尼古拉·克雷洛夫是个有经验的格鲁中校，他肩上完成了许多成功的作业。一个诚实勇敢的军官，访问了附近的所有热点地区，从来没有让他的战友失望。他不止一次冒着生命危险掩护自己的士兵。但是有一次，影片《沙漠》的主角在战斗中受重伤，经过长期康复后，被派往司令部继续服役。有一次，侦察队获得了有关俄罗斯一个主要城市即将发生恐怖袭击的重要情报。恐怖分子的头目是前同事科利，马苏德，他在许多年前与民兵结盟。现在，他是一个强大的军阀，一个小国家在中亚沙漠。他的踪迹是由克雷洛夫兄弟，亚力山大指挥的特种部队，谁绑架了土匪头目，带到边境哨所。现在可以放心了，因为恐怖分子将在联邦安全局工作人员的压力下迅速分裂，并将其冻僵的兄弟投降。但是，突然间，他帮助他的翅膀逃跑，谁越过边境与马苏德，发现自己在一个无人居住的沙漠。没有人能明白，为什么忠于人民的科里亚成为了叛徒？但在调查人员和嫌疑人的兄弟，一切都很清楚。事实证明：尼古拉有一个14岁的儿子谢辽沙，需要昂贵的手术。他的父亲被困在一个无法解决的情况下，他-整个格鲁中校无法拯救自己的儿子时，强盗可以帮助他没有问题。每个人都相信，一个军官屈服于他的弱点，背叛了他的国家，只有一个人不相信它-他的小弟弟……

暂无剧情简介

一名有着神秘过去的退伍军人带领一群埃及难民穿越沙漠，并必须保护他们免受一群邪恶雇佣兵的侵害。

一名有着神秘过去的退伍军人带领一群埃及难民穿越沙漠，并必须保护他们免受一群邪恶雇佣兵的侵害。

2016 年，俄罗斯雇佣兵沙贝罗夫在叙利亚当排雷工兵，这本该是他职业生涯的顶峰，但他不久就爱上了一名俄叙混血女儿，并决定去沙漠古城拯救她……

当三名阿联酋士兵在敌对领土遭到伏击时，他们的指挥官领导了一项大胆的任务来营救他们。

该片由《DP》金普通编剧执笔，是Watche“金普通Project”的首部作品。 讲述相信钱是万能的人和不相信钱是万能的人的选择的故事。

7th century Arabia. A time of feuding tribes vying for power and supremacy. Courageous Princess Hind (Aiysha Hart) refuses to serve as concubine to the merciless Sassanid Emperor Kisra (Sir Ben Kingsley). Escaping with her father King Numan into the vast and unforgiving desert, Hind is pursued by Kisra’s mercenary and his bloodthirsty troops. Father and daughter are forced to trust a mysterious bandit (Anthony Mackie). Against all odds, Hind unites the fractious tribes against the powerful invading military of the Sassanid Empire. In an epic showdown, the Battle of Ze Qar will forever change the Arabian Peninsula and echo throughout history.

I love this movie. I was reduced to tears the first time I saw it and am reduced to tears every time I've seen it in the 50 years since. Talk about a movie holding up over 70 years. To my mind, it's the Citizen Kane of comedy. Everything about it is pitch perfect. To watch the boys as they sink deeper and deeper into absurdity in explaining their arrival back ahead of the rescue ship is a marvel to watch. There are so many subtle, nonsensical and memorable moments that stay in the mind years later one almost doesn't know where to start. The solemn dark lighting of the opening scene spoofing fraternal organizations, eating the wax fruit, the range of facial expressions of the wives throughout, the shot of the boys from the back sitting facing the fireplace as Stan disses his wife, Stan's wife in hunting regalia returning shotgun in arm carrying ducks, Ollie flirting on the phone not realizing it's his wife he's talking to, the stream of consciousness dialog in the attic, and on and on and on. A subtlety perhaps missed by many is the wonderful song and dance number at the night club....a simply wonderful lampoon to perfection of crooner Dick Powell and spoof of Busby Berkeley with those clunky but charming Hula dancers, struggling in a valiant but ultimately hopeless attempt to dance, fanning out to the camera and culminating in that marvelous overhead shot near the close. Just great. I could write a book on this movie, but I'll just suggest to viewers to get William K. Everson's book on the films of Laurel & Hardy and read what one of the great critics has to say about this gem.

I love this movie. I was reduced to tears the first time I saw it and am reduced to tears every time I've seen it in the 50 years since. Talk about a movie holding up over 70 years. To my mind, it's the Citizen Kane of comedy. Everything about it is pitch perfect. To watch the boys as they sink deeper and deeper into absurdity in explaining their arrival back ahead of the rescue ship is a marvel to watch. There are so many subtle, nonsensical and memorable moments that stay in the mind years later one almost doesn't know where to start. The solemn dark lighting of the opening scene spoofing fraternal organizations, eating the wax fruit, the range of facial expressions of the wives throughout, the shot of the boys from the back sitting facing the fireplace as Stan disses his wife, Stan's wife in hunting regalia returning shotgun in arm carrying ducks, Ollie flirting on the phone not realizing it's his wife he's talking to, the stream of consciousness dialog in the attic, and on and on and on. A subtlety perhaps missed by many is the wonderful song and dance number at the night club....a simply wonderful lampoon to perfection of crooner Dick Powell and spoof of Busby Berkeley with those clunky but charming Hula dancers, struggling in a valiant but ultimately hopeless attempt to dance, fanning out to the camera and culminating in that marvelous overhead shot near the close. Just great. I could write a book on this movie, but I'll just suggest to viewers to get William K. Everson's book on the films of Laurel & Hardy and read what one of the great critics has to say about this gem.