“21世纪雾都”新德里的污染究竟有多严重？持续的热浪与泛滥的瘟疫同人类的污染活动有何关联？拉胡尔·贾殷执导的这部纪录片采访了作为污染初始目击者的普通市民，展现了令人惊心动魄的污染场景，以客观真实的影像和哀伤的笔调，揭露了新德里极其严重的环境污染现状。有媒体赞誉本片为自《难以忽视的真相》以来所敲响的最有力的一记环保警钟。入围2021年戛纳电影节纪录片金眼奖竞赛单元，摘获2022年芬兰电影胡西奖最佳纪录片奖。

“21世纪雾都”新德里的污染究竟有多严重？持续的热浪与泛滥的瘟疫同人类的污染活动有何关联？拉胡尔·贾殷执导的这部纪录片采访了作为污染初始目击者的普通市民，展现了令人惊心动魄的污染场景，以客观真实的影像和哀伤的笔调，揭露了新德里极其严重的环境污染现状。有媒体赞誉本片为自《难以忽视的真相》以来所敲响的最有力的一记环保警钟。入围2021年戛纳电影节纪录片金眼奖竞赛单元，摘获2022年芬兰电影胡西奖最佳纪录片奖。

你的手机，可能在你浑然不觉的时候，变成监视你的间谍工具？知名记者罗南·法罗调查一种由以色列网络情报公司开发的商业间谍软件，“能够悄悄地完全控制一部手机”，这项技术曾被政府用来反恐，如今却开始用在普通人身上……21世纪网络战争的背后是什么？

应无所住而生其心。于相离相，常离诸境，不于境上生心，也就能逍遥自在。走下《只有你》的舞台，李康生从《无色》到《何处》，再来到《无所住》的华盛顿，十年足之所至，也就是十部「行者」电影。一身红袈裟，赤足慢步踏遍人世的道道风景：清溪涓流、绿树晃曳；街角嚣动、车站倥偬，不为身外现象所惑，清心依然一片宁静。蔡明亮随心感念，放下一切言之有物；小康与亚侬在同一空间异同对照，出入红尘而不受红尘所扰，早达明心见性、悟道归源之境。

应无所住而生其心。于相离相，常离诸境，不于境上生心，也就能逍遥自在。走下《只有你》的舞台，李康生从《无色》到《何处》，再来到《无所住》的华盛顿，十年足之所至，也就是十部「行者」电影。一身红袈裟，赤足慢步踏遍人世的道道风景：清溪涓流、绿树晃曳；街角嚣动、车站倥偬，不为身外现象所惑，清心依然一片宁静。蔡明亮随心感念，放下一切言之有物；小康与亚侬在同一空间异同对照，出入红尘而不受红尘所扰，早达明心见性、悟道归源之境。

父亲的离逝带来一幕幕的家庭悲剧。母亲Nurcan是颗计时炸弹，沉溺於丧夫之痛，把照顾家庭的责任推卸到大女儿Feride一人身上，弟弟Ilker离家出走，更与同学的母亲发生一段不伦关系，小女儿Ozge成为被忽视的一个，Feride为了逃避这些转变，与一个不爱的男人结婚，同时承受背叛家庭的指责。他们都在这个问题家庭迷失身份，究竟这是谁的家？祖母是唯一的智者，试图解开他们的心结，让他们重返正常的生活，但作用有多大呢？饰演祖母一角的正是导演Deniz Ak?ay的祖母，导演於15岁失去父亲，曾用7年时间治疗，本片也是治疗的一部分，虽然故事多属虚构，但本质上也带着导演的经历。完成作品後，导演说了一句：「对，我父亲已死。」

父亲的离逝带来一幕幕的家庭悲剧。母亲Nurcan是颗计时炸弹，沉溺於丧夫之痛，把照顾家庭的责任推卸到大女儿Feride一人身上，弟弟Ilker离家出走，更与同学的母亲发生一段不伦关系，小女儿Ozge成为被忽视的一个，Feride为了逃避这些转变，与一个不爱的男人结婚，同时承受背叛家庭的指责。他们都在这个问题家庭迷失身份，究竟这是谁的家？祖母是唯一的智者，试图解开他们的心结，让他们重返正常的生活，但作用有多大呢？饰演祖母一角的正是导演Deniz Ak?ay的祖母，导演於15岁失去父亲，曾用7年时间治疗，本片也是治疗的一部分，虽然故事多属虚构，但本质上也带着导演的经历。完成作品後，导演说了一句：「对，我父亲已死。」

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat

Andrew Graham-Dixon presents a personal profile of the legendary food writer Alan Davidson, one of the unsung heroes of the culinary world. 　　Davidson's greatest work, The Oxford Companion to Food, took him 20 years to write. It's an encyclopaedia of everything a human being can eat, from aardvark to zucchini, all catalogued in 2,650 separate entries. But it is much more than just a food reference book; it is a portrait of the whole human race, its many cultures, customs and histories, all revealed through the stories of what we eat. If you want to understand why the Genoese enjoy dolphin, how to cook a warthog, why the French call dandelions 'piss-en-lit' or who invented Spam, then 'The Companion', as it is known by aficionados, is the place to look. 　　Alan Davidson died in 2003, just four years after his magnum opus was published. He had already achieved guru status among foodies and professional chefs but, in fact, he became a writer almost by accident. His first career had been as a British diplomat, serving in various overseas offices. A visit by his wife to a Tunisian fish market first piqued his interest in writing about seafood, and a later posting to Laos convinced him to resign from the Foreign Service and become a full-time writer. 　　Through interviews with Davidson's colleagues, admirers, family and friends, Graham-Dixon creates a portrait of a remarkable man who not only compiled a unique record of humanity's eating habits, but also helped turn the study of food into a serious academic discipline by instigating an annual symposium at Oxford University where visitors can learn about, amongst other things, the role of vegetables in the conquest of space and how to make a musical carrot.