20世纪70年代末，苏州棉纺厂家属区一条小巷里住着庄、林两家人。此时正值高考恢复，身为教师的庄超英 （ 郭晓东 饰）和妻子黄玲 （ 闫妮 饰）将儿女高考作为家庭头等大事，邻居林武峰 （ 李光洁 饰）和宋莹 （ 蒋欣 饰）一家受其影响也开始关注儿子学业。庄超英、黄玲一家看似和谐体面，儿子庄图南 （ 范丞丞 饰）刻苦好学，女儿庄筱婷 （ 关晓彤 饰）乖巧懂事，但庄超英的懦弱愚孝却让家人备受伤害。隔壁林武峰、宋莹一家看似我行我素，儿子林栋哲 （ 王安宇 饰）异常顽皮，实则夫妻间相互扶持，亲子间相互尊重，家庭热闹而完满。林武峰和宋莹顺应时代变迁，举家前往广州寻找新的机遇，从小青梅竹马的庄筱婷与林栋哲却在分开后发现了对彼此的心意，相约考入同一所大学，在毕业时面临家庭与现实的阻碍仍坚定地选择了对方。而庄图南辗转多年后还是选择和大学互相暧昧的同学李佳 （ 卢昱晓 饰）在一起了 。

狐妖白逍借用灵珠闭关修炼，只差几天便可功德圆满，却被冒失少女夏葵一跤跌在他身上。白逍不仅修炼被打断，还被当萨摩耶送到宠物医院。宝贵灵珠，亦被夏葵拿走，打算摆到她的淘宝小店上当假古董卖。白逍追到小葵家，灵珠竟以小葵做了宿主，他欲杀夏葵而夺珠，却被夏葵做的红烧肉诱惑。而此时，白逍眼前的世界越来越让他惊奇，不仅红烧肉前所未见，还有电灯，微波炉，完全在其经验之外。原来白逍竟是一只唐朝的狐狸精，一觉醒来，人间已变成现代社会。这就是唐朝妖法遇到现代科技，纵使高冷范儿十足的白逍也露惊慌相。小葵看出他的疑惧和好奇，趁机骗得几日活命时间，以向单恋的学长表白。但令这对啼笑皆非冤家怎么也想不到的是，灵珠现世，竟悄然激活了冰冷都市丛林中无数匪夷所思的奇异妖灵，纷纷前来搅扰。为保灵珠不被抢走，白逍被迫当起小葵的贴身保镖。一个冷面唐朝狐少年，一个呆萌贪财少女，被迫生活在一起，经历这大都市中最诡异的阴谋以及最暖心的情感。

狐妖白逍借用灵珠闭关修炼，只差几天便可功德圆满，却被冒失少女夏葵一跤跌在他身上。白逍不仅修炼被打断，还被当萨摩耶送到宠物医院。宝贵灵珠，亦被夏葵拿走，打算摆到她的淘宝小店上当假古董卖。白逍追到小葵家，灵珠竟以小葵做了宿主，他欲杀夏葵而夺珠，却被夏葵做的红烧肉诱惑。而此时，白逍眼前的世界越来越让他惊奇，不仅红烧肉前所未见，还有电灯，微波炉，完全在其经验之外。原来白逍竟是一只唐朝的狐狸精，一觉醒来，人间已变成现代社会。这就是唐朝妖法遇到现代科技，纵使高冷范儿十足的白逍也露惊慌相。小葵看出他的疑惧和好奇，趁机骗得几日活命时间，以向单恋的学长表白。但令这对啼笑皆非冤家怎么也想不到的是，灵珠现世，竟悄然激活了冰冷都市丛林中无数匪夷所思的奇异妖灵，纷纷前来搅扰。为保灵珠不被抢走，白逍被迫当起小葵的贴身保镖。一个冷面唐朝狐少年，一个呆萌贪财少女，被迫生活在一起，经历这大都市中最诡异的阴谋以及最暖心的情感。

《Bravo My Life》讲述了电视台助理导演、准备七年还未能出道的演员，以及在电视台目中无人的绝对掌权者之间的故事。延政勋将在剧中饰演电视剧PD申东宇，郑柔美则将饰演一直未能升职的助理导演河度娜，显祐将在剧中饰演准备7年都未能出道的演员金范宇。

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

流落多年的真千金白芷回到何家，使得假千金何香一夜之间失去所有。何香陷入封魔，绑架了白芷并与其交换容貌，假扮白芷回到未婚夫和母亲身边。而顶着何香脸的白芷，却遭遇到了不属于她的苦难，只祈求真相大白的一天

