“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

现在，我们以每小时6万4千英哩的速度绕太阳运行；第二年，地球在运行了5亿8千4百万英哩后回到了航程开始的起点。在此片中，纪录片制作者凯特?汉伯和海伦?乔斯基跟随地球进行了一次完整的绕日航行，见证了这次奇异旅程带给地球的奇妙变化。从更替的四季到破坏性的气候现象，他们绕太阳环行感受由航行带来的极 致体验；他们也试图向世人解释在时间的长河中，地球轨道如何发生着变化，以及这些微妙的变化给地球带来了决定性的影响。 此纪录片首次展示了地球绕日环行的全过程，从大胆的空间想象到近在眼前的飓风，皆向观众展示了地球绕日旅行的史诗性历程。

一场太空灾难后，Jo（劳米·拉佩斯 Noomi Rapace 饰）返回了地球，但她发现自己生活中的关键部分似乎不见了。而Henry（乔纳森·班克斯 Jonathan Banks 饰），一位荣获诺贝尔奖的物理学家，他的秘密发现的答案由国际空间站上的Jo保密……直到她归来了。 　　这部充满动作戏的太空冒险剧集，是对人类心理黑暗边缘的探索，展现了一位女性不顾一切地寻求揭露太空旅行背后隐藏历史的真相，并找回她失去的一切。

一场太空灾难后，Jo（劳米·拉佩斯 Noomi Rapace 饰）返回了地球，但她发现自己生活中的关键部分似乎不见了。而Henry（乔纳森·班克斯 Jonathan Banks 饰），一位荣获诺贝尔奖的物理学家，他的秘密发现的答案由国际空间站上的Jo保密……直到她归来了。 　　这部充满动作戏的太空冒险剧集，是对人类心理黑暗边缘的探索，展现了一位女性不顾一切地寻求揭露太空旅行背后隐藏历史的真相，并找回她失去的一切。

故事讲述了在近未来，锦川市突发超自然恐怖袭击，主人公郭远成为了特应局和萤火组织争夺的关键，负责保护郭远的特应局干员云杉也卷入了事件中。此次事件同时指向二十年前名为“群星”的绝密计划，被抹去的秘密随着当年参与项目的核心成员白泓羽、郭森青、汪海成身份揭晓慢慢浮出水面…… 　　该剧改编自星云奖最佳长篇小说。

故事讲述了在近未来，锦川市突发超自然恐怖袭击，主人公郭远成为了特应局和萤火组织争夺的关键，负责保护郭远的特应局干员云杉也卷入了事件中。

杨震是私生子，生父不认母亲病逝，是个充满愤恨、内心孤寂的彷徨少年。他在一场格斗中惨败，却遇见了一位失志失意的落魄大叔秦憾。两人都很倔强，但内心满是伤痕，他们彼此扶持，齐上擂台，挑战有着完美人生的拳王。