斯洛伐克剧情短片《尼日利亚王子的来信》用诙谐幽默的方式，讲述了一个老人帮助素不相识的尼日利亚王子的故事。

In the first leg of an epic 1300 miles across Nigeria, Michael is in bustling Lagos

The documentary shows shots filmed by Chris Marker in Siberia , with voice -over commentary. He reviews different subjects: the lives of the people there, the modernization of society, the gold prospectors, etc. and is punctuated by digressions, such as a cartoon about mammoths , a false advertisement extolling the merits of reindeer , and a remarkable sequence in Yakutsk illustrating the multiple interpretations that a voice-over can give to the same images.

《来信》是《生日》的续集，更加感人、有精简版（五分钟）和完整版（十分钟），讲诉的是老人的儿女们对老人的忽略，并且老人也身受重病，在老伴生日当天死去了，死前留给儿女们一封信，写下了对儿女们的真心话，并留下了自己买菜赚来的钱和儿女们平日每月给他寄来的钱，当儿女们收到信，也对自己对父亲的冷淡后悔不已，但是——父亲已死去！

一个印度的小村庄近来因为一位去美国旅游的村民而变得生气勃勃。他通过寄信回家仔细讲述了他的旅程见闻，这引起了社会广泛的讨论同时也带来了希望。但某一天他的来信突然停止了，他的弟弟决定出Rama发去美国寻找他。通过最好的朋友Lalu的帮助，弟弟回顾了一遍他哥哥的路线的同时，也绘制了一个属于他自己的冒险。故事背景是上世纪80年代中期，讲述了关于实现自己的梦想所需要的时间的，一个有趣而有意义的故事。

一个印度的小村庄近来因为一位去美国旅游的村民而变得生气勃勃。他通过寄信回家仔细讲述了他的旅程见闻，这引起了社会广泛的讨论同时也带来了希望。但某一天他的来信突然停止了，他的弟弟决定出Rama发去美国寻找他。通过最好的朋友Lalu的帮助，弟弟回顾了一遍他哥哥的路线的同时，也绘制了一个属于他自己的冒险。故事背景是上世纪80年代中期，讲述了关于实现自己的梦想所需要的时间的，一个有趣而有意义的故事。

《爸爸的来信》（From Dad To Son）讲述的是，年迈的父亲给在监狱里的儿子写了一封信，儿子深知体弱的父亲无法自己耕田播种，于是超智慧的运用一个计谋，顺利的完成了父子的心愿。动画短片巧借伊索里的故事，把监狱里的暴力和无隐私状况诙谐的表现出来。 　　父亲一个人在家种田，因为年纪已大，干不了农活，此时便想起了儿子。给儿子写了一封信，回忆起他们在一起干活的日子，儿子挖地，父亲播种，幸福快乐，丰收满满。 　　监狱的儿子看到来信，不仅受到监狱长官的敲打，而且在他之前，事先要把信的内容看完，毫无隐私可言。面对事实，儿子无可奈何，些许的安慰是，还有父子之间的情怀。 　　铁窗外，父亲的叹气，铁窗前，儿子的担心。 　　生日蛋糕的敲碎，让儿子心中顿时开朗起来。他给爸爸回信，心中的内容大概说道，在家门口的田地里，有三个坑，埋着一把手枪，一个尸骨，一个头颅。信以为真的狱警马上集结人员去他家挖。父亲开始很惊讶和担心，最后心领神会了儿子的用意，警察在前面挖，父亲在后面播种。

Father’s Letters by Alexey Evstigneev 　　Mimesis Productions, moderato / 15' / objects, cut outs, drawing on paper 　　In 1934, Professor Wangenheim is sent to the Gulag on the Solovetsky islands. From there, he sents letters to his daughter Eleonora for years until his death, inventing stories about being a traveler explorer and not a «traitor to the motherland» and family. 　　源自：https://ciclic-animation.com/actualites/residence-father-s-letters-directed-and-written-alexey-evstigneev

A prosecutor is building a case against a suspected serial killer. She receives death threats, but ignores them at first. When her husband disappears and someone blackmails her, she turns to her ex, a suspended homicide detective.

卡罗维发利特别提及奖，巴黎国际影像展最佳纪录片，伦敦同一世界国际电影节唐吉柯德奖，圣彼德堡影展最佳纪录片。讲述卢旺达难民的故事。 　　After the massacre among Tutsis in 1994, many tens of thousands of Hutus fled to Zaire. Many of them never returned. In March 1997, Hubert Sauper travelled along on a UN train, in search of these 'forgotten' refugees, who were leading a poor existence more than a thousand kilometres from home, victim to famine, disease and attacks by various armed militias. Along the tracks that are overgrown by the rainforest, Sauper leads the spectator to the 'heart of the darkness', the same place where Conrad wrote his novel Heart of Darkness a century ago. The film confronts the audience with the consequences of civil war: chaos and inconceivable suffering. Sauper shows images of emaciated children with large eyes and of silent adults with a gaze that betrays their feelings that all hope has evaporated. We see how photographers and cameramen depict the misery, and we observe the impotence of the international community: time and again, relief runs up against logistical problems. 　　Along an overgrown railtrack south of the Zairen town Kisangani, a UN expedition together with a handfull of journalists discover "lost" refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreads of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. 　　The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotecteed UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today's Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. 　　Kisangani Diary must be the most extraordinary and passionate documentary I've seen in ages. Had modern cameras entered the Nazi death camps, this is what they might have brought back. Shot at the site of Conrad's Heart of Darkness, this jewel of a film confronts the unspeakable suffering of late 20th century Africa. Although violently angry with the cruelties he finds, director Hubert Sauper speaks in a language that is visual, poetic, and purged of ego. A tour de force of compassion and filmmaking.