Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

Although Gilles Deleuze never wanted a film to be made about him, he agreed to Claire Parnet's proposal to film a series of conversations in which each letter of the alphabet would evoke a word: From A (as in Animal) to Z (as in Zigzag). These DVDs, elegantly transtlated and subtitled in English, make these conversations available for English-speaking audiences? for the first time.In dialogue with Parnet (a journalist and former student of Deleuze), the philosopher exhibited the modest and thrilling transparency that his seminal works (such as Anti-Oedipus and A Thousand Plateaus) reveal. The sessions were taped when Deleuze was already terminally ill; he and Parnet agreed that the film would not be shown publicly until after his death. The awareness of mortality floats through the dialogues, making them not just intellectually stimulating but also emotionally engaging. Because Parnet knew Deleuze so well, she was able to draw him out--as no one else had--to what might be the 1001st plateau: a place of brilliance, rigor, and charm.In "A as in Animal," for example, Deleuze vents his hatred of pets: "A bark," he declares, "really seems to me the stupidest cry." Instead, he praises the tick: "... in a nature teeming with life, [the tick] extracts three things": light, smell, and touch. This, he claims, in a sense is philosophy. "And that is your life's dream?" Parnet wryly asks. "That's what constitutes a world," he replies. For Deleuze, doing philosophy meant not just creating concepts but living a life in philosophy. Gilles Deleuze from A to Z presents the mind of a great philosopher at work. 　　A as in Animal 　　B as in "Boire" (Drink) 　　C as in Culture 　　D as in Desire 　　E as in "Enfance" Childhood 　　F as in Fidelity 　　G as in Gauche (Left) 　　H as in History of Philosophy 　　I as in Idea 　　J as in Joy 　　K as in Kant 　　L as in Literature 　　M as in Malady 　　N as in Neurology 　　O as in Opera 　　P as in Professor 　　Q as in Question 　　R as in Resistance 　　S as in Style 　　T as in Tennis 　　U as in 'Un' (One) 　　V as in Voyage 　　W as in Wittgenstein 　　X, Y as in Unknowns 　　Z as in Zigzag

西班牙导演José Luis Garci凭借82年的《Volver a empezar》获得奥斯卡最佳外语片奖后，又再度凭借此片获奥斯卡最佳外语片提名。 　　The film tells the story of the relationship and friendship of two men who are both very much affected by the cinema: Both of them are writers, one of books the other of screenplays.

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“杀人狂丽兹·波顿”故事将再现银幕，克里斯汀·斯图尔特、科洛·塞维尼有望加盟。1892年，波顿涉嫌杀害父亲与继母，却因柔弱形象与缺乏证据获无罪释放，引发争议。

“杀人狂丽兹·波顿”故事将再现银幕，克里斯汀·斯图尔特、科洛·塞维尼有望加盟。1892年，波顿涉嫌杀害父亲与继母，却因柔弱形象与缺乏证据获无罪释放，引发争议。

演员没有孔维一，我提供那版是按照片尾字幕来的。

演员没有孔维一，我提供那版是按照片尾字幕来的。

Lizzie, a young woman with amnesia, slowly comes to realise that she may have been responsible for the horrific murder of her parents. After returning to the family home, Lizzie has terrifying flashbacks to her childhood, and comes face to face with the true horrors of her past. 　　Lizzie Borden took an axe 　　And gave her mother forty whacks. 　　When she saw what she had done 　　She gave her father forty-one. On August 4th 1892, Andrew Jackson Borden and Abby Durfee Borden were brutally murdered with an old household hatchet. The blows of the murder weapon were so violent and numerous that their faces and skulls were unrecognizably disfigured. Although acquitted, it is common knowledge that the daughter, Lizzie Borden, is responsible for the savage evil act. 　　The present day Lizzie Allen suffers from an extreme case of childhood amnesia which not only lays dark her childhood memories but also her relationship or lack there of, of her parents themselves. When Lizzie discovers the news of her father's death she inherits the house she once lived in...and therefore a new place to live. But as she begins to settle in she starts to get a glimpse of her childhood memories along with clues as to what really happened in the Borden household in 1892. We follow Lizzie's journey as she attempts to distinguish between the two and strives to reach her own sanity and happiness while doing so

Lizzie, a young woman with amnesia, slowly comes to realise that she may have been responsible for the horrific murder of her parents. After returning to the family home, Lizzie has terrifying flashbacks to her childhood, and comes face to face with the true horrors of her past. 　　Lizzie Borden took an axe 　　And gave her mother forty whacks. 　　When she saw what she had done 　　She gave her father forty-one. On August 4th 1892, Andrew Jackson Borden and Abby Durfee Borden were brutally murdered with an old household hatchet. The blows of the murder weapon were so violent and numerous that their faces and skulls were unrecognizably disfigured. Although acquitted, it is common knowledge that the daughter, Lizzie Borden, is responsible for the savage evil act. 　　The present day Lizzie Allen suffers from an extreme case of childhood amnesia which not only lays dark her childhood memories but also her relationship or lack there of, of her parents themselves. When Lizzie discovers the news of her father's death she inherits the house she once lived in...and therefore a new place to live. But as she begins to settle in she starts to get a glimpse of her childhood memories along with clues as to what really happened in the Borden household in 1892. We follow Lizzie's journey as she attempts to distinguish between the two and strives to reach her own sanity and happiness while doing so