On Chinese New Year’s Eve, a 19-year-old boy tries to reconnect with his mother after going to kung fu school against her will.

On Chinese New Year’s Eve, a 19-year-old boy tries to reconnect with his mother after going to kung fu school against her will.

北方初冬夜里，小宇在陌生男子家中得知老家的外婆去世，隔日，身无分文的他第一次来到城市公墓，偶遇了来祭奠其奶奶的男孩...

A mid-century cinematic device that uses a rotating barrier-grid to display autostereoscopic 3D: the cyclostéréoscope resembles a piece of industrial farm equipment as much as a pre-modern line screen apparatus – a correlation that Lurf and Jauernik tease out through a spatiotemporal intervention. Befitting its title, Revolving Rounds is a cyclical film in both form and content. Shot at an agricultural field on the outskirts of Viennathe film begins as it ends, tracking a planimetric path alongside three greenhouses as the early morning sun beams across the surrounding landscape.

A mid-century cinematic device that uses a rotating barrier-grid to display autostereoscopic 3D: the cyclostéréoscope resembles a piece of industrial farm equipment as much as a pre-modern line screen apparatus – a correlation that Lurf and Jauernik tease out through a spatiotemporal intervention. Befitting its title, Revolving Rounds is a cyclical film in both form and content. Shot at an agricultural field on the outskirts of Viennathe film begins as it ends, tracking a planimetric path alongside three greenhouses as the early morning sun beams across the surrounding landscape.

三名亡命之徒被称为“麦克尼斯兄弟”，威胁着位于沙漠中的一个边陲小镇。这是由一个前警长和一个舞蹈家来阻挠卑鄙的三重奏。

《我从汉朝来》是纪录频道今年重点推出的大型原创纪录片作品。该片以汉代重要的图像史料和文化遗产“汉画像石”作为核心线索，三年间寻访百余处历史遗迹，用影像复原了画像石记述的历史事件，宴饮、劳作、家庭生活等各类场景和人物形象，甚至再现了先民想象中的神仙世界。

《我从汉朝来》是纪录频道今年重点推出的大型原创纪录片作品。该片以汉代重要的图像史料和文化遗产“汉画像石”作为核心线索，三年间寻访百余处历史遗迹，用影像复原了画像石记述的历史事件，宴饮、劳作、家庭生活等各类场景和人物形象，甚至再现了先民想象中的神仙世界。

描述一位上海女士經相睇後，嫁與一個香港商人，並隨夫來港後所面對的生活變化及她作出的適應。故事呈現了香港不同階層的面貌，以及人際間的感情，更反映出香港人對香港的歸屬感及重新認識，對本土文化更加以肯定。

描述一位上海女士經相睇後，嫁與一個香港商人，並隨夫來港後所面對的生活變化及她作出的適應。故事呈現了香港不同階層的面貌，以及人際間的感情，更反映出香港人對香港的歸屬感及重新認識，對本土文化更加以肯定。