A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

Joe（鄧光榮飾）為人正直、有義氣、處事從不拘泥苟且。Joe之兄長誤交損友，被亡命之徒所謂「兄弟」（張國柱、江富德、周比利分飾）陷害，身陷囹圄。Joe替其兄不值，向匪徒討回其兄應得之鉅款，豈料匪徒們因財失義，頓起殺機。Joe不防暗箭，急逃以避其鋒。危急之際，幸遇一美麗動人的芭蕾舞教師Ann（鄭文雅飾）義助，得以脫險……

他（她）们作为不被目前社会所认知的一小部分人群，饱受着社会、家庭带来的不解和歧视，他们经历着各种暴力问题、工作歧视问题以及医疗问题。通过8位跨性别者以及他们的家人、医生，和我们最真实的镜头故事，带你走近、了解、认识他（她）们。该纪录片由野心视频出品。

查理（塞米•鲍亚吉拉 Sami Bouajila 饰）、比拉奥（让-马切•波特Jean-Michel Portal 饰）、利奥（罗曼•达瑞斯 Romain Duris 饰）是三个被父母抛弃的孩子，幸好被雕塑家巴布罗（亚历桑德罗•佐杜洛夫斯基 Alejandro Jodorowsky 饰）收留。在巴布罗的照料下，他们都顺利长大成人了。如今巴布罗年事已高，在人生的最后时光，他最大的愿望就是再看一眼红色的圣母玛丽亚雕塑。几个年轻人一头雾水，因为养父可是坚决的反基督人士，现在居然会提出这种要求，而那个价值连城、被严密看管的雕塑竟还远在西班牙！这下可给查理等人出了难题，但为了报答养父的养育之恩，几个年轻人只好硬着头皮上路了……

当神秘的位面融合发生，全人类被卷入诡异世界。这里危机四伏，恐怖的怪物、未知的陷阱时刻威胁着生命，稍有不慎便会万劫不复。但同时，难以想象的机遇也隐藏其中，稀世珍宝、强大技能等待有缘人发掘。在这绝境中，人类能否利用机遇克服危险，闯出一条求生之路？

They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career. 　　Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else. 　　Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.” 　　Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.

随着夜色愈发深沉，朱雀与洪康新的对决在暗流涌动的江湖中成为了所有人关注的焦点。面对吸魂大法的恐怖压制，朱雀体内的每一丝力量似乎都被无情地吞噬，但她那双燃烧着不屈之火的眼眸，却未曾有丝毫黯淡。 关键时刻，朱雀回忆起往昔的修炼与战友的并肩作战，这些记忆如同洪流般涌来，为她注入了一股不可言喻的力量。她紧闭双眼，内息涌动，试图在体内唤醒那份沉睡的潜能——凤凰涅槃，浴火重生。 就在洪康新以为胜券在握之际，朱雀周身突然爆发出耀眼的光芒，那光芒中蕴含着无尽的生机与希望，瞬间冲破了吸魂大法的束缚。她如凤凰般展翅高飞，以...

讲述靡了脱番后扔掉武士刀的武士野见勘十郎，与叛逆的女儿在流浪的途中，因为脱番而成为罪人被追捕。遭到逮捕后，勘十郎却因为遇到了被世间称作为奇人的…