该剧是献给纽约多元音乐的情书，围绕寻找自己真实的声音和使用它的勇气展开，讲述才华横溢的歌手贝丝·金在遭遇拒绝、爱情和复杂的家庭问题的同时，努力实现自己的梦想的故事。

11月初めの秋、付き合って５年が経つ沙良と遼は熱海旅行に来ている。有給休暇を使った3泊4日のささやかな旅行だ。遼は沙良と結婚する準備をしているが、沙良は遼と結婚をしたくない。なぜ結婚をしたくないのか自分でも分からない沙良は、旅先でも遼を避けて行動している。二日目の午後、沙良は一人で室内プールに行った。そこで背中に大きな傷を負った山崎という男に声をかけられる。

姐姐与弟弟睡前喜欢天马行空地聊天，却总是被爸爸打断。于是，他们想出来一个主意。 　　本片为中国美术学院影视与动画艺术学院13级学生毕业作品。

姐姐与弟弟睡前喜欢天马行空地聊天，却总是被爸爸打断。于是，他们想出来一个主意。 　　本片为中国美术学院影视与动画艺术学院13级学生毕业作品。

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

本片导演Joanna Priestley以实验创新的手法，将自己的形象绘制成动画。她向观众介绍了自己动画工作者的身份，并且愿意通过短片分享她的一些想法。她拥有卓著的绘画技巧，可以自由变换绘画风格，不过还是愿意面对面与观众交流，谈谈她所害怕的东西。比如害怕身处黑暗之中，她担心在那里会遇到怪物。她担心去做选择，毕竟站在十字路口纵使让人难以抉择。她还害怕变老，害怕体重超标，害怕世界发生战争而毁灭。 　　这是一个动画人，或者说一个普通女性内心世界的真实具现……

本片导演Joanna Priestley以实验创新的手法，将自己的形象绘制成动画。她向观众介绍了自己动画工作者的身份，并且愿意通过短片分享她的一些想法。她拥有卓著的绘画技巧，可以自由变换绘画风格，不过还是愿意面对面与观众交流，谈谈她所害怕的东西。比如害怕身处黑暗之中，她担心在那里会遇到怪物。她担心去做选择，毕竟站在十字路口纵使让人难以抉择。她还害怕变老，害怕体重超标，害怕世界发生战争而毁灭。 　　这是一个动画人，或者说一个普通女性内心世界的真实具现……

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher. 　　The Jeju April 3 Incident resulted in numerous fatalities. According to an official survey initiated by the Korean government in the 2000s, the count is around 14,000, but estimates suggest the actual number could range from 25,000 to 30,000. The majority of fatalities occurred as government suppression forces sought to root out armed guerrillas (78.1% of total fatalities, according to official records), consequently causing a substantial number of civilian deaths. Among them, 80% were men, which may explain why the hardships confronted by women during the incident have not been thoroughly researched or brought to light. VOICES is a documentary reflecting on the harsh history that women have faced, focusing on testimonies from four older women who lived through those times. The testimonies of those are poignant. One miraculously escaped death from a massacre after being dragged to a beach, another was stabbed seven times by the suppression forces but survived feigning death, and another lost most of her family members as part of a fugitive family. Especially the accounts of sexual violence perpetrated against women are deeply infuriating. The interspersed animations serve to reenact the incidents while also helping manage the surging anger. (MOON Seok)

A couple's ailing marriage is put to the test when they are held hostage in an isolated vacation rental by an unseen Voice that commands their every move.