我是一名年轻的公交司机，本想安稳度日，却被车队队长和老同事们以高额补助为诱饵，半推半就地接手了一条深夜开往偏远造纸厂的新线路。同事们都以家庭、孩子为由推脱，唯独单身的我成了“最佳”人选。正当我为每月多挣900块而自我安慰时，一位好心同事老郑却悄悄向我揭开了一个尘封八年的惊人秘密：这条所谓的“新”线路并非首次开通，而之前负责这条线的整整三任司机，全都离奇死亡。

东线德国国防军的视角下的第二次世界大战

五年前，儿媳赵世薇为掩盖腹中孩子身世秘密，居心叵测的诬陷吴江月推自己下楼，后将其送进监狱，在监狱中，儿媳赵世薇花钱买通关系，让人安排婆婆吴江月，让她受尽折磨，五年后，吴江月出狱重回沈家，将会如何反击恶毒儿媳？

合租室友周雪突然失联，杜小雨、陈明、张帅发现其快递箱内有带血迹的美工刀，随后被返回的周雪绑住。周雪自曝是六年前校园霸凌受害者周婷的妹妹，设局只为追查姐姐坠楼身亡的真相。在证据与质问下，三人陆续坦白当年霸凌、推人坠楼且见死不救的罪行。最终周雪报警，张帅百般狡辩仍难逃制裁，三人依法被追责，周雪为姐姐讨回公道。

Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

本片改编自诗人中尾太一的诗集《路线29、解放》，以美丽的自然和恬静的风景为背景，讲述了不善沟通的孤独清洁工中井德子（绫濑遥 饰），别名蜻蜓，和与众不同的少女小春（大泽一菜 饰）出发，在连结兵库·姬路市到鸟取市的国道29号上旅行，通过与奇妙的人们的相遇，收获了丰富的感情，加强了两人间的羁绊，内心得到满足的公路故事。

青年企业家赵引泉回到阔别多年的家乡创业，他的才干和人品深深吸引了女助手蔡雅芬。无论工作还是生活，雅芬都全心全力的帮助赵引泉。而忙于工作无暇顾及感情的赵引泉虽然并不喜欢雅芬，但两个人都没挑明。满怀对感情的美好憧憬的雅芬为了赵在烟岭村的净化厂项目能尽快上马不惜铤而走险，希望藉此博得赵对自己刮目相看。

陈沫翻出杜玥写给哥哥陈骏年的告白信，陈骏年看后窃喜。陈沫告知杜玥已回老家且次日约见，还在见面时戳破告白信事，得知杜玥因怕拒未表白。陈骏年追问细节，得知杜玥心意与留乡发展后暗喜，央求妹妹牵线。陈沫帮忙安排见面，陈骏年主动告白，二人互通心意，牵手在一起。