Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

歌颂「社会主义祖国像百花盛开的大花园」

1958年中央新闻纪录电影制片厂摄制纪录片 《在总路线的光辉照耀下》包括如下五部短片： 1力争上游：是上海工人阶级在大跃进中创造出的无数奇迹的纪实。 2一个多快好省的工厂：成都量具刃具工厂。这个厂的车间里有最现代化的设备，可是厂的管理机构的建筑却非常简陋。 3劈山引水： 甘肃省武山县到处都是高大的黄土山，水土流失严重，为了把穷山变富山，党领导着武山县人民做了一件前人从来没做过的事——“劈山开渠，引水上山”。 4万马奔腾：在祖国飞跃的年代里，常熟县就像全国各地一样，涌现出千千万万的英雄。 5麦香千里喜丰收：湖北省襄阳专区是多丘陵和山区地带，在历史上是著名的人少地多的粮食低产区。但是在农业大跃进的号角声中，这里却创造了大面积小麦高额丰产的奇迹。 《在总路线的光辉照耀下（第二辑）》包括如下短片： 1技术革命 2文化革命 3征服旱海 4敢想敢做 5文化下乡 6乘风破浪过长江 7千锤百炼钢铁社

该剧讲述妈妈和女儿一起追踪婚礼当天逃跑的新郎而展开的追击喜剧故事。

本片改编自诗人中尾太一的诗集《路线29、解放》，以美丽的自然和恬静的风景为背景，讲述了不善沟通的孤独清洁工中井德子（绫濑遥 饰），别名蜻蜓，和与众不同的少女小春（大泽一菜 饰）出发，在连结兵库·姬路市到鸟取市的国道29号上旅行，通过与奇妙的人们的相遇，收获了丰富的感情，加强了两人间的羁绊，内心得到满足的公路故事。

我是一名年轻的公交司机，本想安稳度日，却被车队队长和老同事们以高额补助为诱饵，半推半就地接手了一条深夜开往偏远造纸厂的新线路。同事们都以家庭、孩子为由推脱，唯独单身的我成了“最佳”人选。正当我为每月多挣900块而自我安慰时，一位好心同事老郑却悄悄向我揭开了一个尘封八年的惊人秘密：这条所谓的“新”线路并非首次开通，而之前负责这条线的整整三任司机，全都离奇死亡。

卡车司机秋阳为凑女儿的手术费，毅然奔赴凶险高原。沿途风雪肆虐、险路重重，还遭遇黑心老板暗中刁难。危难之际，同伴携手同行、彼此扶持。这位平凡硬汉直面重重危机，凭一腔韧劲与担当冲破困境，在绝境中奋力前行，谱写了一段热血动人的底层逆袭故事。

30 年前曾开放的道路如今被关闭，那些选择沿此路通行的闯入者，竟在当晚被发现神秘死亡。神秘事件接踵而至，还与情感背景相互交织。

一对老友在公路旅行中被困沙漠，屡次求助无门酷暑难挡使他们暴力相向。