From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"

"Pour des raisons de santé, 　　Kang-Sheng et moi nous sommes installés à la montagne. 　　Nous n'avons pas de voisins. 　　Notre maison est entourée de propriétés délabrées. 　　J'adore ces maisons abandonnées. 　　Je m’y rends souvent. 　　Je les trouve magnifiques. 　　J'ai dit à Kang-Sheng : 　　Nous n'avons plus besoin de nous déplacer pour réaliser des films. 　　Je vais tout filmer ici. 　　J'ai récupéré de vieilles chaises et quelques-unes de mes peintures 　　et les ai disposées dans ces maisons abandonnées. 　　C'est ainsi que ce film a été réalisé." 　　(Tsai Ming-Liang)

"Pour des raisons de santé, 　　Kang-Sheng et moi nous sommes installés à la montagne. 　　Nous n'avons pas de voisins. 　　Notre maison est entourée de propriétés délabrées. 　　J'adore ces maisons abandonnées. 　　Je m’y rends souvent. 　　Je les trouve magnifiques. 　　J'ai dit à Kang-Sheng : 　　Nous n'avons plus besoin de nous déplacer pour réaliser des films. 　　Je vais tout filmer ici. 　　J'ai récupéré de vieilles chaises et quelques-unes de mes peintures 　　et les ai disposées dans ces maisons abandonnées. 　　C'est ainsi que ce film a été réalisé." 　　(Tsai Ming-Liang)

Michael Mehring & Thomas Kaufmann的科幻短片充满了对人类发展史的阴谋论。影片主要讲述警察Julia Forward 在针对名为“Alekto”保险公司的任务中被意外绑架。当她醒来时已经不知自己身在何处。身旁的一切让她觉得自己仿佛回到了原始社会。

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/