A lonely traveler embarks on a journey to find relief for a hidden yearning. Her restless longing spreads around and forces fellow passengers to face their own desires and disappointments.

A lonely traveler embarks on a journey to find relief for a hidden yearning. Her restless longing spreads around and forces fellow passengers to face their own desires and disappointments.

»Der Film erzählt vom Rhythmus des Lebens und der Lebensalter. Beschaulich-ruhige Bilder wechseln mit "visuell-schmerzhaften" Bildern (z.B. Selbst-Piercing). Mir ging es in dem Film nicht nur darum, die Motive bzw. die Motivation der Darsteller zu dokumentieren, sondern auch darum, diese Inhalte für den Zuschauer unmittelbar erlebbar zu machen. [...] 　　Mit dem Film ACHTUNG-Die Achtung versuche ich eine Spannung zu erzeugen, die nicht nur zwischen Schock/Sensation und Ruhe/Besinnung pendelt, sondern die es – im Kino wie im Leben – auch auszuhalten gilt.« (Michael Brynntrup)

我佛慈悲，普渡众生；万人信奉的缅甸高僧维拉图，弘扬的佛法却是顺我者生，逆我者亡。菩提树下修行出孽魔恶道，端坐权力祭坛，右手支颐高举和平公义，左手捏指挑起反伊斯兰仇恨，煽动种族清洗罗兴亚人。佛光昭昭下生灵涂炭，令番红花革命染上血色，昂山素姬的民主光环幻灭。始于《独裁者阿敏的自画像》（1974），续于《魔鬼大状》，施罗德终以「佛教恐怖面相」 的曼陀罗完成「邪恶轴心」三部曲。人在做，天在看， 无畏无惧以镜头直视邪恶本相：心若囚笼，苍生难渡。

一个男人被迫面对他的恐惧和麻烦的过去。他必须找到一种方法在暴力的杀戮狂欢中生存。。。

在一场死伤惨重的空难意外後，年轻的心理医师克蕾儿桑莫斯，由指导教授指派，辅导空难中十位大难不死的乘客。还是个新手的克蕾儿马上就遇到棘手状况，除了几位受到严重心理创伤的幸存者外，一位历劫归来的旅客艾瑞克，则是拒绝她的辅导，还违反规定，把坠机事件当成公开追求她的藉口。当她严守着病患与治疗师的分际，为其他幸存者提供辅导时，却发现了一个惊人的共同点：当他们回忆起空难发生的过程，都与航空公司的官方说法完全不同，并且不约而同指出一场不存在的大爆炸。更令人费解的是，这些慢慢回亿起空难的幸存者，竟然一个个离奇失踪，克蕾儿怀疑航空公司就是幕後的主谋，决心要查明的真相，深入探究这场阴谋，而她和艾瑞克也越走越近，甚至渐生情愫。此时艾瑞克却常神秘失踪，而一切线索都指向他，究竟艾瑞克是谁？空难的真相又是？

Les passagers (1999) French with english and German subs 　　Infos: 　　Titre / Title: LES PASSAGERS / THE PASSENGERS 　　Année / Year: 1999 　　Réalisateur / Director: Jean-Claude Guigue 　　Genre: Drame, Romance / Drama, Romance 　　Durée / Runtime: 88 min 　　Pays / Country: France 　　Langue / Language: Francais / French 　　Sous-titres / Subtitles: English, German 　　Distribution / Cast: 　　- Philippe Garziano (Pierre) seen in Drôle de Félix / The Adventures of Felix 　　- Bruno Putzulu (David) seen in Pourquoi pas moi? / Why Not Me? 　　- Stéphane Rideau (Marco) seen in Les roseaux sauvages / The Wild Reeds 　　- Fabienne Babe (Anna) 　　- Véronique Silver (La Narratrice) 　　- Gwenaëlle Simon (Isabelle) 　　- Jean-Christophe Bouvet (Le Voyageur) 　　Note/Rate IMDB: 6,1/10 　　Infos du fichier / File infos: 　　Video: JVT/AVC Coding, 631×390, 29.97 fps, 945 kbps 　　Audio: MPEG-4 Audio stereo, 44.1 kHz, 160 kbps 　　Taille / Size: 703 Mo 　　Sous-titres / Subtitles: Separate softcoded 　　Source: DVD rip 　　Qualité / Quality: Très bonne / Very good. 　　It is a day like any other. Men and women make their way across Paris north suburbs via the new tramway, silent in their thoughts but willing to tell us their stories. A young man who is taking flowers to the grave of his former lover, a victim of AIDS, reflects on their last moments together. Another young man is so obsessed with finding a woman with perfect feet that he ends up marrying one with an unpleasant face. David, a school teacher, begins an amorous liaison with a an unemployed younger man, Marco, whilst Pierre, a security guard, is all too ready to give up his days of solitude when he meets the right woman. Around them, society seems to be crumbling, the spread of AIDS reflecting a far deeper malaise in a world that has lost its way… 　　Les Passagers is a thought-provoking and hugely original film d’auteur from director and former film critic Jean-Claude Guiguet. Through a series of inter-locking vignettes involving vulnerable men and women looking for love in an increasingly loveless world, the film makes some appropriate comments on the nature of our society. Whilst not all of the observations are original, the poetic way in which Guiget makes his thesis certainly is. Les Passagers is an odd but appealing mix of the overtly political and the intensely humanist – rather like a curious marriage of Godard and Truffaut. 　　Among the diverse themes the film addresses are the random behaviour of the AIDS virus (which, unlike human beings, is totally non-discriminatory) and the destruction wrought by industries which are driven solely by the need to increase profits, not for the betterment of humanity. A beautifully composed work, this is a film which accurately reflects a modern western society in which communities are fragmented, life is increasingly uncertain and people find it harder and harder to communicate with one another. 　　A stylized and poetic movie with a beautiful soundtrack.

带着神秘过去的女人宋雅洁，时隔二十年之久再回故乡重庆，准备开始新的生活。她结识了当地出租车司机高捷并闯入其表面看似平静的生活。出租车司机积塞的生活中充斥着情感压抑与传统责任的捆绑，女人面临着中年困扰和已无法融入的陌生家乡，儿子困惑于自己的青春和前途，在现实黑暗与超现实的白茫里，他们皆不见出口。过去千年长江巫峡神女峰为孤舟导航，未来亿年后仙女星系终将银河吞噬。而现在只有沉重呼吸映照着迷途中试图寻找答案的人们，身在何处。

带着神秘过去的女人宋雅洁，时隔二十年之久再回故乡重庆，准备开始新的生活。她结识了当地出租车司机高捷并闯入其表面看似平静的生活。出租车司机积塞的生活中充斥着情感压抑与传统责任的捆绑，女人面临着中年困扰和已无法融入的陌生家乡，儿子困惑于自己的青春和前途，在现实黑暗与超现实的白茫里，他们皆不见出口。过去千年长江巫峡神女峰为孤舟导航，未来亿年后仙女星系终将银河吞噬。而现在只有沉重呼吸映照着迷途中试图寻找答案的人们，身在何处。

男人在列车上做出种种自私行为，由此受到其他乘客排挤，但事情逐渐往诡异的方向发展。导演胡安·巴勃罗·萨拉梅利亚曾凭代表作《灯具》在全球摘获包括安纳西国际动画电影节观众奖等三百多个奖项，他在本片中巧妙使用涂漆铝片模仿纸板制作布景与人物，用极具想象力的故事表现了私人空间与公共空间的矛盾，开放式的结局给予了观众自行解读的空间。