"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."

"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."

Story follows the divergent agendas of criminals, cops and lawyers as they collide over a shipment of illegal firearms and a double homicide. Earl Pike, a criminal, tries to get his family's illegal gun collection to a safe haven.

老手与菜鸟飞机师驾驶的是中央情报秘密行机，运载东西更是包罗万有，从难民到军阀，从手榴弹到小猪，真是无奇不有。

两名精英狙击手驻扎在一个偏远地方的峡谷两侧的瞭望塔中，此处高度机密且辽阔，两人甚至无权知道峡谷的确切位置，他们致力于保护外部世界免受潜伏在其中的未知神秘邪恶势力的侵害。　　他们从远距离建立了联系，同时保持警惕来对抗暗处的敌人。当意识到人类即将面临灾难性威胁后，两人必须在考验体力和精力的挑战中合作共事，并保守峡谷中的秘密。

安雅·泰勒-乔伊和迈尔斯·特勒将主演苹果新片《峡谷》(The Gorge)，斯科特·德瑞克森(《奇异博士》《黑色电话》)执导，扎克·迪恩(《明日之战》《陷阱》)编剧，天舞影业制作。影片剧情保密，讲述一个动感十足、风格迥异的爱情故事。 ​​​

《峡谷》的故事设定在美国洛杉矶，一群二十多岁、外表光鲜的年轻人沉溺于荒淫且物质至上的生活。当他们尽情享受这种纸醉金迷的日子时，一个神秘的复仇者出现，打破了他们的极致享乐。此人恐吓这些年轻人，声称要毁掉他们美好的生活。这部电影涵盖了性欲、贪念、背叛等元素。著名男艳星詹姆斯·丁恩在片中依旧从事老本行，招揽女性进行性交易，坏女孩琳赛·洛翰则饰演丁恩的好友。

塔拉 （ 林赛·罗韩 饰）是个妖冶的女骗子，还是个傍大款的拜金女，她紧紧缠着一个男人，而这个男人显然是个危险又令人不安的怪人。他叫克里斯蒂安 （ 詹姆斯·迪恩 饰），是一个初出茅庐的电影制片人，几乎像呼吸一样频繁地撒谎，主要热衷于在网上猎寻性伴侣（男女皆有），并用手机拍摄他们与塔拉寻欢的业余色情视频。塔拉顺从这种行为，一是因为她真的有点喜欢这样做；二是她可能并非完全喜欢，但她确实喜欢和克里斯蒂安住在他那山坡上的豪宅里，因为在这个金钱和地位至上的地方，这总好过身无分文地勉强糊口。瑞安 （ 诺兰·杰拉德·冯克 饰）是她曾经同居过、现在还偶尔幽会的小男友。她向瑞安解释着她痛恨他们那种例如不得不四处凑钱付房租那样近乎贫困的生活 。

冰山雪岭、荒无人烟的幽幽峡谷中，前去看望爱妻的苏东遇到了身受重伤的植物学家王丽娜；他面对生与死，道德与良知，理性和欲望的种种考量，一路绝地求生，突破重重困难；丽娜虽然中途醒来，但为了保护苏东再次被冻僵；他们最终能否走出去？还看峡谷情缘