁、放逐及劳役27年的政治犯；他是南非史上首个民主选举中当选的第一位黑人总统，他的名字叫曼德拉。 曼德拉奉献一生反抗种族隔离政策，他由革命战士变成和平斗士，把一个严重种族分裂的国家变成平等和谐国度，为全世界树立榜样，但却付出了沉重代价。曼德拉43岁时被控以企图推翻政府等罪名判处无期徒刑，与妻子温妮天各一方，从此没有机会陪伴自己的子孙成长。即使在监禁27年后他终于重获自由，更成为万民敬仰的总统及英雄人物，但却失去了一生中最爱的女人——长年的分离与政治迫害，把两夫妻的距离越拉越远，当曼德拉宣扬和平宽容的理念，温妮却背负着仇恨宣战。在人民的自由和所爱的女人之间，曼德拉做出了沉痛的抉择。

影片根据真实故事改编：1964年南非前总统纳尔逊-曼德拉被南非政府以“企图暴力推翻政府”为由关入罗本岛监狱。他在监狱中度过了27年艰苦生活，但27年的牢…

Corporal Molnár (Imre Sinkovits) decides that war has ended for him and makes his getaway from his corps with all their money hidden in empty grenades. He tries to hide in a castle which is guarded by the derisive groom Albert (Tamás Major). Unfortunately the hideaway is full of other fugitive soldiers so he takes command and risks his and his comrades lives in dangerous adventures - they are acting as an official corps, saving a soviet soldier, fighting with Arrow-cross detachments. Things are going well but in the end they are getting into soviet captivity where they are organizing a partisan commando... 　　The sentence from this movie "The Russians are in the larder" has become an adage in Hungarian language until Today.

为了照顾患癌的母亲，喜剧作家戴维搬回父母那里。这一年，母亲的健康每况愈下，父亲仍无法接受他的性取向，丢了工作，没了男友，过得很糟糕。当厄运降到别人头上时，总感觉是发生在其他人身上的事，怎料到，当厄运降到我们头上时，我们就成了其他人眼中的“其他人”。不过，在死亡面前，一切都变得微不足道......

A man becomes obsessed with facts and events that have been collectively misremembered by thousands of people. Believing the phenomena to be the symptom of something larger, his obsession eventually leads him to question reality itself.

A man becomes obsessed with facts and events that have been collectively misremembered by thousands of people. Believing the phenomena to be the symptom of something larger, his obsession eventually leads him to question reality itself.