沈皖仪在祖奶奶墓前许愿想要一个完美老公，意外穿越进小说，成为虐待男主养子的恶毒女配。为扭转原主命运，她开始讨好养子秦晏晏，却撞见因中蛊毒变成小孩的男主秦怀州。沈皖仪不知其身份，肆意逗弄“小团子”， 而秦怀州白天是孩童，夜晚恢复成人，两人阴差阳错同床共枕，暖昧丛生。

沈皖仪在祖奶奶墓前许愿想要一个完美老公，意外穿越进小说，成为虐待男主养子的恶毒女配。为扭转原主命运，她开始讨好养子秦晏晏，却撞见因中蛊毒变成小孩的男主秦怀州。沈皖仪不知其身份，肆意逗弄“小团子”， 而秦怀州白天是孩童，夜晚恢复成人，两人阴差阳错同床共枕，暖昧丛生。

女总裁罗漫为了摆脱相亲找了年轻的服务生荣远航协议结婚。领证以后罗漫发现小奶狗人俊嘴甜，对她占有欲极强，并且腹黑狡诈并不像看上去那么单纯。。。

秦苒隐姓埋名与白氏集团总裁白景州契约结婚三年，因流言误会白景州心有白月光，并且在等对方回来，所以三年时间，两人的婚姻毫无进展，秦苒对这段婚姻逐渐不抱期望，而白景州也提出了离婚。秦苒干脆利落的选择放手，但没想到在第二天领离婚证的路上，白景州发生车祸，失去了一段记忆，在医院醒来后认定秦苒就是自己的爱人。在白景州失忆期间，两人感情突飞猛进

这是勇者一行人打倒魔王之后的故事。 人类族的勇者辛美尔、矮人族的战士艾泽、人类族的僧侣海塔、精灵族的魔法使芙莉莲，结束长达十年的冒险旅程，作为英雄凯旋归来，并接受国王表扬。他们刚好遇上50年一遇的流星雨，四人组相约50年后再度相聚观看难得一见的流星雨。但在芙莉莲和昔日的冒险伙伴依约再会欣赏流星雨的当夜，伙伴的逝世让长寿的芙莉莲感受到生死无常，也让芙莉莲开始深入探讨生命的意义。 《葬送的芙莉莲》之所以深受粉丝喜爱，不仅是故事时常点出生命无常的本质，同时芙莉莲与菲伦以及休塔尔克等新伙伴的邂逅，在日常生活交织出温暖的情感。

中央大陆古老城邦，人们夹道欢呼，为击败了魔王的四人组高声喝彩。这四个人分别是勇者辛美尔（冈本信彦 配音）、精灵魔导师芙莉莲（种崎敦美 配音）、僧侣海塔（东地宏树 配音）以及矮人族战士艾泽（上田耀司 配音）。在王宫盛大的晚宴上，四位好朋友相聊甚欢，并且共同回忆着征途中的快乐种种。当天上流星划过，他们相约去一个更好的地方欣赏这个五十年一遇的流星雨。在此之后，芙莉莲告别好友们，独自踏上收集魔法的旅程。时光倏忽而逝，转眼五十年过去，她如约回到主城。而与这个几乎拥有不死之身且不会衰老的精灵形成鲜明对比的是，曾经英俊帅气、孔武有力的朋友们都已经衰老。他们追昔过往，又无奈面对死亡。这让芙莉莲的心中产生了波动…… 　　本片改编自原作山田钟人，作画阿部司的同名漫画。

这是勇者一行人打倒魔王之后的故事。 人类族的勇者辛美尔、矮人族的战士艾泽、人类族的僧侣海塔、精灵族的魔法使芙莉莲，结束长达十年的冒险旅程，作为英雄凯旋归来，并接受国王表扬。他们刚好遇上50年一遇的流星雨，四人组相约50年后再度相聚观看难得一见的流星雨。但在芙莉莲和昔日的冒险伙伴依约再会欣赏流星雨的当夜，伙伴的逝世让长寿的芙莉莲感受到生死无常，也让芙莉莲开始深入探讨生命的意义。 《葬送的芙莉莲》之所以深受粉丝喜爱，不仅是故事时常点出生命无常的本质，同时芙莉莲与菲伦以及休塔尔克等新伙伴的邂逅，在日常生活交织出温暖的情感。

寿命逾千年的魔法使芙莉莲，以曾经共同战胜魔王的勇者辛美尔之死为契机，踏上了了解人类的旅途。邂逅了同属勇者小队的僧侣海塔与战士艾泽分别培养出的菲伦与休塔尔克，芙莉莲与二人一同前往灵魂安眠之地。为了前去需要【一级魔法使】资格，因此芙莉莲与菲伦前往魔法都市维萨斯特，参加一级魔法使选拔测验。在那里有着形形色色的卓越魔法使…此刻，最顶尖的魔法将在维萨斯特展开激烈碰撞！

The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisputable, only her husband's destructive envy surpasses it. And whilst she uses her talent and authorship to give a voice to the suppressed women of the time, providing them with courage to leave behind husbands and the patriarchal structures of society, Andreassen's only talent is to sell sexist tabloids to the people. Tove looks straight through her husband's inferiority complex, and yet she puts up with his humiliating behavior and his violence. He is the one who controls her drug abuse and repeated admissions to the psychiatric ward - the only place in which she truly finds peace to write. On this very day they're expecting a lunch guest, like hyenas awaiting their prey. Their power struggle needs an audience, a weak play mate they can throw around as they see fit. Who is more suited than the young, promising author Klaus R., a man who celebrates the modern woman's rebellion and the new opportunities afforded to her? Klaus R. believes they'll be talking about literature in an era that belongs to women - what he doesn't know is that a blood bath awaits him. Or does he?

The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisputable, only her husband's destructive envy surpasses it. And whilst she uses her talent and authorship to give a voice to the suppressed women of the time, providing them with courage to leave behind husbands and the patriarchal structures of society, Andreassen's only talent is to sell sexist tabloids to the people. Tove looks straight through her husband's inferiority complex, and yet she puts up with his humiliating behavior and his violence. He is the one who controls her drug abuse and repeated admissions to the psychiatric ward - the only place in which she truly finds peace to write. On this very day they're expecting a lunch guest, like hyenas awaiting their prey. Their power struggle needs an audience, a weak play mate they can throw around as they see fit. Who is more suited than the young, promising author Klaus R., a man who celebrates the modern woman's rebellion and the new opportunities afforded to her? Klaus R. believes they'll be talking about literature in an era that belongs to women - what he doesn't know is that a blood bath awaits him. Or does he?