「離開，可以是積極的探索。」2003年，17歲的中四女生陶嘉韜－蕃茄，經歷了一次生命中的巨大轉變。短短時間，蕃茄面臨父母離異、家道中落、寄人籬下，甚至從國際學校轉到傳統的英青中學。但蕃茄的內心總抱持一個嚮往：離開家裡、離開香港，逃離到幻想中的美麗異地。後來蕃茄遇上了在新學校的少年犯－小青…為了實現夢想，蕃茄和小青加入了一個業餘劇團，並排練一齣主題圍繞「去留」的舞台劇。然而，排練得如火如荼之時SARS爆發…「離開，亦可以是消極的逃避。」17年後，新冠肺炎肆虐，蕃茄因收到父親在港染上肺炎的消息而急忙回港。無獨有偶，孤獨的蕃茄和小青收到導演歐陽柊的聯繫。導演希望在疫情之中重演當年的那胎死腹中的舞台劇，完成2003年那個舞台上的夢。「人生是一個圓，到了某個時間點，就會像週期般循環。」兩場疫情之間，就有如人生好運與厄運的週期交替。人生跑道上的人來了又去，但總能找到步伐一致，願意同行的夥伴。

在公元1644年，清朝统一了中国，历史都这样记载，这一年统一了中国。可是在中国的南方，有一个明朝的残余政权，他们不承认明朝已经亡国了，就是所谓南明，他们拖到1661年才灭亡。在1949年，也有一个政权跑到台湾来，就是所谓的中华民国。

Revisiting the exact same sites and flimed in the seminal One Way Boogie Woogie, 27 Years Later is a shot-by-shot restaging of his earlier work. This time, the city of Milwaukee has been transformed and gentrified, but perhaps not for the better. Before, what was once decrepit could at least be seen as fucky charm; now everything has a corporate, soulless facade. Citing San Francisco Bay Guardian's Dennis Harvey, 'these new 'improved' landscapes somehow seem the perfect metaphor for how American life has gotten bigger but not necessarily better in recent decades.' It's an apt commentary for Hong Kong as well. 　　 　　from: 　　http://www.cityline.com.hk/eng/cityline_events/hkiff30/eventDetail.jsp?section=JAM&eventKey=32241

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about, make love, and finally end up editing the film as was planned.

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about, make love, and finally end up editing the film as was planned.

The season series of Silly Symphonies continues, with squirrels storing nuts and corn, crows stealing it, beavers building a dam, ducks migrating, and the like, as the first snows fall.

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about, make love, and finally end up editing the film as was planned.

In the follow-up of Estonian classics "Kevade" (1969) and "Suvi" (1976) the same characters have reached their middle-age. Everybody are living quiet family-life but Kiir the tailor who one more time decides to become a farmer and get married.