查理·麦克西的同名绘本改编的手绘动画，关于善良、友谊、勇气和希望，通过一段辛酸而真挚的旅程，讲述了一个男孩、一只鼹鼠、一只狐狸和一匹马，四个孤独的灵魂在寻找家的过程中结伴而行，并在彼此身上找到了自己存在的意义。

查理·麦克西的同名绘本改编的手绘动画，关于善良、友谊、勇气和希望，通过一段辛酸而真挚的旅程，讲述了一个男孩、一只鼹鼠、一只狐狸和一匹马，四个孤独的灵魂在寻找家的过程中结伴而行，并在彼此身上找到了自己存在的意义。

Naima loves Hassan the singer but her greedy father Haji Metwali disapproves. Naima escapes with Hassan to get married. Her father follows them to get her back. He locks her up and Hassan tries to save her

昭和16年の北支戦線。山岳地帯に潜む敵軍大部隊を包囲すべく、土岐原兵団の矢垣参謀（押本映治）は左翼方面よりこれを攻めることを提案、これに対し杉参謀（中田弘二）は補給線を護るべく反対、激論は続いたが土岐原将軍（阪東妻三郎）の決定は矢垣案の採択であった。兵団主力部隊は早速山を越え、先行部隊は敵兵の侵入を阻む包囲網を作るべく急いだ。しかし残る右翼部隊は弾薬が尽き果て、そして戦闘司令部が敵軍残存部隊に包囲され危機に陥った。通信途絶で戦況を前線に伝えられない杉参謀は、自ら兵を率いて友軍戦車隊との接触に向かうのであった。

In 1994, a closeted teen struggles to part ways with his 4 high school drama friends at their final murder mystery party before they leave for college.

被切割的关于马的五个段落。

The Horse (1967) was a wide-screen spectacle; it conveyed a never-ending energetic variation of galloping with constant changes of mobile brush strokes. The feeling of excitement in the dashing animals was immediately transmitted to the audience and the experience proved unforgettable. It won a prize at the Cracow Film Festival "for its exceptionally interesting animation technique".

The story of the film is simple: A young girl in the countryside raises a young horse and develops a deep relationship to the animal. But the war is becoming part of life, so in the end she has to sacrifice her horse and sell it to the military. 　　The idea of propaganda film has been discussed by various scholars. Donald Keene mentioned that it only takes the ending of a film like uma to turn an overall innocent story into propaganda. The film was in 1941 officially supported and praised by the Japanese government. An official government statement commented: “Feel Gratitude in your hear and lend yourself to support the war effort” and Army Minister Tojo Hideki commented: “Only by means of the heartfelt affection of the breeders can fine horses – a mobile weapon that will become increasingly necessary in the future – be raised.” 　　A film about a teenager fond of horses, that turns into a propaganda film – so why should you be interested? Uma directed by Kajiro Yamamoto is often regarded as being the first film with a major involvement of Akira Kurosawa – who apart from his job as assistant director was said to have a love affair with the film’s teen aged star Takamine Hideko. Takamine herself was already one of the greatest stars of Japanese cinema, affectionately referred to as “Deko-chan” by her fans. After the war she would appear in many famous movies, most prominently in the works of Kinoshita and Naruse.