秦瑶父亲去世后，秦瑶便被母亲江瑜接回家，然而母亲已经收养了自己白月光的女儿江晓晓。只因之前秦瑶跟丈夫一起欺骗江瑜，导致江瑜没能见到白月光最后一面，因此对秦瑶十分厌恶。而江晓晓为了得到江瑜的母爱，不仅在小时候多次欺负陷害秦瑶，更是在长大后利用苦肉计陷害秦瑶，将其送进精神病院。在精神病院里，秦瑶受到非人的虐待，最终被人捅死，秦瑶的最后一个电话打给江瑜，然而江瑜却根本不相信秦瑶，只顾着为养女江晓晓举办升学宴。直到最后，身为入殓师的江瑜，亲手缝合女儿秦瑶的尸体...

1970 年，传奇导演奥森·威尔斯（《公民凯恩》）开始着手拍摄新片，参演演员阵容也十分豪华，包括约翰·休斯顿、彼得·博格丹诺维奇、苏珊·斯塔丝伯格和威尔斯晚年的合作伙伴奥雅·柯达，而该片最终成为他的遗作。但受资金问题困扰，最终制作过程止步于 1976 年，并很快在行业内变得声名狼藉，无法完成也无法发布。威尔斯死后，一千多个胶卷在巴黎尘封 30 年，直到 2017 年 3 月，制片人弗兰克·马歇尔（曾在《风》初期拍摄期间担任制作经理）和菲利普·强恩·雷沙带头完成了威尔斯的愿景。 　　《风的另一边》采用了奥斯卡获奖作曲家米歇尔·勒格朗（《瑟堡的雨伞》）的新配乐，并经过包括奥斯卡获奖剪辑师鲍勃·穆拉夫斯基（《拆弹部队》）在内的技术团队的剪辑，讲述了著名电影制作人 J·J·“杰克”·汉纳福特（休斯顿饰演）的故事，他在欧洲流浪数年后重回好莱坞，准备推出革新性的影片，宣布复出。威尔斯的遗作讽刺了当时的经典电影工作室体系和想要打破电影业旧格局的新机构，既是距今已久的电影制作史的迷人缩影，也是出自导演大师之手的一部备受期待的“新”作。

Based on true events, Picco sheds light on the everyday life of youth prison inmates in Germany and shows in a merciless way that the judiciary system is by no means able to re-educate these lost youths. Kevin is new in youth prison. He has to share a cell with Tommy, Andy and Marc. A partnership of convenience in a system where only the strong prevail. It is hard for Kevin to establish himself. He's afraid of not sticking it out. Only Tommy gives him an amicable advice: In this system, you're either a victim or a culprit. An advice that will trigger most dire consequences and will lead to a night that will change the lives of the four inmates forever.

商会千金赵春漫为父报仇潜入玉春戏院，却不幸死于义帮二当家周迟之手。时间重置，赵春漫发现事情似有不同。为查清父亲死亡真相，改变自己的结局，春漫一次次面对命运的抉择，步步为营，也在与周迟的感情中攻城略地。

商会千金赵春漫（吉舒亦 饰）为父报仇潜入玉春戏院，却不幸死于义帮二当家周迟（边天扬 饰）之手。时间重置，赵春漫发现事情似有不同。为查清父亲死亡真相，改变自己的结局，春漫一次次面对命运的抉择，步步为营，也在与周迟的感情中攻城略地。

闻檀因为和黑粉对骂三天三夜，被经纪公司勒令停止所有活动在家里闲了半个月后，她耐不住好友的软磨硬泡，答应了去帮她混选修课的点到。明濯是国家地质学专家，年轻有为，清冷斯文。毕业后，明濯受邀回母校当了客座教授，每节课都座无虚席。课堂抽问，他偏偏点到了闻檀好友的名字。 　　本以为是一场无人在意的交集，却不知，闻檀见到明濯的第一眼起，就在想该怎么扒下他的西装，让他藏在金丝边框后那双冷淡的黑眸，为她沉沦。所有人都觉得闻檀是在异想天开，像是明濯那样的高岭之花，是不可能轻易下凡的，就连闻檀自己也是这么觉得，象征性的追了追，就拍拍屁股走人。直到某天夜里，明濯摘下碍事的眼镜，将人抵在书架前男人骨节分明的手握住她的，放在了自己的衬衣纽扣上，音线冷感又低哑:“你来。”在别人眼里，明濯清冷自持，克已受礼，而闻檀人如其名，清冷中还带了几分雅致，实在想不出他们能擦出什么火花来，还有人给他们取名性冷淡CP，只有闻檀知道，明濯敛藏在骨子下的野。也只有明濯知道，闻檀那双眼睛笑起来有多明媚动人。成年男女的爱情故事，你是最耀眼的那颗星星。

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，老洪（黄志忠…

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，“老洪”洪赟兵（黄志忠 饰）、“小洪”洪翼舟（朱一龙 饰）父子俩于绝境处挺身而出，他们如何与16万人度过这场生死危机？

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.