Synopsis 　　Having lost her husband in the Korean War and living as a refugee with her daughter Ju (Lee Seong-ju), Shin (Lee Min-ja) gets by with the help of her late husband's friend Lee Seong-jin (Shin Dong-hun). However, Lee's sense of duty toward his friend's widow soon turns into love. Sensing his feelings for Shin, Lee's wife (Park Yeong-suk) upbraids her husband in deep jealousy and hysteria, and even resorts to finding solace in the arms of a young man named Taek (Lee Taek-kyun), whom she meets by chance. The fiery affair between Taek and Lee's wife takes a different turn when Taek saves Shin's daughter Ju from drowning at the beach. Although Shin finds herself receiving romantic overtures from Lee, she falls in love instead with the savior of her daughter's life and entrusts her daughter to another family in order to move in with Taek. Unfortunately, Taek's former girlfriend Jin (Na Ae-sim), thought to have died in the war, returns and he decides to leave Shin, to her utter dismay. Already settled with Jin, Taek bids Shin farewell, but Shin, who had sought to find truth in her love life with Taek, is shocked into pointing a knife at her lover. 　　Notes 　　"The first and final film by Korea's original female director, Park Nam-ok, which faithfully portrays from a female perspective the desires of women after the Korean War." 　　The Widow, by Korea's first female director, realistically portrays from a woman's perspective the actual hardships and circumstances faced by post-war widows. When her husband's death results in the loss of her livelihood, the female protagonist accepts financial assistance from her husband's friend even as she resists his romantic advances. When she falls in love with a younger man, she is true to her own desires to the extent of leaving her daughter with another family and setting up a business and a home with the money she has received from her husband's friend. Interestingly, The Widowdoes not mythologize its depiction of motherhood, opting instead to starkly represent the honest desires of women after the war. Although Shin demonstrates inner conflict between romantic and maternal love, she ultimately chooses the former. The film could be said to present its female protagonist as someone, who is shockingly true to herself, but, at the same time, it refrains from vilifying her, or depicts her in an unsympathetic light. 　　Unlike many male directors who looked with a hypocritical, duplicitous gaze of fascination and chastisement on post-war "apres girls," Park Nam-ok's empathetic portrayal maintains a clear female perspective by showing just how difficult it was for women to survive among men while realizing their own desires. 　　Afterword: 　　- The surviving film stock lacks the final scene, making it difficult to ascertain the film's ending. 　　- The Widow came under the spotlight when it was screened at the 1st Women's Film Festival in Seoul, in 1997.

✨ 越南年度恐怖懼片，榮登首週最賣座恐怖電影NO.1！ 　　✨ 取材真實駭人社會事件，票房勇破248億越南盾！ 　　✨ 媲美【母嬰靈】、【嬰靈】、【鬼搖靈】，孕育觀眾全新夢魘！ 　　✨ 越南功勳藝人杏翠耗時七年打造電影劇本，自編自演亮相大銀幕！ 　　✨ 多條支線離奇纏繞，無法預測的結局逆轉，挑戰觀眾道德極限！ 　　————— 👥 劇情簡介 👥 ————— 　　一對有理想生活、經濟穩定又相愛的夫妻「東」（國輝飾演）和「桃」（莊楊黎芳飾演），雖然已經結婚四年，卻始終沒有懷孕的消息。某天，桃終於懷上兩人的第一個孩子，在迎接新生命到來的同時，家中卻開始出現奇怪的笑聲，甚至閃過神秘小女孩的身影，以及種種無法解釋的離奇現象，讓一連串噩夢不斷縈繞在桃身上。桃認為有某種超自然力量在折磨自己，於是尋求巫師協助，希望自己跟肚子裡的小孩能夠平安。只是她意外得知，她所遇到的怪事，似乎跟她多年前一場失誤造成的事故，似乎有所關連…。

✨ 越南年度恐怖懼片，榮登首週最賣座恐怖電影NO.1！ 　　✨ 取材真實駭人社會事件，票房勇破248億越南盾！ 　　✨ 媲美【母嬰靈】、【嬰靈】、【鬼搖靈】，孕育觀眾全新夢魘！ 　　✨ 越南功勳藝人杏翠耗時七年打造電影劇本，自編自演亮相大銀幕！ 　　✨ 多條支線離奇纏繞，無法預測的結局逆轉，挑戰觀眾道德極限！ 　　————— 👥 劇情簡介 👥 ————— 　　一對有理想生活、經濟穩定又相愛的夫妻「東」（國輝飾演）和「桃」（莊楊黎芳飾演），雖然已經結婚四年，卻始終沒有懷孕的消息。某天，桃終於懷上兩人的第一個孩子，在迎接新生命到來的同時，家中卻開始出現奇怪的笑聲，甚至閃過神秘小女孩的身影，以及種種無法解釋的離奇現象，讓一連串噩夢不斷縈繞在桃身上。桃認為有某種超自然力量在折磨自己，於是尋求巫師協助，希望自己跟肚子裡的小孩能夠平安。只是她意外得知，她所遇到的怪事，似乎跟她多年前一場失誤造成的事故，似乎有所關連…。

24岁生日当天，芭芭拉得知丈夫战死越南，20年后，她决定拍一部关于越战的电影。在一位南越遗孀的陪同下，她走遍丈夫当年打仗的地方，藉由影像和新闻片段的交错寻问战争的本质，美、越两地的战后寡妇交相谈论战争带来的阴影，并不是要批判战争，而是让一段段错失的得以重新复活。

表面风景如画的村庄，背后隐藏着骇人食人族传闻。史上最年轻戛纳影帝柳乐优弥主演，12月28日带你深入食人族村落。警官阿川大悟（柳乐优弥 饰）被调派至山间小镇“供花村”，与妻子和女儿一起到当地展开新生活的他，却遇上一连串震惊的事件，因曾听说“村中的人会吃人”，让他逐渐开始相信这个说法。剧集改编自二宫正明2018年开始连载的漫画，作品名《Gannibal》取自Hannibal（汉尼拔）的俄文读法。

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夏古鲁亚，一个自出生以来就有阴阳眼这种能力的小孩，却因为所处的世界对阴阳眼的错误认知，一家受到了村民们的迫害。比较走运的就被教会用钱买来当圣兵作战，甚至获得民众们称之为“消灾解厄”者，而把人类的性命当作玩具玩弄的阴阳眼，就沦为“尸神”。就在一次作战当中，尸神竟然将自己的灵魂跟夏古鲁亚互换，但也失去了自己的记忆。后来得知真相之后，尸神就以夏古鲁亚身分展开了新的人生。并转世到另一个平行空间˙新宿，与职业杀手美纱树和情报屋缲缲合作，专门处理一些社会上的垃圾。

夏古鲁亚，一个自出生以来就有阴阳眼这种能力的小孩，却因为所处的世界对阴阳眼的错误认知，一家受到了村民们的迫害。比较走运的就被教会用钱买来当圣兵作战，甚至获得民众们称之为“消灾解厄”者，而把人类的性命当作玩具玩弄的阴阳眼，就沦为“尸神”。就在一次作战当中，尸神竟然将自己的灵魂跟夏古鲁亚互换，但也失去了自己的记忆。后来得知真相之后，尸神就以夏古鲁亚身分展开了新的人生。并转世到另一个平行空间˙新宿，与职业杀手美纱树和情报屋缲缲合作，专门处理一些社会上的垃圾。

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