本剧改编自澳洲喜剧人、作家Benjamin Stevenson的同名小说。 　　三年前，教师Ernie Cunningham目睹了自己兄弟Michael杀人，他立刻向警方报了案。因为这次背叛，Ernie那有名的犯罪家庭对他避而远之。如今，他们邀请他前往一个被雪封路的山间休闲别墅重聚。但当一具不明身份男尸被发现冰冻在山坡上后，Ernie决定调查这起死亡事件背后的真相，以及自己凶残的家人在其中扮演的可疑角色。

本剧改编自澳洲喜剧人、作家Benjamin Stevenson的同名小说。 　　三年前，教师Ernie Cunningham目睹了自己兄弟Michael杀人，他立刻向警方报了案。因为这次背叛，Ernie那有名的犯罪家庭对他避而远之。如今，他们邀请他前往一个被雪封路的山间休闲别墅重聚。但当一具不明身份男尸被发现冰冻在山坡上后，Ernie决定调查这起死亡事件背后的真相，以及自己凶残的家人在其中扮演的可疑角色。

On the 4th of July, a rookie female cop partners with a veteran detective to save the life of a high-school student from a radicalized serial killer.

What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile.

一个年轻的女人讲述自己的流产故事，正如很多女人所经历的。她深知，这关乎生死。但也关乎自由和自主权。关键在于做出选择。影片带我们走近了一种并非所有人都曾经历、且难以归类的生命体验。一部轻声细语但冲击力巨大的电影。

Olja is a high school history teacher, married to a painter whose latest exhibition provoked violent reactions from Serbian nationalists. One night, a group of masked hooligans attacks her. They film the attack and upload the clip to YouTube. The next day Olja discovers that some of her students were responsible. She takes away their mobile phones, and in the heat of the moment decides to lock them in the school building, also disconnecting the school phones and the internet. In order to solve the problem together, and with inability to leave the school, students begin to communicate. During that night, a generation that was written off before they were ever given a chance will learn more than they ever expected about themselves and their classmates.

一个年轻的女人讲述自己的流产故事，正如很多女人所经历的。她深知，这关乎生死。但也关乎自由和自主权。关键在于做出选择。影片带我们走近了一种并非所有人都曾经历、且难以归类的生命体验。一部轻声细语但冲击力巨大的电影。

What was at first a simple pursuit to regain stolen money becomes the chance for a dysfunctional family to finally reconcile.

Olja is a high school history teacher, married to a painter whose latest exhibition provoked violent reactions from Serbian nationalists. One night, a group of masked hooligans attacks her. They film the attack and upload the clip to YouTube. The next day Olja discovers that some of her students were responsible. She takes away their mobile phones, and in the heat of the moment decides to lock them in the school building, also disconnecting the school phones and the internet. In order to solve the problem together, and with inability to leave the school, students begin to communicate. During that night, a generation that was written off before they were ever given a chance will learn more than they ever expected about themselves and their classmates.

Co-directed by Godard with the Dziga Vertov group in 1969, 'Pravda's a direct attack to revisionism and socialist imperialism. With his usual collage of images taken from real life, the film's structured as a letter which a man writes to a woman called Rosa.