1543年，一艘葡萄牙船首次访问日本，揭开了向远东扩张、文化交流和贸易的序幕。这个动画利用屏风，生动地展现了当年那些长鼻子的西方人是如何历尽艰辛到达彼岸，以及日本当时的风土人情。航行带来了大量的新奇物品，奇珍异兽，最主要的是，历史的新一页掀开了。

九十年代初的市京华印染厂。电工那大龙无所事事，去拉销售科干事李雨出去吃米线。厂保卫科的赵风奉命调查李雨受贿事件。李雨的妻女兰花和李小叶刚刚户口办到城里，李小叶在厂子校，被老师苏婷婷分配和赵风的儿子赵黄天尊坐同桌。赵风和妻子黄梅参加同学聚会，老同学印染厂副厂长尚存捷大出风头，班里另一个同学吴颖和尚存捷关系似乎十分暧昧………

九十年代初的市京华印染厂。电工那大龙无所事事，去拉销售科干事李雨出去吃米线。厂保卫科的赵风奉命调查李雨受贿事件。李雨的妻女兰花和李小叶刚刚户口办到城里，李小叶在厂子校，被老师苏婷婷分配和赵风的儿子赵黄天尊坐同桌。赵风和妻子黄梅参加同学聚会，老同学印染厂副厂长尚存捷大出风头，班里另一个同学吴颖和尚存捷关系似乎十分暧昧………

以下是来源于IMDb上的评论 　　'Voyage into Next (1974)' is a quaint little anti-war statement, the sort of laid-back, hippie-inspired short film that one would expect the 1970s to have produced. But it was also directed by John and Faith Hubley, a husband-and-wife animating team whose work is more subtle and understated than most. Many of the pair's films were produced by animating unrehearsed conversations (usually) between two people, and I had previously enjoyed their 'Windy Day (1968),' which excellently utilised this free-wheeling technique. 'Voyage into Next' was obviously more tightly-scripted, and that the film was to be an anti-war cartoon restricted the voice actors (namely Maureen Stapleton and Dizzy Gillespie) in which conversational paths they could take. Stapleton and Gillespie play Mother Earth and Father Time, respectively, as they observe the destructive conflicts waged between the human nations (represented here as floating boxes) and ponder why our species so unthinkably forgot the virtues of sharing that allowed our ancestors to progress beyond the Stone Age. 　　There's nothing particularly impressive about the Hubleys' style of animation – minimalist line-drawn human figures highlighted with soft shades of colour – but their style is distinctive, later influencing short films such as the Oscar-winning 'Leisure (1976).' The two well-known voice actors are perfectly chosen (Dizzy Gillespie has one of the coolest-sounding voices ever), and the jazz musician's music is employed successfully to create the film's lighthearted mood, despite the grimness of the subject matter. Mother Earth and Father Time oversee their lilliputian creations, hidden amid mini puffs of artillery smoke, and contemplate their inability to alter human history. The future, it seems, is not in the hands of the gods, but in our own. Of course we have the ability to achieve peace and mutual understanding once more… but will we attain it in time? 'Voyage into Next' was nominated for an Academy Award in 1975, but lost out to the inferior claymation 'Closed Mondays (1974).

秋天的早晨，何鸣和阿芬这一对勤劳的中年夫妇，载着满筐猪娃，摇着小船向镇上驶去。梁溪镇的早市繁荣而喧闹，玩蛇人颈上的大蟒，说书人口中的"七侠五义"，茶楼上演评弹"十美图"的大海报，吸引着镇上的人们，更吸引人的是镇上新盖起的影剧院。老人们感叹地说：想不到梁溪也有了大戏馆。黄昏，阿芬边煎鱼边哼着锡剧，何鸣悠然地拉着二胡伴奏。青年炳昌带来消息，于主任的表弟、文化站的王站长要出任影剧院经理了。阿芬对丈夫说自己对此不感兴趣...

AugustDiehl和DanielBrühl这一对德国国民CP第三次合作，继续虐心路线~在不远的未来，恐怖主义如何使欧洲乃至一个家庭支离破碎。

是一部关于宗教信仰的纪录片。在中国中部的湖南岳阳市，有一个叫做“助念团”的民间团体，大约有300人。他们带着过去几十年里，与中国社会并行所积累下来的人生经验，自发组织公民团体，是希望通过宗教改善他们的生活与灵魂。主要是对孤寡老人进行临终关怀和帮助残疾人。所有的行为都是无偿的。 　　岳阳紫竹林禅院的住持了果法师，她用了十几年时间从马来西亚、印度尼西亚等地迎请了佛祖舍利。她决定要修复当地的昆山古寺和建造舍利塔。舍利塔从2006年开始修建到2009年完工。 　　紫竹林禅院是居士们活动的最主要场地。人们在其中习禅、讨论，外界的一些事情会成为这里讨论的话题，如“菩萨会保佑贪官吗？……”禅院让这些在社会中处于原子状态下的人们有了一个聚合的地方，人们在这里不感到孤独和无力。也许这就是“人间佛教”的尝试吧。

一枚云冈石窟纪念金币，将一位俄罗斯姑娘娜佳带到了山西大同，她遇见了云冈石窟文化研究发烧友，颓废的单身爸爸和小大人一样的可爱儿子，娜佳被父子感人的故事打动，决定回国将家藏的文物送回中国。

一枚云冈石窟纪念金币，将一位俄罗斯姑娘娜佳带到了山西大同，她遇见了云冈石窟文化研究发烧友，颓废的单身爸爸和小大人一样的可爱儿子，娜佳被父子感人的故事打动，决定回国将家藏的文物送回中国。