시골출신의 춘애는 모친의 병원비를 마련하기 위해 도시로 나온다. 그러나 건달 진태에게 희롱당하여 낙도의 파시아가씨로 전락,치욕의 밑바닥 생활을 하는 춘애에게 진태는 끈질기게 괴롭힌다. 영일을 설득하여 고향으로 돌아가게 한 춘애는 체포되어 떠나는 진태의 후회와 갱생의 약조에 감동하여 참된 애정을 느낀다. 눈물로 작별하여 춘애는 진태에게 기다리겠다는 언약을 한다.

시골출신의 춘애는 모친의 병원비를 마련하기 위해 도시로 나온다. 그러나 건달 진태에게 희롱당하여 낙도의 파시아가씨로 전락,치욕의 밑바닥 생활을 하는 춘애에게 진태는 끈질기게 괴롭힌다. 영일을 설득하여 고향으로 돌아가게 한 춘애는 체포되어 떠나는 진태의 후회와 갱생의 약조에 감동하여 참된 애정을 느낀다. 눈물로 작별하여 춘애는 진태에게 기다리겠다는 언약을 한다.

Twenty-nine year old Caucasian Elgar Enders still lives at the estate of his parents, William and Joyce Enders, and off their vast wealth with their blessing, although his ultra-conservative father hopes that some day Elgar will have some drive and make a name for himself, much as he believes his eldest son, William Jr., has done. Elgar decides finally to move out, and buys a tenement house in Park Slope, Brooklyn, a rough neighborhood seemingly on the verge of gentrification. He plans to tear it down and build a new house for himself. Although they have no idea of his plans, the tenants of the building, exclusively black, do not welcome their young, lily-white new landlord with open arms. They believe he is just another slum white landlord who wants their money, although most of them are indeed several months behind in their rent. Despite their antagonistic beginning, Elgar, after spending time with his tenants and learning their stories, decides to be a proper landlord and fix up the building for them and for him to live in. Elgar's transition into liberal minded lover of his black brothers and sisters is not without its problems as he deals with some tenants who are indeed deadbeats, his parents who just don't understand and agree with this phase of his life, and race relations where the color of one's skin does affect how they are treated in life and in turn how they interact with others. The latter is epitomized by his relationships with Lanie, a biracial woman who he initially believed was white, and with husband and wife tenants Copee and Fanny to who he gets a little too close

在印度的一个村庄，村民饱受残酷地主统治的压迫，恐惧令穷人敢怒不敢言，正义无法得到伸张。一名年轻女警官挑战这一体制，随后一个无辜家庭被烧死，此事件激起民众愤怒，引发了大规模暴力反抗。此后，为了夺回尊严、正义以及宪法赋予的权利，一场代价高昂的斗争就此展开。

巴西电影大师格劳贝尔-罗恰最后一部作品,网上的版本由我的一些阿根廷朋友在共享。《大地的年纪》绝对是一部伟大的作品，也许是罗恰最具雄心的一部电影了，资本主义、军事独裁、帝国主义、革命斗争、马克思主义、种族主义、宗教信仰、神话传说、民间诗歌、政治隐喻、先锋实验。。。几乎所有在罗恰的电影中曾经出现过的主题都包含在其中了。这部影片是巴西新浪潮的最后一声回音，也是第三世界电影最强有力的一次呐喊。 　　ed2k://|file|A%20idade%20da%20terra.avi|1465169920|EBD80D162568DFBDACC1ECFB708C53A3|/

巴西电影大师格劳贝尔-罗恰最后一部作品,网上的版本由我的一些阿根廷朋友在共享。《大地的年纪》绝对是一部伟大的作品，也许是罗恰最具雄心的一部电影了，资本主义、军事独裁、帝国主义、革命斗争、马克思主义、种族主义、宗教信仰、神话传说、民间诗歌、政治隐喻、先锋实验。。。几乎所有在罗恰的电影中曾经出现过的主题都包含在其中了。这部影片是巴西新浪潮的最后一声回音，也是第三世界电影最强有力的一次呐喊。 　　ed2k://|file|A%20idade%20da%20terra.avi|1465169920|EBD80D162568DFBDACC1ECFB708C53A3|/

跟着本节目前往世界各地，好让自己放松和重整。

跟着本节目前往世界各地，好让自己放松和重整。