长命百岁是否必然幸福？ 孝与不孝如何界定？ 离与留又该如何取舍？纪录片《伴生》娓娓道来两代人对生与死的价值观的差异和矛盾。有人因不忍父亲饱受病魔折磨及丧妻之苦，而祈求父亲能早归天家；有人因长期照顾患病父母而心生压力，渴望开展自己的生活；有人因母亲健康急转直下反而重建分隔多年的关系。 一生建构的种种链接，伴随死亡，是否能瞬间化为烟霞？ 　　"Does longevity bring happiness? Would it be unfilial if you wish the death for your father? Departure or continuous to suffer, a hard choice to make? 　　Snuggle shows the value difference of 'life and death' between two generations. Someone wishes the death for his father because he cannot stand watching his father suffering from illness and loneliness; someone feels so stressed that she has to sacrifice her life to take care of her parents; someone happens to restore the relationship with his mother because she is unwell seriously. When it comes to death, would all those relationships we have in this life last for one more second?" 　　第23届香港电影评论学会大奖

长命百岁是否必然幸福？ 孝与不孝如何界定？ 离与留又该如何取舍？纪录片《伴生》娓娓道来两代人对生与死的价值观的差异和矛盾。有人因不忍父亲饱受病魔折磨及丧妻之苦，而祈求父亲能早归天家；有人因长期照顾患病父母而心生压力，渴望开展自己的生活；有人因母亲健康急转直下反而重建分隔多年的关系。 一生建构的种种链接，伴随死亡，是否能瞬间化为烟霞？ 　　"Does longevity bring happiness? Would it be unfilial if you wish the death for your father? Departure or continuous to suffer, a hard choice to make? 　　Snuggle shows the value difference of 'life and death' between two generations. Someone wishes the death for his father because he cannot stand watching his father suffering from illness and loneliness; someone feels so stressed that she has to sacrifice her life to take care of her parents; someone happens to restore the relationship with his mother because she is unwell seriously. When it comes to death, would all those relationships we have in this life last for one more second?" 　　第23届香港电影评论学会大奖

少年韩烬身负未来道胎，执玄罡，斩九幽、破心魔，为人族存亡踏出一条逆天改命之路。

当邪祟肆虐，唯有以恶制恶方能涤荡人间。班帕法荣村危在旦夕，求救之声刻不容缓，但此番劫难非比寻常，敌方竟有黑巫术助阵，寻常手段难以招架。两名身负神力的青年不得不与当地望族之女联手抗敌，三人誓要斩断那缠绕村落的诅咒锁链。

当邪祟肆虐，唯有以恶制恶方能涤荡人间。班帕法荣村危在旦夕，求救之声刻不容缓，但此番劫难非比寻常，敌方竟有黑巫术助阵，寻常手段难以招架。两名身负神力的青年不得不与当地望族之女联手抗敌，三人誓要斩断那缠绕村落的诅咒锁链。

In the midst of this era, slavery is in the process of being abolished and our hero’s story, Glaa, begins in this moment in time. Young Glaa is the son of a soldier, however after his father lost his life in a battle, his mother was forced into slavery. Their master wanted her to be his concubine, but she refuses and plots for her son to escape this predicament. Glaa successfully escapes and finds his body floating to Khun Luang Phra Pisoot’s humble abode. From there his life changes, and he has not seen his mother since. But Glaa vows to save his mother one day, become a person who is respected and honored as she had instilled in him.

We pick up the story on our main character's bus ride home. He sits alone, looking content, trying to pass the time. Then, something seems to get in his eye, because he rubs it and then closes the buses window. Something changes about him. He looks around and feels a strange disgust in the bus filled with quiet strangers also trying to get home and minding their own business. Pavel-Ivanovich is so disgusted that he gets off the bus several stops before his home and walks, arriving at dark. From here his story begins, and we go along for his sad ride. From that evening on he sees only sadness and wrong in everything. He can't respond to kindness, and scolds those closest to him. He offends everyone. At his work he tries to go against as many people as possible, and hurt ordinary citizens too. He also feels that everyone is against him. His condition seems to worsen. How will all this end. Sure this can't be the end for Pavel-Ivanovich, a good man somewhere deep inside. 　　The brilliance of this film lies in the main character's deep state of mind. His suffering. The fact that he hurts everyone around him, feels horrible about it but still does it until he almost loses everything. If you like film's where you feel that you can relate or feel the character's emotions, you might like this film. An incredible pressure is built up throughout the film, and the last scene, for me at least, magically lifts it, if only for a couple of seconds. 　　This is a strange film, and I don't say that a lot. It is very hard to describe, but the main elements that drive the feel of this film are the main character's state of mind and the music (more than half of the film has incredible original music playing in the background). Daneliya's films have incredible music like in Autumn Marathon, Kin-Dza-Dza, and Thirty-Three. Daneliyaa was into jazz and played drums in a band way back before he started making film so his films are very rich in music. Also this film is sad, but is also a comedy. All these elements mix to make an incredible movie