A guy spends a long time trying to work out why his wife seems unhappy. When she eventually tells him, it's the answer he least expected.

从瑞典回来后，喜爱“极简主义”的简计划将自己的家改造成工作室，多年前的旧物相继被清理了出来，其中包括前男友艾姆的东西。这些物件虽然已经没有用处，却承载着往事回忆与情意，简无法如自己预期的那样直接丢弃。为了找寻这些物件的归路，她做了很多努力：一一归还属于朋友的物品，亲自送回属于艾姆的东西并致歉自己曾经的离开，最终也卖掉了已逝父亲的钢琴。伴随着旧物的处理，她也告别了自己的过去，面对重新布置的新环境，准备好了新的开始。该片曾获2020年第15届大阪亚洲电影节最佳影片奖。

从瑞典回来后，喜爱“极简主义”的简计划将自己的家改造成工作室，多年前的旧物相继被清理了出来，其中包括前男友艾姆的东西。这些物件虽然已经没有用处，却承载着往事回忆与情意，简无法如自己预期的那样直接丢弃。为了找寻这些物件的归路，她做了很多努力：一一归还属于朋友的物品，亲自送回属于艾姆的东西并致歉自己曾经的离开，最终也卖掉了已逝父亲的钢琴。伴随着旧物的处理，她也告别了自己的过去，面对重新布置的新环境，准备好了新的开始。该片曾获2020年第15届大阪亚洲电影节最佳影片奖。

Drop

Man appears to be eternally bound to fix things that sooner or later will somehow get broken again. 　　What if one day, by this same law, the Universe too began falling apart?

田月容重生了，前世她为了改嫁陈秀才。作天作地作儿女，害的孩子一个个惨死，她自己也死的凄涼。重生后，她意外被系统选中，成了桃花源景区的一名保洁，月薪两百。为了在灾年让一大家子人活下去，田月容撸起袖子当起了保洁。当保洁好呀，垃圾桶里捡吃捡喝还能捡到宝。月底发了薪水，可以在景区超市买吃的喝的用的。她在景区给大儿子买种子年产三万吨，帮二女儿读书考功名，给三儿子拜师学武艺，给小儿子买好吃好喝养的白白胖胖。就这样，田月容靠着当保洁，让全家从饿死边缘逆袭成当地首富，赶她出门的韩家哭着求原谅，儿子们建功立业给她挣诰命，改变前世悲惨命运。

田月容重生了，前世她为了改嫁陈秀才。作天作地作儿女，害的孩子一个个惨死，她自己也死的凄涼。重生后，她意外被系统选中，成了桃花源景区的一名保洁，月薪两百。为了在灾年让一大家子人活下去，田月容撸起袖子当起了保洁。当保洁好呀，垃圾桶里捡吃捡喝还能捡到宝。月底发了薪水，可以在景区超市买吃的喝的用的。她在景区给大儿子买种子年产三万吨，帮二女儿读书考功名，给三儿子拜师学武艺，给小儿子买好吃好喝养的白白胖胖。就这样，田月容靠着当保洁，让全家从饿死边缘逆袭成当地首富，赶她出门的韩家哭着求原谅，儿子们建功立业给她挣诰命，改变前世悲惨命运。

好消息，侦测到您的职业为隐藏职业。 坏消息，您的隐藏职业是万中无一的“垃圾”。 您，即将转职为…… “拾荒者Scavenger” 叶轻看到眼前的结果只觉得眼前一白，这么多年的努力全都打了水漂。 借高利贷炒股赔光，被债主扔进进私猎团打黑工还债。 在击败了不可能杀死的怪物之后，那一瞬间经验值涌入让叶轻从0级升到了1级，叶轻触发了人生唯一一次转职的机会…… 但意外的是，他觉醒的职业是全球万中无一的隐藏职业——“拾荒者” 所有的天赋树都是围绕“捡垃圾”展开的奇葩职业。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.