Synopsis 　　Ian is a struggling actor who finds himself in the unconventional role of a professional mourner. As he tours the Northern Irish countryside, his practiced mask of apathy begins to slip amongst the humour and heartache of the local funeral circuit. 　　Director’s statement 　　Three Keenings is centered on the tradition of “keening”, a mostly forgotten form of vocal lament for the dead in Gaelic Celtic culture, where members of the community unrelated to the deceased would gather and create a tangibility to the abstract space often left by grief and express it on behalf of the family. As with many traditions and religious practices, taking a step back and looking at them through a different lens, we see the humour and at times the absurdity amongst the earnestness and ceremony. In my previous work, I have experienced how families deal with illness and death and I have witnessed how tragedy can oftentimes go hand in hand with grim humour and cynicism. I wanted to explore this feeling in making this short film.

Synopsis 　　Ian is a struggling actor who finds himself in the unconventional role of a professional mourner. As he tours the Northern Irish countryside, his practiced mask of apathy begins to slip amongst the humour and heartache of the local funeral circuit. 　　Director’s statement 　　Three Keenings is centered on the tradition of “keening”, a mostly forgotten form of vocal lament for the dead in Gaelic Celtic culture, where members of the community unrelated to the deceased would gather and create a tangibility to the abstract space often left by grief and express it on behalf of the family. As with many traditions and religious practices, taking a step back and looking at them through a different lens, we see the humour and at times the absurdity amongst the earnestness and ceremony. In my previous work, I have experienced how families deal with illness and death and I have witnessed how tragedy can oftentimes go hand in hand with grim humour and cynicism. I wanted to explore this feeling in making this short film.

It's been 20 years since the bloodbath in the woods took away many lives. Now the demons are back in the woods and six young friends will face them as they have to spend a night in the woods when their car has broken down.

It's been 20 years since the bloodbath in the woods took away many lives. Now the demons are back in the woods and six young friends will face them as they have to spend a night in the woods when their car has broken down.

已无法从地底采取化石燃料的世界，克鲁森大陆。人们为使万物移动所“选择”的动力能源，是寄宿在人们手中的“力量”。 从地底中所采取的“石英”，无论力量的强弱谁都可以对其下达命令，人们将这种力量称之为“魔力”。 这样的世界中“没有魔力”的稀有者莱卡特，在某一天，受到了昔日的朋友同时也是现任国王的荷之尔召见，向王都前去的莱卡特将在那里得知令人惊讶的事实…… 过去一同学习，并建立起坚毅的友情的莱卡特、杰斯、荷之尔、西宫4人，将被战乱的漩涡毫不留情的吞没。

奈德是一个爱好阅读和音乐的文艺少年，可偏偏自己的学校是一个以橄榄球为信仰的地方。对运动不感冒的他饱受欺凌，每天盼望着被学校开除。新来的转校生康纳，由于球技高超，受到全校上下的热烈追捧，可校长偏偏安排他跟“边缘人”奈德同住一屋。看似来自不同世界的两人，却发展出了一段别样的友谊。他们作为彼此成长的印证，相互扶持又彼此伤害。在每个人的少年时代，只有敢于面对真正的自我，才能勇敢地面对这个世界。 　　该片的影调真实而清新，温暖而治愈，相信会唤起每个人年少时的回忆。该片的配角阵容也堪称强大：《神探夏洛克》里的终极反派莫娘，《权力的游戏》中冷血的卢斯·波顿，在该片中都展现了与以往截然不同的银幕形象，值得期待！

奈德是一个爱好阅读和音乐的文艺少年，可偏偏自己的学校是一个以橄榄球为信仰的地方。对运动不感冒的他饱受欺凌，每天盼望着被学校开除。新来的转校生康纳，由于球技高超，受到全校上下的热烈追捧，可校长偏偏安排他跟“边缘人”奈德同住一屋。看似来自不同世界的两人，却发展出了一段别样的友谊。他们作为彼此成长的印证，相互扶持又彼此伤害。在每个人的少年时代，只有敢于面对真正的自我，才能勇敢地面对这个世界。 　　该片的影调真实而清新，温暖而治愈，相信会唤起每个人年少时的回忆。该片的配角阵容也堪称强大：《神探夏洛克》里的终极反派莫娘，《权力的游戏》中冷血的卢斯·波顿，在该片中都展现了与以往截然不同的银幕形象，值得期待！

关于四名隶属不同部门的警察之间的友情、爱情与羁绊的故事。鹿滨铃之介（林遣都饰） 因崇拜福尔摩斯而成为警察，没想到当上后却几乎没有推理的机会，更因不小心洩漏了重 要的调查讯息而被停职处分。隶属总务课的马渊悠日（仲野太贺饰），平日处理局内的杂务，与搜查无缘的他却被奉命监督铃之介。各自怀抱著秘密的他们，因为解决一件件的难案，逐步卷入了难以抵抗的命运漩涡中。

关于四名隶属不同部门的警察之间的友情、爱情与羁绊的故事。鹿滨铃之介（林遣都饰） 因崇拜福尔摩斯而成为警察，没想到当上后却几乎没有推理的机会，更因不小心洩漏了重 要的调查讯息而被停职处分。隶属总务课的马渊悠日（仲野太贺饰），平日处理局内的杂务，与搜查无缘的他却被奉命监督铃之介。各自怀抱著秘密的他们，因为解决一件件的难案，逐步卷入了难以抵抗的命运漩涡中。

年轻帅气的Cho（Tomo Visava Thaiyanont饰）不仅仅带着痞气，喜欢在女生面前展现自我，而Yiwha（Maengmum Pimnitchakun Bumrungkit）一直认为他是Gay，在不知不觉的挑逗中，Cho已经对Yiwha产生了好感，Korn（Max Nattapol Diloknawarit饰）和Kncok（Tul Pakorn Thanasrivanitchai饰）本是一对未公开出柜的男同志情侣，因为Cho的出现，Korn总以为自己的男朋友Knock出轨，于是拜托Yiwha去搞搞清楚事实，Cho最后是选择了Yiwha还是Knock呢。三个男生和一个恶魔女生的爱情故事。