该剧是献给纽约多元音乐的情书，围绕寻找自己真实的声音和使用它的勇气展开，讲述才华横溢的歌手贝丝·金在遭遇拒绝、爱情和复杂的家庭问题的同时，努力实现自己的梦想的故事。

姐姐与弟弟睡前喜欢天马行空地聊天，却总是被爸爸打断。于是，他们想出来一个主意。 　　本片为中国美术学院影视与动画艺术学院13级学生毕业作品。

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

MACH DIE MUSIK LEISER portrays a group of teenagers in Essen, an industrial town in the Ruhr region in the Western part of Germany. It's the summer of 1993. School's over for most of the adolescents, who are mainly played by non-actors. The individuals’ decisions on the future are not determined yet. Bored uncertainty, shy and somewhat helpless passivity dominate the sparse actions and day to day activities – modest quarrels with parents, attending a concert (hardcore stalwarts "Biohazard"), watching pictures in the nearby drive-in-theatre (Cameron’s "Terminator") or on video (Raimi’s "Evil Dead"), meeting with friends in coffeeshops, pubs, along footways and park benches. At first glance nothing specific or dramatic is going on. But as the movie evolves the viewer gets more acquainted with some of the characters’ in- and exterior changes during their rites de passage. 　　MACH DIE MUSIK LEISER is Arslan’s first feature film, his graduation movie from Berlin film school. It already has him following a style of contained observational accuracy. A style connecting documentary and fiction, resting upon the means of spatiotemporal representation, not upon dramatic suspense.

本片导演Joanna Priestley以实验创新的手法，将自己的形象绘制成动画。她向观众介绍了自己动画工作者的身份，并且愿意通过短片分享她的一些想法。她拥有卓著的绘画技巧，可以自由变换绘画风格，不过还是愿意面对面与观众交流，谈谈她所害怕的东西。比如害怕身处黑暗之中，她担心在那里会遇到怪物。她担心去做选择，毕竟站在十字路口纵使让人难以抉择。她还害怕变老，害怕体重超标，害怕世界发生战争而毁灭。 　　这是一个动画人，或者说一个普通女性内心世界的真实具现……

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher. 　　The Jeju April 3 Incident resulted in numerous fatalities. According to an official survey initiated by the Korean government in the 2000s, the count is around 14,000, but estimates suggest the actual number could range from 25,000 to 30,000. The majority of fatalities occurred as government suppression forces sought to root out armed guerrillas (78.1% of total fatalities, according to official records), consequently causing a substantial number of civilian deaths. Among them, 80% were men, which may explain why the hardships confronted by women during the incident have not been thoroughly researched or brought to light. VOICES is a documentary reflecting on the harsh history that women have faced, focusing on testimonies from four older women who lived through those times. The testimonies of those are poignant. One miraculously escaped death from a massacre after being dragged to a beach, another was stabbed seven times by the suppression forces but survived feigning death, and another lost most of her family members as part of a fugitive family. Especially the accounts of sexual violence perpetrated against women are deeply infuriating. The interspersed animations serve to reenact the incidents while also helping manage the surging anger. (MOON Seok)

A couple's ailing marriage is put to the test when they are held hostage in an isolated vacation rental by an unseen Voice that commands their every move.

在人类所有的感官中，耳朵可能是最勤奋的一个，它全天24小时工作，不断帮人们认知世界，又在充实人们想象，却往往被忽略。一群年轻人却决定用影像记录下我们未曾感受到的 “声音传奇”。 　　由新纪实传媒推出的首部运用杜比全景声4K技术制作、以探索声音的魅力为主题的纪录片《声音传奇》，将于12月27日晚10点，在北京纪实卫视独家播出。 　　该片以“声音”为线索，网罗了年轻人感兴趣的主题：音乐会、TV Show、电影、戏剧、音响设备、互联网生活等。 　　片方表示，拍摄一部以“声音”为主题的纪录片，是一次全新的尝试，有相当的难度，因为声音并不具象，其所包含的内容又相当庞杂。 　　为了清晰地呈现声音的多个维度，主创找到一个最重要的线索——人。感受与创造声音都由人来完成，因为有人，声音才有了传奇。

在人类所有的感官中，耳朵可能是最勤奋的一个，它全天24小时工作，不断帮人们认知世界，又在充实人们想象，却往往被忽略。一群年轻人却决定用影像记录下我们未曾感受到的 “声音传奇”。 　　由新纪实传媒推出的首部运用杜比全景声4K技术制作、以探索声音的魅力为主题的纪录片《声音传奇》，将于12月27日晚10点，在北京纪实卫视独家播出。 　　该片以“声音”为线索，网罗了年轻人感兴趣的主题：音乐会、TV Show、电影、戏剧、音响设备、互联网生活等。 　　片方表示，拍摄一部以“声音”为主题的纪录片，是一次全新的尝试，有相当的难度，因为声音并不具象，其所包含的内容又相当庞杂。 　　为了清晰地呈现声音的多个维度，主创找到一个最重要的线索——人。感受与创造声音都由人来完成，因为有人，声音才有了传奇。

本剧翻拍自韩国惊悚片。一位广受敬重的侦探与才干过人的警探联手合作，誓言将杀害他们心爱之人的凶手绳之以法@电视剧之家整理编辑