Fire, water, earth, air. Voices of fictional characters – sometimes suggestive, sometimes strict – leading the viewer away from the here and now. Who's talking? The relationship between the hypnotised subject and the hypnotist is mirrored in the spectator's relationship to the screen. 　　"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." - Kobo Abe 　　Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.

夜幕降临后的深圳，以临摹世界名画见长的画师分享着日常的生活和技艺。他们既熟悉新兴科技，又精通古典技巧，身份在艺术家与蓝领画工之间不断地切换。在这里，另一段绘画史正跃于纸上。

From the moment Thomas Edison shocked the public with May Irwin's unabashed kiss, the movie industry has become a battlefield for audiences who can't get enough of a good thing - and critics who believe some things are better left behind closed doors. SEX, CENSORSHIP AND THE SILVER SCREEN, a six-part documentary written and directed by Frank Martin traces the evolution of sexuality in America film, from the silent-film vamp Theda Bara to Elizabeth Taylor to the temptresses of ''Showgirls.'' Harrison Ford, Melanie Griffith, Marisa Tomei and Daryl Hannah recreate the voices of Hollywood legends to chronicle the continuing clash between screen sexuality and censorship. Raquel Welch is the host.

金素贤（金泰熙 饰）出生于戏剧之家，父亲经营着一家剧场，虽然从小就失去了母亲的照拂，但是金素贤还是成长为了一位坚强而又独立的女性。宋由娜（尹晶喜 饰）是金素贤的同班同学，虽然出生在富贵的家庭之中，但因为过去的种种，使得宋由娜始终有一种骨子里的深深的自卑。她将金素贤视为竞争对手，一直非常努力的学习想要超过对方，终于，当金素贤家的剧场因为行业不景气和经营不善而负债累累时，宋由娜的父亲将其收购，两人的地位发生了逆转。 　　一晃眼多年过去，金素贤决定实现自己的理想成为一名编剧，在机缘巧合之中，她和宋由娜重逢了。

A look at Sicily with the eyes of the Sicilian director, through more than 500 songs taken from over a hundred films shot or set on the island. A film anthology on the history of Sicily divided into 14 chapters.

Andy Warhol´s Screen Tests were filmed from early 1964 to November 1966. Factory visitors who had potential "star" quality would be seated in front of a tripod mounted camera, asked to be as still as possible, and told not to blink while the camera was running. Warhol manipulated light and shadow in increasingly inventive ways to capture the appearance, style, personality, and mood of both famous and lesser-known visitors to his studio, the Factory. His subjects included Dennis Hopper, Gerard Malanga, Edie Sedgwick, Susan Sontag, and Salvador Dalí. Although each film was shot at standard sound speed, or twenty-four frames per second, Warhol specified that prints be projected at a slower speed of sixteen frames per second, a rate used in the projection of silent films. The result is an unusual fluidity of pace, a rhythm gently at odds with the starkness of the lighting and the boldness of the close-ups of face and hair. 　　In total more than 500 Screen Tests were made. Helmut was the seventh.