王家卫拍的飞利浦广告

王家卫拍的飞利浦广告

A widow invites a number of guests to stay at her mansion. She reveals that she knows that one of the group killed her husband. Soon they too are being murdered one by one.

Some parents experience the anguish of the "empty nest" when their children leave home. Javier, on the other hand, suffers the trauma of the "full nest": no one wants to leave home.

The horrific war in Chechnya, a neighbor of Georgia, gives a special poignancy to Otar Iosseliani’s fascinating, four-hour, made-for-television documentary on Georgia which, like his delightful Chasing Butterflies (SFIFF 1993), was produced in France. Iosseliani presents the history of this former Soviet republic through beautifully interwoven images of landscapes, artwork and clips from other Georgian filmmakers such as Nikoloz Shengalaya and Tenghiz Abuladze. He illuminates the part played recently by two politicians, both KGB men but with very different destinies: Zviad Gamsakhurdia, an ultranationalistic demagogue who died in exile; and Eduard Shevardnadze, who is the president of Georgia today. Iosseliani divides his film into three sections, “Prelude,” “Temptation” and “Trial,” which move from early Georgian history through the 1801 Russian takeover and on into 20th-century events—the Russian Revolution, perestroika and the recent civil war. Alone, Georgia gives a spellbinding evocation of this beautiful, hospitable land, whose torment is, according to Iosseliani, “a symptom of what takes place at this moment in our planet, and gives us a chance to measure the magnitude of the modern human tragedy.”

The wheels of Chinese justice turn slowly, if at all, in One Summer after Zhen Liu’s husband is arrested and detained with no explanation. She turns to his friends, co-workers and finally an old flame for help, all of which come at a price.

该剧依据当代新疆真实人物事迹改编，讲述了热汗古丽的励志成长故事。

该剧依据当代新疆真实人物事迹改编，讲述了热汗古丽的励志成长故事。

Elderly Monica Laughton greets the milkman, and tells him that another relative of hers has passed away. The milkman then stops at a cafeteria, where he discusses Miss Laughton's wealth and eccentricity with the man at the counter. The conversation is overheard by Frank Bramwell, who then plans to visit Miss Laughton with his wife, so that they can rob her. When they reach her home, they are shown into an empty parlor, where she introduces them to a number of imaginary relatives, and shows them an open, empty coffin. Fearing that she is insane, Lorna Bramwell wants to leave, but Frank sees the situation as an even better opportunity than he'd hoped for - and he is not above using force to get what he wants.