这部电影将写实与科幻合而为一。一种传染性性疾病STBO正在国内蔓延，它通过没有感情的性活动传播。 　　小偷马克和汉斯欠一个美国女人一笔钱，她限他们两个星期还。他们打算去偷一种专治类似艾滋病的药剂，然后高价转卖。于是他们雇来了亚力克斯，一个正在跟16岁女友丽莎分手的青年。但在计划实施之前，他迷恋上了马克的情妇安娜。丽莎却并没有死心，在他们动手那天她来到了巴黎，使得事情更加复杂化…… 　　当然，这是个悲剧。Love that burns fast but lasts forever. 　　这是导演Leos Carax继《男孩遇见女孩》后的第二部作品，继续他对青春和孤独等题材的关注，也就是在此片的五年之后诞生了影史经典之作——《新桥恋人》。

这部电影将写实与科幻合而为一。一种传染性性疾病STBO正在国内蔓延，它通过没有感情的性活动传播。　　小偷马克和汉斯欠一个美国女人一笔钱，她限…

After getting fired, a man goes to the town of Castillos, Uruguay, in search of employment. There he meets a strange woman, and his life becomes a nightmare of horror and death.

暂无剧情简介

暂无剧情简介

故事发生在一个幽静美丽景色宜人的私人社区之中，尼克（弗兰克·格里罗 Frank Grillo 饰）带着妻子萨拉（马利索·妮可 Marisol Nichols 饰）和两个孩子从繁华大都市洛杉矶移居至此，成为了小镇的新警长，尼克和萨拉都希望平静安逸的小镇生活能够治愈过往在他们心灵上所造成的创伤，然而，这样单纯美好的愿望真的能够成真吗？ 　　身为警长的孩子，查理（特拉维斯·考德威尔 Travis Caldwell 饰）和丹娜（麦克利·米勒 McKaley Miller 饰）所要面对的麻烦一点都不比他们的父母来得小，新的环境，新的学校，新的关系圈，两个孩子能够顺利适应这里的环境吗？随着时间的推移，尼克渐渐发现，小镇的平静只是假象，有一些非常邪恶而可怕的东西，似乎正潜伏在暗夜之中。

陈强在工地上勤勤恳恳上班挣钱，工地领头人私自贩卖了工地上的钢筋，然后污蔑陈强等人偷了工地上的钢筋。最后陈强凭借自己的聪明才智和能力，讨回了公道。

When old rockers Hired Gun reform to play a gig at the Midsomer Rocks Festival, paranoid lead singer Gary Cooper is convinced someone is trying to warn them off. First rock diva Mimi Clifton is electrocuted on stage, then drummer Nicky Harding is found dead in the swimming pool. Barnaby has to face the possibility that one of his rock 'n' roll heroes is a murderer.

Interesting but somewhat ramshackle chunk of Freudiana adapted from a stage play, in which an escaped convict (Morris) and his associates hold a remote household hostage while waiting for their getaway transport. The house happens to belong to a psychiatrist (Bellamy), and the process by which he gradually asserts his dominance, realising that the convict is a compulsive killer who is afraid he's going mad, is persuasively done; the miracle analysis he achieves within hours (programming the killer so that he can no longer pull the trigger), is ludicrous, to say the least. The best sequence details the killer's recurring nightmare of cowering from a relentless shower of blood under a perforated umbrella, simply but very effectively staged in negative; and throughout, Lucien Ballard's deep focus compositions enhance the otherwise routine tensions. Remade in 1948 as The Dark Past.

Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis?