시골출신의 춘애는 모친의 병원비를 마련하기 위해 도시로 나온다. 그러나 건달 진태에게 희롱당하여 낙도의 파시아가씨로 전락,치욕의 밑바닥 생활을 하는 춘애에게 진태는 끈질기게 괴롭힌다. 영일을 설득하여 고향으로 돌아가게 한 춘애는 체포되어 떠나는 진태의 후회와 갱생의 약조에 감동하여 참된 애정을 느낀다. 눈물로 작별하여 춘애는 진태에게 기다리겠다는 언약을 한다.

Twenty-nine year old Caucasian Elgar Enders still lives at the estate of his parents, William and Joyce Enders, and off their vast wealth with their blessing, although his ultra-conservative father hopes that some day Elgar will have some drive and make a name for himself, much as he believes his eldest son, William Jr., has done. Elgar decides finally to move out, and buys a tenement house in Park Slope, Brooklyn, a rough neighborhood seemingly on the verge of gentrification. He plans to tear it down and build a new house for himself. Although they have no idea of his plans, the tenants of the building, exclusively black, do not welcome their young, lily-white new landlord with open arms. They believe he is just another slum white landlord who wants their money, although most of them are indeed several months behind in their rent. Despite their antagonistic beginning, Elgar, after spending time with his tenants and learning their stories, decides to be a proper landlord and fix up the building for them and for him to live in. Elgar's transition into liberal minded lover of his black brothers and sisters is not without its problems as he deals with some tenants who are indeed deadbeats, his parents who just don't understand and agree with this phase of his life, and race relations where the color of one's skin does affect how they are treated in life and in turn how they interact with others. The latter is epitomized by his relationships with Lanie, a biracial woman who he initially believed was white, and with husband and wife tenants Copee and Fanny to who he gets a little too close

巴西电影大师格劳贝尔-罗恰最后一部作品,网上的版本由我的一些阿根廷朋友在共享。《大地的年纪》绝对是一部伟大的作品，也许是罗恰最具雄心的一部电影了，资本主义、军事独裁、帝国主义、革命斗争、马克思主义、种族主义、宗教信仰、神话传说、民间诗歌、政治隐喻、先锋实验。。。几乎所有在罗恰的电影中曾经出现过的主题都包含在其中了。这部影片是巴西新浪潮的最后一声回音，也是第三世界电影最强有力的一次呐喊。 　　ed2k://|file|A%20idade%20da%20terra.avi|1465169920|EBD80D162568DFBDACC1ECFB708C53A3|/

跟着本节目前往世界各地，好让自己放松和重整。

跟着本节目前往世界各地，好让自己放松和重整。

本节目是东京电视台制作的一档经济类纪录片。栏目名称「ガイアの夜明け」中的「ガイア (GAIA)」意指地球，「夜明け」为黎明，即该节目的主旨是通过捕捉全球经济动态，展示各类商业活动中日本人的奋斗身影，从而探讨低迷的日本经济如何在21世纪实现重生，迎来新的黎明。

帯広・ばんえい競馬の落ちこぼれ新人騎手・北村俊平。今日も着外に沈み、デビューから２ヶ月半を過ぎても勝利数はわずか１勝。同期のライバル・森山優斗に水をあけられ、俊平の焦りは募るばかりだった。 　　ばん馬が競争馬になるための「能力試験」は、馬にとっては生き残りを賭けた厳しい関門だ。しかし俊平はここでも騎乗したトヨノコトブキを合格させることができず、馬主の名物婆さん・穂積トヨの怒りを買ってしまう。騎手として生きることを諦めかけた俊平だが、「お前は騎手を辞めても生きていけるが、馬には他に生きる場所がない」という現役トップの名騎手・倉橋裕二の叱咤や、就職につまずきながらもこのばんえい競馬で懸命に頑張ろうとする広報担当の新人・吉野早紀に勇気付けられ、逃げずにここで騎手として生きていく決意を固めるのであった。

我曾经觉得黄昏是一个非常令人不安的时刻，仿佛夜幕降临是一件令人恐惧的事情。仿佛一旦夜幕降临，你就无法逃离，只能面对无法预知的后果。也许大地会记得，黑夜会揭示我们曾经做了什么……