Joanna Hogg’s third film has been a buzz-magnet on the recent festival circuit, drawing comparisons to Haneke, Tarkovsky, Malick, Antonioni, and Akerman. A well-off, artistic West London couple identified only as D (she) and H (he) find their already tenuous relationship threatened by the impending sale of their home. Through coolly meticulous compositions and sound design, Hogg dissolves the boundaries between exterior and interior, and between architecture and inhabitant. The house itself (a glass-and-partitions modernist showpiece) truly becomes a character in the film, functioning as the couple’s child, mirror, sanctuary, prison, lover (most explicitly in D’s furtive acts of exhibitionism and masturbation), and much more.

Joanna Hogg’s third film has been a buzz-magnet on the recent festival circuit, drawing comparisons to Haneke, Tarkovsky, Malick, Antonioni, and Akerman. A well-off, artistic West London couple identified only as D (she) and H (he) find their already tenuous relationship threatened by the impending sale of their home. Through coolly meticulous compositions and sound design, Hogg dissolves the boundaries between exterior and interior, and between architecture and inhabitant. The house itself (a glass-and-partitions modernist showpiece) truly becomes a character in the film, functioning as the couple’s child, mirror, sanctuary, prison, lover (most explicitly in D’s furtive acts of exhibitionism and masturbation), and much more.

伊丽莎白·班克斯将与环球合作，把纪录片《科学展览会》改编成电影版。这部由国家地理频道出品的纪录片《科学展览会》，荣获了今年圣丹斯电影节和西南偏南电影节的观众奖。影片围绕来自世界各地的九名高中生参加“国际科学与工程大奖赛”的故事展开。乔丹·维斯（《娃娃脸》编剧）将为新片编写剧本，班克斯担任制片人，其制片公司Brownstone Productions负责制作，原纪录片编剧兼导演克里斯蒂娜·考斯塔提尼和达伦·福斯特担任联合制片人。

伊丽莎白·班克斯将联手环球将纪录片[科学展览会]改编成电影版。纪录片[科学展览会]由国家地理频道出品，曾获今年圣丹斯电影节、西南偏南电影节观众奖，影片围绕来自世界各地的九名高中生参加“国际科学与工程大奖赛”展开。乔丹·维斯(《娃娃脸》)担任新片编剧，班克斯任制片，其制片公司Brownstone Productions担任制作，原纪录片编剧、导演克里斯蒂娜·考斯塔提尼、达伦·福斯特担任联合制片。

在日本各地的百货店内举办的北海道物产展览会，展现它人气的同时，也让大家看到了生产者在背后付出的辛苦与努力。本节目向大家讲述采购者们创造出人气商品的幕后故事。此外，不知名小城镇的地方食品，是否可以在东京百货店的北海道物产展顺利出展呢？

该短片在67年拿了不少日本国内的奖项，但我觉得就想象力而言不如之前的几部。从形式讲，很可能是模仿迪斯尼的《幻想曲》，管弦乐队现场演奏穆索尔斯基的《展览会上的画》， 然后从展览上的肖像画延伸出某一类人的故事：爱炒作的记者，完美主义的人工园林家，整容医生，垮掉的一代，傲慢的拳王，大工厂主。其中有些故事采用带军事 化色彩的夸张手法，表现出一种机械感，跟卓别林的表演也有相通之处，让我联想到苏联的部分动画作品（希望以后有时间能谈谈那些动画）。

该短片在67年拿了不少日本国内的奖项，但我觉得就想象力而言不如之前的几部。从形式讲，很可能是模仿迪斯尼的《幻想曲》，管弦乐队现场演奏穆索尔斯基的《展览会上的画》， 然后从展览上的肖像画延伸出某一类人的故事：爱炒作的记者，完美主义的人工园林家，整容医生，垮掉的一代，傲慢的拳王，大工厂主。其中有些故事采用带军事 化色彩的夸张手法，表现出一种机械感，跟卓别林的表演也有相通之处，让我联想到苏联的部分动画作品（希望以后有时间能谈谈那些动画）。

J.G. Ballard的小说...无语... 　　Most Remarkable Film I Have Ever Seen 　　While definitely not for everyone, this movie effectively captures J.G. Ballard's difficult novel of the same name. More visual than literal, The Atrocity Exhibition forces the viewer to re-think the art of film and of story telling. It effectively communicates in a new language that caused some who saw it to declare that it 'changed their lives'. It changed mine as well, although I'm not exactly sure in what way. And while I can't say that I completely 'got ' the story, the story that I got was fascinating and one that I can't forget. I've since read the book and that certainly helped, but it wasn't necessary to enjoy the film. This film stands as one of my favorites alongside the best works of Kubrick, the Coen brothers and Hitchcock.