Based on true events, Picco sheds light on the everyday life of youth prison inmates in Germany and shows in a merciless way that the judiciary system is by no means able to re-educate these lost youths. Kevin is new in youth prison. He has to share a cell with Tommy, Andy and Marc. A partnership of convenience in a system where only the strong prevail. It is hard for Kevin to establish himself. He's afraid of not sticking it out. Only Tommy gives him an amicable advice: In this system, you're either a victim or a culprit. An advice that will trigger most dire consequences and will lead to a night that will change the lives of the four inmates forever.

这部电影是关于一个没有脸的人。他是个残疾人，手臂和腿缠满了绷带，一动不动地呆在一个白色房间里，丝毫没有颤动。这个男人被疯狂的幻觉充斥，他也正是我自己的重塑。这个房间里一系列不寻常的场景表达了我的内心。我试着在记忆、噩梦和暴力的影像间创造一种关联。

这部电影是关于一个没有脸的人。他是个残疾人，手臂和腿缠满了绷带，一动不动地呆在一个白色房间里，丝毫没有颤动。这个男人被疯狂的幻觉充斥，他也正是我自己的重塑。这个房间里一系列不寻常的场景表达了我的内心。我试着在记忆、噩梦和暴力的影像间创造一种关联。

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，老洪（黄志忠…

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，“老洪”洪赟兵（黄志忠 饰）、“小洪”洪翼舟（朱一龙 饰）父子俩于绝境处挺身而出，他们如何与16万人度过这场生死危机？

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.

1939年，冀中平原向太行山区的过渡地带，风铃渡的老百姓家家断粮，饥不择食。几名从北平来河北参加抗战、筹建兵工厂的年轻大学生，在八路军区小队护送下穿越日军封锁线，却被日军狙击，区小队几乎全军覆没。为了成功建立秘密小型兵工厂，制造炸药和地雷，支援八路军抗战，一步步重建起来的区小队在战火连天中磨炼，在生死抉择时成长。他们百折不挠、奋勇杀敌，用智慧和鲜血抵抗日寇，支援抗日，保卫人民。

1939年，冀中平原向太行山区的过渡地带，河北省平山县王庄的老百姓家家断粮，饥不择食。几名从北平来河北参加抗战、筹建兵工厂的年轻大学生，在八路军区…

玻利维亚富豪聚居的拉巴斯南区，一户典型的花园豪宅，犹如一个超大无菌气球，包覆着只在意上流排场与特权的女主人，成天只知性和狂欢的大儿子，厌恶上流社会阶级歧视的女儿，充满想像力的小儿子，以及一手包办全家大小事的原住民管家。镜头以一场一镜方式摇摄，犹如家庭成员一般，冷眼看着这个上流气球一点一点迈向破灭。