另外852公司亦會開拍兩部動畫，同樣由郭子健與黃智亨聯合執導，一部是以奇幻科學冒險作題材的《山海幻戰》，而另一部則以未來機械人與外星人衝突作題材的科幻片《宇宙大糧倉》，兩片均是港產片中少有的動畫電影，大膽創新。

另外852公司亦會開拍兩部動畫，同樣由郭子健與黃智亨聯合執導，一部是以奇幻科學冒險作題材的《山海幻戰》，而另一部則以未來機械人與外星人衝突作題材的科幻片《宇宙大糧倉》，兩片均是港產片中少有的動畫電影，大膽創新。

寵物用品發明家羅伯與女兒，以及他們養的牧羊犬「查理」搬進新的社區居住。才剛入住，他們的鄰居維克就熱情地歡迎他們，但其實他別有用意。當他看見羅伯的最新發明時起了歹念，僱用兩位拙劣的小偷，想趁羅伯與女兒外出過耶誕假期時，偷取那個新發明的寵物用品。殊不知聰穎的查理早已與整個社區的狗狗團結合作，準備對付這兩個笨賊。

《山海》是一部蒸汽朋克结合中国风 的2D动画电影，以引人入胜的传说为 背景、光怪陆离的山海城为舞台的少 女冒险故事。流浪的少女“一”，在一次偶然的事件中意外得到了山海城的镇海宝珠。来到山海城的一，遭遇了少城主“京”、长老“玄”、帮主“鲲”等一系列有着各自目的试图抢夺宝珠的人物，卷入了一场攸关整个山海城存亡的风波。

《山海》是一部蒸汽朋克结合中国风 的2D动画电影，以引人入胜的传说为 背景、光怪陆离的山海城为舞台的少 女冒险故事。流浪的少女“一”，在一次偶然的事件中意外得到了山海城的镇海宝珠。来到山海城的一，遭遇了少城主“京”、长老“玄”、帮主“鲲”等一系列有着各自目的试图抢夺宝珠的人物，卷入了一场攸关整个山海城存亡的风波。

新加坡海岸线上的填海工地，工人王必成失踪了。两名警探闻风而至，在工地周围四处探询王必成的踪影。躁郁的氛围、失眠的夜晚，警探在梦里见到王必成身影，而令人不安的真相，也将在虚实难辨的湿热幻境中揭开。 在虚实难辨的故事结构中，揭开新加坡沿海无证移工的生存困境。黑色电影的基底下，萨克斯风音乐、霓虹光线交错，切换视角的叙事方法，打造如梦似幻的空间感。故事背景极度写实，影像风格却忧郁抽离，带领观众远离对新加坡的刻板想象，在破碎消散的时间感中，探向当代新加坡的真实焦虑。

《幻土》属惊悚题材，剧情讲述两位警察追踪一名在本地填海工地工作的外藉劳工时，忽然失联。宏荣扮演前CID探员，在查案及寻找失踪客工的过程中，由于太投…

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)

Hilarion Zabala, a former master sergeant, is tormented by a strange smell. The diagnosis is phantosmia, i.e. olfactory hallucinations, where he perceives smells that do not actually exist. His doctor attributes this to past trauma and recommends that he confront and recall his dark military service period as a solution. Zabala, willing to take on any task, voluntarily visits a military base and is eventually assigned to a remote island penal colony. However, another horrific reality awaits him there. 　　From religious bloodshed to human rights abuses against women, the various forms of violence created by humans are still structurally and routinely pervasive. How can justice and salvation be achieved in an age of violence? Can violence used to prevent violence ever be justified? Deep anguish is reflected through the contemplative black-and-white imagery. (BOO Kyunghwan)