如果能重活一次！那就再重活一次！

来自蒙古科尔沁旗的大玉儿（宁静 饰）从小被誉为“满蒙第一美女”，她和皇太极（刘德凯 饰）之弟、睿亲王多尔衮（马景涛 饰）从小青梅竹马、按许终身，却被皇太极纳为侧福晋，被封永福宫庄妃，与多尔衮成了叔嫂关系，但始终余情未了。皇太极突然驾崩，帝位之争风起云涌，掌握兵权的多尔衮成为皇太极长子豪格的最大敌手，却出乎意料拥护大玉儿之子福临（严昆 饰）即位，大玉儿至此成为孝庄太后。为了儿子的帝位、大清基业，孝庄始终和多尔衮保持若即若离关系，而为了太后的清誉，两人多年的炙热感情也只剩下发乎情止乎礼的遗憾。多尔衮英年早逝，孝庄也只能把痛苦埋在心底，用尽手段辅佐顺治帝的统治，而顺治遭遇爱妃董鄂氏（舒畅 饰）病故，萌发出世念头，孝庄不得已立顺治之子玄烨为帝，年号康熙，开创一代大清盛世。

拥有“满蒙第一美女“之誉的 大玉儿，与姑姑 哲哲一样出身自蒙古科尔沁旗，她的姑姑是太宗皇太极之正福晋。大玉儿与皇太极异母之弟 多尔衮青梅竹马，终身暗许，却被皇太极纳为侧妃。多尔衮与皇太极结下“占位、逼母、夺爱“之仇。皇太极称帝，国号大清。正福晋哲哲被立为清宁宫皇后，大玉儿被封为永福宫庄妃。皇太极很爱大玉儿，但当他得知大玉儿仍然心系多尔衮时，对她不禁爱恨交织。大玉儿的亲姐姐 海兰珠新寡，偶为皇太极看上，一见钟情，封为关雎宫宸妃。宸妃怀孕，生子夭折，两天后大玉儿却生下九阿哥福临。宸妃恨妒，对大玉儿极尽迫害，却不料红颜薄命，香消玉殒。皇太极心痛，竟迁怒大玉儿，大玉儿含泪忍受。两年后，皇太极突然驾崩，未曾留下遗言，帝位争夺战势不可免。睿亲王多尔衮与皇太极长子肃亲王豪格争位不下。崇政殿上，多尔衮却突然独排众议，坚决拥立大玉儿的七岁儿子福临为帝，年号顺治。孝庄太后（大玉儿）的忠心侍婢苏茉尔，担心多尔衮精锐兵力在手，恐将在京称帝，孝庄太后却相信多尔衮。多尔衮心中确有挣扎，但最后仍信守承诺，迎福临入京即位。孝庄太后闻听万分欣慰，决心拼死保护自己的儿子、保护大清的前途。多尔衮对孝庄太后情深依旧，孝庄太后却为了大清基业与儿子的未来，对他若即若离，以柔情拴住他称帝的野心。两人彼此相爱渴望，却又彼此暗斗提防。而多尔衮与逐渐长大的顺治帝也产生了政见上、情绪上的尖锐对立，孝庄太后夹在两人之间，苦心设谋调停。权力与爱情的煎熬终使多尔衮英年早逝，孝庄太后虽松了口气，却也无比痛心难过。顺治帝亟欲实现自己“满汉一体，共享太平“的治国理念，但却引来了满州亲贵们的激烈对抗，这让孝庄太后伤透脑筋。顺治帝与董鄂妃的百死无悔的爱情，造成满蒙亲贵的仇视、博果尔的死亡，也更激化了反派势力的仇恨与行动，但都为孝庄太后一一化解，而无辜的董鄂妃及其幼子、好友，都成了牺牲品。子殇妃死之后，顺治帝更郁郁终日，并萌生出家为僧的念头，尚来不及实行，便在贵太妃“同归于尽“的心态下，染天花病逝。孝庄太后心力交瘁，但她必须振作起来，依汤若望之密议，立顺治帝之子玄烨为帝，年号康熙。孝庄太后决心好好抚养这位少年天子成为明君，以弥补她对儿子的遗憾，为大清朝开创盛世。

来自蒙古科尔沁旗的大玉儿（宁静 饰）从小被誉为“满蒙第一美女”，她和皇太极（刘德凯 饰）之弟、睿亲王多尔衮（马景涛 饰）从小青梅竹马、按许终身，却被皇太极纳为侧福晋，被封永福宫庄妃，与多尔衮成了叔嫂关系，但始终余情未了。皇太极突然驾崩，帝位之争风起云涌，掌握兵权的多尔衮成为皇太极长子豪格的最大敌手，却出乎意料拥护大玉儿之子福临（严昆 饰）即位，大玉儿至此成为孝庄太后。为了儿子的帝位、大清基业，孝庄始终和多尔衮保持若即若离关系，而为了太后的清誉，两人多年的炙热感情也只剩下发乎情止乎礼的遗憾。多尔衮英年早逝，孝庄也只能把痛苦埋在心底，用尽手段辅佐顺治帝的统治，而顺治遭遇爱妃董鄂氏（舒畅 饰）病故，萌发出世念头，孝庄不得已立顺治之子玄烨为帝，年号康熙，开创一代大清盛世。