林晚母亲重病急需巨额医药费，她不愿向男友盛一经求助，怕影响自己在其父母心中的印象，宁可卖掉父母留下的房子。她刻意节俭、推掉旅游计划，反常举动引起盛一经怀疑。盛一经从顾沫口中得知真相后，立刻找到林晚，拿出原本买车的钱全力相助。林晚放下顾虑含泪接受，两人的感情在患难中愈发坚定

上一世，华龙重工总裁办主任沈海洋被陷害得罪了顶头上司林江河，最终身陷囹圄，被执行枪决。重活一世，沈海洋利用先知先觉的优势，正确选择，打击前世仇敌，面对重重诱惑和考验，沈海洋依然选择了正义，还华龙一片朗朗乾坤！

苏氏千金苏晚星隐婚江屿川，怀孕后因婆婆张桂兰笃信酸儿辣女认定她怀女儿，遭遇百般虐待。张桂兰故意做坏汤、逼孕晚期的她趴地擦地，还在江屿川面前装可怜。江屿川一味偏袒母亲，张桂兰愈发嚣张，不仅锁苏晚星、密谋害胎、楼梯口设计陷害，还调换保胎药致其早产，藏手机延误救治，甚至安排相亲带人上门挑衅。苏晚星心死，开始收集证据反击。

A naive young farmboy (Stryker) goes to the big city to find his fortune and en route has many bisexual encounters.

A naive young farmboy (Stryker) goes to the big city to find his fortune and en route has many bisexual encounters.

江晚栀自幼家世显赫，是京都出了名的清纯乖女。 却鲜少人知，她暗钓着科研世家太子爷西门礼臣玩地下恋。 大学谈了三个月，一甩就是三年 一朝变故 家道落魄的江晚栀被迫和傅家浪子联姻，雨夜开车送未婚夫和情人去酒店 却不想，车祸撞上的豪车内坐着的矜贵男人，竟是曾被她甩掉的前男友！

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.