昭野春彦《小工具之旅：思维景象（TOLS - 1267）》目前发行有LD和DVD版本。故事设定在冷战时期，主角是一名外国政府特工，要在类似东欧的环境里寻找一位失踪的科学家。但他的探寻之路困难重重，尤其是当幻觉开始出现之后……《黑客帝国》导演宣称这部影片是《黑客帝国》的灵感来源之一。这是一部震撼且连贯的全CG电影，打破了所有固有偏见。癫痫警告：本片含有大量闪烁的颜色和图像。

The main character, Helmi, is born into the house of Baron von Strandmann in Old-Town Tallinn, in 1908. The only thing that she knows for sure about her past is that her mother was an Estonian servant girl. Everything else is a discovery during a life that runs the course of a century - a life that has quite a lot of surprises in store for Helmi. In this house she finds happiness and suffering, passion and disappointment. She grows up alongside young Erik and waits for her big love to blossom. But one floor down lives projectionist Julius - a man who is far from indifferent when it comes to Helmi. All of the biggest historical events of the century leave their mark on the house. Its hardwood floors have born soldiers' gruff boots and gentleman's shiny oxfords. Its walls have held the fates of people from far and near, foreigners and locals. Helmi's home becomes a German salon, a revolution museum, and a working class commune. And as freedom comes, real estate crooks start sniffing around the place. The only things that remain unchanged in these turbulent times are the cinema hall projecting living images on the screen and Julius's quiet love for Helmi. Director Hardi Volmer's historical love story combines the grotesque of early silent films with the melodrama of the golden age of cinema with elements of both the epic and the comic.

Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer)

First section of an extended study of the weather and landscape in the Hudson River Valley.

A rare film by the legendary filmmaker Mustafa Abu Ali, one of the founders of the Palestine Film Unit, the first filmic arm of the Palestinian revolution. Shot by a French news team, the footage was edited by Mustafa in Lebanon to produce one of the earliest films on the occupied territory in Gaza. Scenes of the Occupation from Gaza employs experimental editing tech- niques to produce a cinematically and politically subversive film. The film won the prize as best film at the Damascus Film Festival in 1973 and was screened at multiple festivals. It was the only film produced by the Palestine Cinema Group, which in 1974 became the Palestine Cinema Institute.

A peculiar team of three handymen has to face a series of eccentric clients. Their everyday job becomes a surrealist and exhilarating experience.

二战后，作为战败国的日本一夜沦为了四流国家，同盟国对其施行的惩罚性政策更是让日本的经济大受打击。就在所有人都以为日本无法再站起来时，一位经济学家的理论让日本经济在六十年代后有了飞速发展。仅用二十年就跃为世界第二大经济体的日本在八十年代时出现了与之前完全不同的景象，股价房价飞涨，大众一度追求奢靡生活…… 直到有一天泡沫突然破灭，日本经济一下陷入了低迷期。日本是如何在废墟中崛起的，又为何会出现泡沫经济，日本又将如何走出失去的二十年呢？这些问题都将在纪录片中得到答案。

职场打工人陈心怡常年加班过劳猝死，可无良老板为掩盖过错，动用恶势力封锁所有相关新闻，她的家人四处奔走，却处处碰壁、无处说理。心中执念难消的陈心怡不愿喝下孟婆汤转世投胎，选择留在遍布妖物的地府做临时工，靠着各类杂活积攒灵力，目标只有一个 —— 凝聚肉身，重回阳间为自己讨回公道。

这是一部由才华横溢的凯恩·帕森斯（Kane Parsons）全新构思的原创剧集。一片森林中出现了一种无法解释的现象，任何胆敢靠近它的人都会因此陷入一连串的不幸事件之中。

小陈原本从工地起步，投奔表哥合伙经营装修生意。他踏实肯干、全年劳碌奔波，年末到手的薪水却少得可怜，彻底看清表哥唯利是图、压榨亲人的本性，决心分开独自创业。 表弟自立门户触动了表哥的利益，对方频频出手刁难:四处散播负面谣言诋毁口碑、上门干扰现场施工、刻意布设商业圈套，层层阻碍接连不断。 即便前路荆棘丛生，小陈始终守住匠人底线，不靠投机取巧，凭借精湛做工和实在口碑积累客源，逐一冲破难关。靠着实打实的硬实力，他在装修行业站稳脚跟，事业蒸蒸日上。 待到功成名就，小陈没有计较往日纠葛，主动放下恩怨，依旧心怀热忱，用自身能力回馈身边人，传递善意与温暖。