向阳村的赵老乐为儿子虎子的婚事忙前忙后，新儿媳荷花好不容易娶进了门，赵老乐却突然从外面捡了两个孩子回来。老乐不仅要养活孩子，而且还要让孩子过上和常人一样的生活。老乐视孩子为亲孙子，导致儿子及儿媳对老乐的误解。虎子病了，老乐为救虎子不遗余力，当虎子获得第二次生命时，村书记道出了实情，老乐这一生从未结过婚，老乐不但收养了两个孩子，就连虎子也是老乐收养的儿子。

上世纪七十年代末，年近三十、长相与孩子相仿的杜娟收养了一个女孩，取名笑笑。为助力笑笑实现舞蹈梦想，杜娟前往城里创业，经营小吃生意。经过数年拼搏，杜娟的生意步入正轨，她也把笑笑送进了专业舞蹈学校。但虚荣的笑笑却渐渐对杜娟心生不满。为不影响笑笑发展，杜娟着手寻找笑笑的亲生父母。一只多年前留下的小舞鞋，揭开了笑笑的身世之谜。为了笑笑的前途，杜娟把笑笑送回生母——舞蹈老师周兰身边，自己仍默默守护着笑笑。笑笑在新家并未过上理想生活，遭到周家人排挤，眼睛还在一次意外中受伤，面临失明风险。此时，笑笑开始怀念养母杜娟，想要回到她身边。杜娟努力为笑笑治好了眼睛，母女俩最终重拾亲情。

主要讲述知名女主播艾玛与新晋村姑主播品如之间的姐妹感情。品如来自山村，为推广山货，拜艾玛为师，两人亦师亦友，艾玛悉心教导品如，参加直播大赛，突出却遭到前老板钱宝宝的离间挑拨，两人反目。在决赛赛场上，姐妹两人终于冰释前嫌，品如也顺利夺冠，两人组成组合“上头姐妹”，共同闯荡主播带货界。

主要讲述知名女主播艾玛与新晋村姑主播品如之间的姐妹感情。品如来自山村，为推广山货，拜艾玛为师，两人亦师亦友，艾玛悉心教导品如，参加直播大赛，突出却遭到前老板钱宝宝的离间挑拨，两人反目。在决赛赛场上，姐妹两人终于冰释前嫌，品如也顺利夺冠，两人组成组合“上头姐妹”，共同闯荡主播带货界。

原本对爱情失去信心的李国清，相亲时遇到了温柔美丽的阿西燕，各自有“隐秘”往事的俩人，猝不及防地走进了“包办”婚姻。原本陌生与疏离的两颗心，因朝夕相处而被慢慢拉近。此时，他们各自隐藏的秘密却被揭开。当情感风暴终于平息，阿西燕的怀孕，又让宁静的生活面临更大危机。是包容谅解、携手前行，还是互相指责、劳燕分飞?爱情究竟是一场宿命，还是坎坷生活中的共同成长?

原本对爱情失去信心的李国清，相亲时遇到了温柔美丽的阿西燕，各自有“隐秘”往事的俩人，猝不及防地走进了“包办”婚姻。原本陌生与疏离的两颗心，因朝…

蒙面侠电影在好莱坞有铺天盖地的声势。从几十年前的《佐罗》,《超人》开始，到这些年的《蝙蝠侠》、《蜘蛛侠》、《超胆侠》等等. 　　佐罗远不是这个模式的起头。比佐罗更早的，是1905年英国女作家 Baroness Emmuska Orczy的小说《红花侠》(《 腥红色的繁笺花》)。故事描述法国大革命期间，法王路易十六被送上断头台，皇室和贵族也纷纷遭陷害。英国花花公子帕西化身为传说中的蒙面侠客红花侠，不断潜往法国, 出生入死抢救受难贵族送到国外。每次解救成功，就留下一朵红色的繁笺花为记。 　　这个著名的冒险传奇故事曾七度搬上银幕，这个版本是电视电影，是所有根据同名小说改编中最受称赞的. 影片曾获AMY奖. 演员也很出名 (Somewhere in Time 里的大美女Jane Seymour, Brideshead Revisit 中的塞巴斯蒂安 Anthony Andrews 以及 The Lord of the Rings 甘道夫 Ian McKellen)。

A snapshot of the artists home life, featuring rioting babies and a rogue cabbage.

黄莺在枝头唱歌，歌声刚落，便传来掌声。它高兴地采了一朵大红花，拿去答谢给它鼓掌的两只小熊——小黑和小棕。可是两只小熊争着说是自己先鼓的掌。红花只有一朵，黄莺不知送给谁才好。这时正在忙着搭桥的象、鹿、啄木鸟、松鼠和猴子急需一根木料，黄莺知道后建议：谁能找来一根木料，这朵大红花就给谁。小黑和小棕一起找到一根木料，它们又争执说：“是我找到的”。但是木料太重了，谁也抬不动，它俩你争我夺，结果木料从斜坡上滚到河里去，它俩随着木料被河水冲到悬崖瀑布旁，幸亏被一块大礁石拦住。在这危急关头，正在造桥的象、鹿、猴子等等，冒着危险，将它们救了上来。事实使小黑和小棕受到教育，它们懂得了做任何事情光靠一个人是不行的，大红花应当是大家的。

“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. 　　The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. 　　As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. 　　“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.