When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

Paskowitz医生放弃了原本优越有前途的职业，带着善解人意的老婆和9个孩子，一家11口住进了露营车，一边流浪一边冲浪。也许他们的生活实在让人不能理解，但是，这样能够坦率的放弃优越的生活环境去追求梦想是令很多人都羡慕得吧。

在德国巴伐利亚州的一个国家公园内坐落着雄伟的瓦茨曼峰。作为阿尔卑斯山的一部分，瓦茨曼峰的地势崎岖，野性十足。 　　阿尔卑斯山横贯全州，多山峰、多森林、多湖泊是该州地形地貌的突出特征。这里的阿尔卑斯山脉中不乏引人入胜的2,000米以上的山峰，而阿尔 卑斯山前地区直到多瑙河，则遍布湖泊。东巴伐利亚的中高山脉，从帕绍和雷根斯堡延伸到捷克共和国的边境，主要还是一片原始景色。施瓦本-弗兰肯的层岩地带，在东巴伐利亚的中高山脉和多瑙河之间，是典型的褶皱地形和高地。 　　巴州地处欧洲中心位置，是欧洲东－西和南－北贸易的交汇处。从巴州出发，可以便捷地到达其它各主要经济中心。

70后大叔丁人间为满足老婆林月单独生活、离开父母的愿望，带领同事和老板要求涨薪，结果被开除，不得不给90后翟至味打工。事情被林月知道后，加上“死党”唐晓刚的推波助澜，林月与丁人间离婚，选择了唐晓刚。丁人间陷入人生低谷。翟至味的公司被唐晓刚挤垮后加上父亲过世，也一蹶不振。丁人间再度失业后，住进了80后高级白领安清欢的家中，又与安清欢一同帮助翟至味走出阴影，丁人间和安清欢逐渐有了爱情的苗头，二人如愿地在一起，翟至味也成长为成熟有担当的男人。

清欢本是忘川河边一朵鸢尾花，意外得到神君白泽点化，二人却因此情根深种、卷入轮回。三生情劫中，白泽与清欢历经悲欢离合，尝尽爱恨情仇，终于参透“情”之一字，收获了凄美动人、感人至深的爱情。

70后大叔丁人间 （ 佟大为 饰）为满足老婆林月 （ 林鹏 饰）单独生活、离开父母的愿望，带领同事和老板要求涨薪，结果被开除，不得不给90后翟至味 （ 王一博 饰）打工。事情被林月知道后，加上“死党”唐晓刚 （ 朱刚日尧 饰）的推波助澜，林月与丁人间离婚，选择了唐晓刚。丁人间陷入人生低谷。翟至味的公司被唐晓刚挤垮后加上父亲过世，也一蹶不振。丁人间再度失业后，住进了80后高级白领安清欢 （ 陈乔恩 饰）的家中，又与安清欢一同帮助翟至味走出阴影，丁人间和安清欢逐渐有了爱情的苗头，二人如愿地在一起，翟至味也成长为成熟有担当的男人。

生活在村里的小厨仙李清欢，意外捡到霸总楚萧，两人糊里糊涂发生关系后，李清欢转身跑路，留下的一碗鸡丝粥，俘获了楚萧的挑剔的胃和他的心。 那晚之后，李清欢溜下山，应聘进楚氏集团旗下的西楚饭店成为一名帮厨，而楚萧也在满世界寻找意中人。这一天，楚氏集团传来命令，每个厨师都要做一碗鸡丝粥，总裁楚萧要来亲自品尝……

是由海宁天翊影业有限公司申报的古代网络微短剧。讲述了忘川河边鸢尾花得了神君白泽一滴指尖血，她因此得道，化作人形娇艳少女清欢，整日痴缠神君，白泽下凡渡情劫，清欢便也陪着他三生三世，三世轮回。神君与鸢尾花爱恨别离，怨憎会，求不得，终于参透“情”之一字回到了天界， 白泽这才明白了，自己下凡历劫三生，缘起竟然是清欢。