Jean Grémillon’s first talkie, the 1930 LA PETITE LISE, is anything but talky. While opening 　　and closing with soulful afro-Latin strains, something just above silence reigns throughout 　　the film. Grémillon is already orchestrating the auditory menace of nuanced sound sculpting 　　that would later pervade REMORQUES (1941), setting forth evolving rhythmic figures at an 　　atmospheric whisper. Grémillon grafts this aural frieze onto smoldering b&w photography. 　　Truly, the frame is often smoking for purposes of motif. 　　In truth, this film has the most impressive use of sound I know of, including Bresson’s 　　MOUCHETTE. It’s up for speculation as to how much technical issues played into his 　　creative use of sound and off-screen. What is of particular note is that instead of milking the 　　capability of sync sound dialogue, Grémillon uses it very sparingly, increasing the range of 　　expressiveness. An abstract score of atmospheric insinuation is always in accompaniment 　　with the imagery tonally, rhythmically and dynamically. Listening carefully, ambient sound isever at work in a subliminal music score. 　　The story of LA PETITE LISE belongs to the sandbox of melodrama, but Grémillon grinds it 　　into expressionistic minimalism. What is this story? Perhaps it will suffice to say that it is 　　the reunion of a father fresh out of prison with his daughter now grown up, all prepared 　　under a pressure cooker of lens and mic. Conflagrations arise periodically from the embers 　　of troubled quiet, with lighting flickering to and from peaks of intensity. Emblazoned 　　gestures extend from the sustain of affective brood, while conversations flare up before 　　subsiding back into the simmering cauldron.

小丽和丈夫过着安稳的生活，老公赌博导致家庭破裂，小丽离婚后要找条件优渥的男性再婚，认为找到一个经济稳定的男性就能幸福，母亲也一再灌输依靠男人的思想，经历多次挫败后重新发现自我，开始独立面对生活困境，积极乐观的生活。

小丽经历了一次不幸婚姻，与丈夫离婚后，虽然遇到生活条件不错的男人，因为男方顾忌到自己带着孩子而放弃小丽。小丽经过一些挫折后，无法找到依靠，为了孩子和自己的生活，小丽积极乐观的选择了新的生活。

小丽经历了一次不幸婚姻，与丈夫离婚后，虽然遇到生活条件不错的男人，因为男方顾忌到自己带着孩子而放弃小丽。小丽经过一些挫折后，无法找到依靠，为了孩子和自己的生活，小丽积极乐观的选择了新的生活。

A cool edgy puppet show, which is made so well detailed. A real life prank phone call show created from the insane minds of Adam Carolla, Jimmy Kimmell and Daniel Kellison. The puppets are used to give the calls more liveliness. This show created some memorable characters since Family Guy. The bitter war vet Dick Birchum(Adam Carolla), Mean spirited Hadassah(Sarah Silverman), Drunk pot smoking slacker Bobby Flecther(Jim Florentine), The Incredible nauseous Danny(David Alan Grier), OCD Ken(Kevin Nealon), sex crazed Cammie(Lisa Kushell) and The one who seems to be the most memorable is Special Ed(Also Jim Florentine). It is the magic of the comedic voices, and the puppeteers,that give the show its magic touch. I'll understand if it is cancelled, I mean how long can you on with a prank call show. But it is still fun to watch.

A cool edgy puppet show, which is made so well detailed. A real life prank phone call show created from the insane minds of Adam Carolla, Jimmy Kimmell and Daniel Kellison. The puppets are used to give the calls more liveliness. This show created some memorable characters since Family Guy. The bitter war vet Dick Birchum(Adam Carolla), Mean spirited Hadassah(Sarah Silverman), Drunk pot smoking slacker Bobby Flecther(Jim Florentine), The Incredible nauseous Danny(David Alan Grier), OCD Ken(Kevin Nealon), sex crazed Cammie(Lisa Kushell) and The one who seems to be the most memorable is Special Ed(Also Jim Florentine). It is the magic of the comedic voices, and the puppeteers,that give the show its magic touch. I'll understand if it is cancelled, I mean how long can you on with a prank call show. But it is still fun to watch.

《小龙和小丽》是1984年“飞天奖”获奖影片，由罗小玲导演执导，倪月菲、沈畅、高鹏主演的中国第一部有声的儿童电视连续剧。

安宁的日常——背后却暗藏秘密 将犯罪防患于未然的秘密组织——“DA（Direct Attack）” 隶属于DA的少女特工——“莉可丽丝” 理所当然的日常，都要归功于她们。 咖啡厅“莉可莉可” 作为DA支部，员工有号称史上最强莉可丽丝的精英·锦木千束、优秀却暗藏隐情的莉可丽丝·井上泷奈。 这里供应的不光是咖啡和甜品，还有照顾孩子、代为购物、教外国人日语等服务，全都不像是“莉可丽丝”会做的事。 自由随性又乐天的和平主义者·千束和效率至上的泷奈，反差巨大的两人组成搭档，开始了忙忙碌碌的每一天。

平稳的日子――其实暗藏着秘密防范犯罪的秘密组织――“DA（Direct Attack）”。作为特工的少女们“LYCORIS”。有着历代最强的LYCORIS之称的・锦木千束、优秀的LYCORIS・井之上泷奈，在咖啡厅“LycoReco”支部工作。这里接受的订单从订购咖啡和甜点，到照顾小孩、代购、面向外国人的日语老师等请放心交给“LycoReco”自由自在的乐天派、和平主义的千束与沉着冷静系、效率主义的泷奈二人跌宕起伏的混乱日常正式上演！

一日，小女孩爱丽丝（Kristýna Kohoutová 饰）在自己的房间玩耍，一只兔子闯入了她的玻璃橱柜，神色慌张地更衣赶路，爱丽丝跟随这只奇怪的兔子爬进抽屉，很快便从一个大水桶里掉入了另一个世界。然而，这并不是我们从童话里熟知的那个爱丽丝仙境，兔子肚子里竟然填满了木屑，需要吃木屑补充能量，它还有一把专门用来砍头的大剪刀；鱼缸里的鱼骨头会咬人；袜子虫长着假牙钻来钻去……这里的一切与其说是奇幻，不如说是诡怪，甚至有些残酷和肮脏。面对着预料之外的种种威胁，爱丽丝在“仙境”中探索前行，她最终将走到哪里，又将遇到些什么？同时她也在好奇，这个世界和自己的房间，究竟哪个才是现实，哪个才是“仙境”…… 　　本片曾获1989年安纳西国际动画电影节故事片奖。