影片塑造了一个与传统农村干部完全不同的主角形象，他是党的政策的有力贯彻者，是优秀传统文化的民间继承人，并将两者有机结合到一起，凝聚人心，调动村民积极性，利用集体的力量实现了村庄精神、政治、经济的全面发展。影片在叙述故事的过程中反对说教，注重实用，向观众展示了“村委会开会广播直播”、“五好家庭”评选与经济利益挂钩、开展“谁为村遮光谁为村增光”写讲评活动激发村民民主参与意识等做法，让影片更贴近农民群众生活，更加真实可信。在故事的架构上，影片以村庄的发展历程为主线，穿插几个家庭的悲欢离合，其中不断迸发的矛盾冲突，大大增强了影片的可看性，让观众在不知不觉中融入影片剧情。

影片塑造了一个与传统农村干部完全不同的主角形象，他是党的政策的有力贯彻者，是优秀传统文化的民间继承人，并将两者有机结合到一起，凝聚人心，调动村民积极性，利用集体的力量实现了村庄精神、政治、经济的全面发展。影片在叙述故事的过程中反对说教，注重实用，向观众展示了“村委会开会广播直播”、“五好家庭”评选与经济利益挂钩、开展“谁为村遮光谁为村增光”写讲评活动激发村民民主参与意识等做法，让影片更贴近农民群众生活，更加真实可信。在故事的架构上，影片以村庄的发展历程为主线，穿插几个家庭的悲欢离合，其中不断迸发的矛盾冲突，大大增强了影片的可看性，让观众在不知不觉中融入影片剧情。

《大城小村》由Mike Daniels开发及执笔，故事围绕曼哈顿的一栋公寓大厦里各种年龄﹑种族﹑文化和不同生活方式的住户，以及他们交织在一起，如大家庭般的生活。 　　Michaela McManus饰演Sarah，一个很照顾人的护士，曾经是少女妈妈的她，现在女儿也重走旧路当了少女妈妈﹑Grace Van Dien饰演Katie，独立﹑聪慧﹑有个钥匙儿童（意指家长出去工作，独自在家、无人照看的孩子）的单亲妈妈，努力工作的她仅仅能维持生计。当艺术家和活动家的Katie被母亲Sarah视为在闹反叛，因此两人起了磨擦。 　　Moran Atias饰演伊朗移民Edda，她被指控持有虚假公民文件而被移民海关执法局拘留﹑Jerod Haynes饰演当地警官Ben﹑Frankie Faison饰演热心助人的Ron。Warren Christie饰演前特种部队成员Nick，在服役时失去了他的腿；他回到曼哈顿的社区时，众人都不断感谢他，问题是他只想回到平常的生活。Daren Kagasoff饰演公寓看门人Gabe Deluca，Enzo的儿子。 　　Lorraine Toussaint饰演Patricia，温柔﹑精力充沛的她被其他人视如祖母，当社工的她没有孩子，因此成了所有住户的照顾者。不过一直过着充实生活的Patricia，却在确诊癌症后反而找到平静的感受。Dominic Chianese饰演刚愎自用的Enzo，他希望离开疗养院与孙子一起住，问题是他虽然溺爱孙子，但又经常给对方吃苦头。

小村民日记，和星守村的小朋友一起解锁更多机构吧

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. 　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. 　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments. 　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. 　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. 　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. 　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

儿童电影有关友谊，背叛，和冒险。村男生组计划，以打击在海上航行的道路。他们带来了一个誓言，紧固它与血液，开始了全面的准备-食品供应，并尽一切必要的远征。父母不快乐的家伙的计划，他们正在修复的种种障碍。但分裂本身是一个旅游团队：女孩的出现是机长和副驾驶之间的竞争。 　　by google translate

一个普通小村庄竟然藏着一名神医，而这名神医竟然是个傻子！真是不可思议！这天，首富之女病倒在路边，众名医束手无策，傻医从人群中冒了出来，“我能救她”！说着傻医就拿银针向首富之女的脑袋刺去......

This is the list of major characters in the original 20-episode run, with short descriptions. 　　Cowboy (Coboy) 　　Cowboy is a toy figurine of a cowboy in a blue shirt and brown leather trousers, with a hat and, most of the time, a rifle. Cowboy is rather cowardly and not really bright, often getting himself into bad situations through his recklessness and childish behaviour. He has something of a sibling rivalry with Indian (though they most likely aren't really related), and is intimidated by Horse. 　　Indian (Indien) 　　Indian is a toy figurine of a stereotypical Native American tribal chief or elder, in a yellow shirt and brown leather trousers, with an elaborate and large feather headdress. He carries a ceremonial staff. Besides the usual standing position he is often seen in a Native American-style meditative pose. Other times he carries a bow and arrow. Indian is a little more "grown up" than Cowboy, but still pursues foolhardy quests almost as much as his counterpart. He is also somewhat fearful of Horse. 　　Horse (Cheval) 　　Horse is a toy figurine of a brown horse. Although an animal, Horse is easily as intelligent as Cowboy and Indian (put together) and is the leader of the "family" he, Cowboy and Indian are part of. Even though he walks on all fours, he does most of the chores around their house, as both his charges are domestically useless. He maintains a cool head, doesn't engage in the foolish pursuits of Cowboy and Indian and keeps a semblance of normality in the house. When Cowboy and/or Indian infuriate him, he kicks them (presumably with his hind legs) all over the house and usually into one of the walls, which is sufficient to keep the two in line most of the time.