尤利（卡洛斯阿科斯塔的绰号）是一个天才男孩，不受管教又不爱上学，成天在哈瓦那的街头厮混，与人BATTLE街舞，他的父亲深知儿子有舞蹈天赋，一手将他从街头拽回，强迫他进入古巴国家舞蹈学校学习芭蕾，贪玩的尤利一点也不想穿紧身裤，只想成为像球王比利那样的足球明星，总以逃课、打架等表达自己的不情愿，然而在学院老师的用心栽培与指导下，最后他还是一头栽进迷人的舞蹈世界，凭藉他的天分与努力，逐渐打造出属于他的人生传奇，成为一代耀眼的首席舞者，并打破传统，成为第一位伦敦皇家芭蕾舞团演出罗密欧的黑人舞者，锻造出长达17年的辉煌职业生涯。 　　☆英国广播公司(BBC) 鼎力製作 　　☆本世代最伟大的舞者 卡洛斯阿科斯塔 自传改编 　　☆【我是布莱克】金奖编剧 保罗拉维提 倾力打造 　　☆【时代启示录】金奖女导演 伊希亚波拉因 再创传记巨作 　　☆【谍影行动】奥斯卡提名配乐大师 伊格勒西亚斯 音乐加持 　　✯荣获 圣赛巴斯提安国际影展 最佳剧本奖 　　✯荣获 白俄罗斯明斯克国际影展 观众票选最佳影片奖 　　✯圣赛巴斯提安国际影展 最佳剧情片 提名 　　✯西班牙哥雅奖 共5项提名 　　✯西班牙影评人协会奖 最佳新演员、摄影、配乐奖 提名 　　✯西班牙费洛兹奖 最佳原创音乐奖 提名 　　✯德国汉堡影展 最佳剧情片 提名 　　✯迈阿密影展 最佳剧情片 提名

在海边有一只山羊、一个小孩和一个男人。这是 Varda 于1954年拍的一张照片：山羊死了、小孩叫尤里西斯、男人则裸着身体。以这一张固定的影像为基础，电影…

诗人斯蒂芬·代达罗斯生于1904年6月16日，他整日穿梭于大都市中，结识了中年犹太人利奥波德，这人待他如慈父一般。同时，在他最辉煌的时代，一场突如其来的葬礼以及当晚的酗酒和狂欢激起了斯蒂芬对父亲的思念，让他明白他最终的感情归属，他也最终原谅了不忠贞的妻子并与之同归于好。

诗人斯蒂芬·代达罗斯生于1904年6月16日，他整日穿梭于大都市中，结识了中年犹太人利奥波德，这人待他如慈父一般。同时，在他最辉煌的时代，一场突如其来的葬礼以及当晚的酗酒和狂欢激起了斯蒂芬对父亲的思念，让他明白他最终的感情归属，他也最终原谅了不忠贞的妻子并与之同归于好。

《霸王艳后》是露珊娜波狄斯坦演的另一部改编自荷马史诗（Odyssey）的视频。施云娜曼简诺一人饰两角，尤利西斯（Ulysses）的妻子（Penelope）和女巫（Circe）。

James Joyce created his monumental work on the basis of Homer's epic. The Belarusian director decided to “scrape” words from the writer's text and “write” his own modern odyssey through it. In his film-palimpsest, he not only refers to the famous modernist novel by the Irish writer, but uses the opening scene to bring into play the no-less-famous attempt at a film adaptation from 1967. Only Dublin has replaced Minsk, and instead of a Jewish busybody, Ruslyk, the personal director of President Lukashenko, or Alkashenko as he calls him at certain moments, wanders the labyrinth of the city all day long. On his convoluted postmodern pilgrimage, he meets doctors, politicians, propagandists, artists, drunkards and outcasts. He conducts blasphemous dialogues with them about the rotten nature of the ruling regime, vents creative and personal frustrations, or just tries to borrow a cell phone to call home to his wife. The cinematic colossus that unfolds over nine hours fascinates with the omnipresence of intense moments, ordered one after the other with a wild rhythmic cadence.

A Japanese parody of The Odyssey that explores the concept of “home”, by Madrid-based Japanese director Hikaru Uwagawa. 　　The film is a parody of Homer’s Odyssey in the style written by James Joyce in his novel Ulysses. Several Ulysses travel in search of their imaginary home (Ithaca), a place that no longer exists. Episode 3 (Hades) follows Kazuko (read Tiresias), a woman living in Okayama, who has lost her husband and is preparing for her first Obon, the yearly Japanese festivity when the spirits of ancestors return to this world to visit their family members. At the same time and in the same city, Ulysses meets Kazuko and, during the Obon, his dead father (read Anticlea).

A Japanese parody of The Odyssey that explores the concept of “home”, by Madrid-based Japanese director Hikaru Uwagawa. 　　The film is a parody of Homer’s Odyssey in the style written by James Joyce in his novel Ulysses. Several Ulysses travel in search of their imaginary home (Ithaca), a place that no longer exists. Episode 3 (Hades) follows Kazuko (read Tiresias), a woman living in Okayama, who has lost her husband and is preparing for her first Obon, the yearly Japanese festivity when the spirits of ancestors return to this world to visit their family members. At the same time and in the same city, Ulysses meets Kazuko and, during the Obon, his dead father (read Anticlea).

James Joyce created his monumental work on the basis of Homer's epic. The Belarusian director decided to “scrape” words from the writer's text and “write” his own modern odyssey through it. In his film-palimpsest, he not only refers to the famous modernist novel by the Irish writer, but uses the opening scene to bring into play the no-less-famous attempt at a film adaptation from 1967. Only Dublin has replaced Minsk, and instead of a Jewish busybody, Ruslyk, the personal director of President Lukashenko, or Alkashenko as he calls him at certain moments, wanders the labyrinth of the city all day long. On his convoluted postmodern pilgrimage, he meets doctors, politicians, propagandists, artists, drunkards and outcasts. He conducts blasphemous dialogues with them about the rotten nature of the ruling regime, vents creative and personal frustrations, or just tries to borrow a cell phone to call home to his wife. The cinematic colossus that unfolds over nine hours fascinates with the omnipresence of intense moments, ordered one after the other with a wild rhythmic cadence.

Julien 活在一个畸型的家庭~ 妈妈早已不在人世, 尖酸刻薄的父亲爱嗑咳水, 更爱辱骂子女~ 他的弟弟 Chris 终日挨着爸爸的特训苦练体操, 希望出人头地; 他热爱跳芭蕾舞的妹妹Pearl 身怀六甲, 经手人却竟然是 Julien 自己~ 而他嘛… 则是个精神错乱的青年, 每天漫无目的地在街上蹓跶, 独个儿在胡言乱语~ 这样的颓废家庭会有怎样的出路? 朋友可以带来一点鼓励和支持吗? 宽宏博爱的宗教又如何?