Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way. 　　The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control. 　　The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect. 　　Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.

Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way. 　　The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control. 　　The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect. 　　Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.

北京某中档住宅小区顶楼，有三户人家的子女都进入了高考备战期。因抱着“一考定终身”的想法，三个家庭都陷入了无比焦灼的备战状态，由此引发的问题也接…

北京市，三个备战高考的家庭不仅面对着升学压力，更面对着亲子关系难题。恨铁不成钢的妈妈童文洁（海清 饰）和学渣儿子方一凡（周奇 饰）之间因为成绩矛盾重重，爸爸方圆（黄磊 饰）不得不左右调停；拒绝前夫乔卫东（沙溢 饰）入侵母女生活的单亲妈妈宋倩（陶虹 饰），对女儿乔英子（李庚希 饰）的生活展开了全包围式关切，误解和矛盾不知不觉悄然爆发；空降父亲季胜利（王砚辉 饰）和妈妈刘静（咏梅 饰）的突然关怀，让从小养在舅舅刘铮（任重 饰）身边的季杨杨（郭子凡 饰）无所适从，父子之间小心翼翼的相处并没有为这段关系换来和平。 　　人到中年的家长和刚刚迎来成年的孩子，在高三这场重要的试炼中，度过生活设置的重重难题，在爱与理解中学会成长，迎来属于自己的“小欢喜”。

John深爱着同居的Mary，但抗拒被一纸婚书束缚，与Mary渴望有安定的家，生育BB的想法产生冲突；同时，Mary姐姐与John好友波牛两对夫妇的婚姻问题介入二人生活，令Mary决离家出走，做个未婚妈妈……

John深爱着同居的Mary，但抗拒被一纸婚书束缚，与Mary渴望有安定的家，生育BB的想法产生冲突；同时，Mary姐姐与John好友波牛两对夫妇的婚姻问题介入二人生活，令Mary决离家出走，做个未婚妈妈……

四年过去，方圆一家和他的邻居们再续前缘，经历新的欢喜 。

四年过去，方圆一家和他的邻居们再续前缘，经历新的欢喜。

上海某建筑公司青工李捷和市工艺品公司女青年王艳是一对初恋的情人。他们因文化考试作弊被老师当场抓获，而对成绩零分他们毫不介意，并相约去桂林旅游。在去嵩山的飞机上，李捷和王艳结识了一对金婚旅游的教授夫妇、一对新婚伉俪和一位自称银行经理眼睛却总盯着别人钱包的"贾主任"。旅游团住进了"台联酒店"。第一餐用在摹拟厅模仿外国人进餐。李捷面对全是外文的菜单，沉着上老教授的样子指指点点，结果，摆在他俩面前的是全套冷饮。为了驱寒，二人只好一路舞回房去。众人畅游桂林，"贾主任"却在酒店里忙了起来。他把那人不离新郎的红皮箱翻了个底朝天，看到的除了方便面就是干面包。旅游归来，无法平静的教授来到李捷房间高谈阔论起来。而洗澡间里，李捷和王艳早已拥抱在一起了。第二天，教授夫人发现自己五十年未曾离手的戒指不见了，一口咬定是教授搞的，使教授十分尴尬。在江畔垂钓的李捷遇上了以跳江要挟女友莉莉办理结婚登记的好友陈伟。李捷为帮助陈伟和莉莉周旋，代替陈伟去和莉莉登记，却阴差阳错地写上了自己的名字。这正中莉莉之意，于是，莉莉死死缠住李捷，陈伟也和李捷断绝了友谊。在旅游团逛市场的时候，"贾主任"这个大小偷被小小偷掏了腰包，人们从小小偷逃跑时丢下的钱包里发现了教授夫人的戒指。王艳因血中缺钙抽搐、呕吐。看病时，她把钙和癌的符号搞混，以为自己得了血癌，于是服了老鼠药决定"安乐死"。莉莉心灰意冷，将"结婚证书"丢进漓江，"贾主任"好不容易把莉莉的挎包弄到手，却被当场抓住。李捷和王艳回到上海，双双来到职工的夜校。可是，原来的学校也弃教经商了。

3 part ‘Jelenlét’ series by Jancso, from 1965 to 1986. Harmadik jelenlét ('The Third Presence') (1986) 13 min.