日本，人口最密集的国家。 　　但仍有68%的国土被森林所覆盖。 　　春，森林孕育着勃勃生机。 　　夏，探险和嬉戏的季节。 　　秋，充满收获的喜悦。 　　冬，静待春天的到来。 　　四季交替，生命周而复始。 　　我们的故事才刚刚开始。

日本，人口最密集的国家。 　　但仍有68%的国土被森林所覆盖。 　　春，森林孕育着勃勃生机。 　　夏，探险和嬉戏的季节。 　　秋，充满收获的喜悦。 　　冬，静待春天的到来。 　　四季交替，生命周而复始。 　　我们的故事才刚刚开始。

亚当告别厌倦已久撰写讣告的工作，从新泽西州来到纽约，以其强烈的新闻意识和灵敏的社会嗅觉成了滚石杂志社的一名记者。加盟滚石后的首次任务，亚当就被马克派去采访约瑟夫·麦肯齐。麦肯齐是一位电脑商，因涉嫌做毒品生意而被政府起诉，可亚当却把眼睛盯上了更具社会意义的“运动情缘”俱乐部。 　　亚当以不公开采访录音带为条件，成功的完成了对麦肯齐的独家采访。与此同时，对“运动情缘”俱乐部的采访却因为有氧训练顶级教练杰西的拒绝而进展不大。然而，杰西不久就被亚当的帅气和性感所征服，并一步步把亚当领进了自己的生活空间。 　　为了迎合政府的舆论导向，马克在未征求亚当许可的前提下将一篇“寻找健美先生”的报道进行了违背原意的删改。刊发出的报道引起了俱乐部会员的强烈不满，杰西为此也对亚当产生了怨恨。幸运的是，政府对麦肯齐的起诉由于亚当的坚持而被判无罪，此时的杰西也因此消除了对亚当的怨恨而敞开爱情的大门，迎接着亚当的归来。

影片曾获得1952年奥斯卡最佳纪录片，记录了人类航海史上的一次奇迹。挪威人类学家、探险家托尔·海尔达尔和五名伙伴坐上一艘以太阳神康·蒂基命名的用9根轻型原木制成的原始木筏，从秘鲁出海远航，横渡大西洋，进行洲际间航海探险，101天后成功抵达玻利维亚，创下了航海史上的奇迹。这次活动源于一个传说：在很久以前，他们的祖先太阳神――康·蒂基带领自己的部族，从大洋东岸乘坐木筏，追随太阳移动的方向，漂洋过海…… 　　第24届奥斯卡金像奖(1952)　 奥斯卡奖-最佳纪录长片　 Olle Nordemar 　　第4届英国电影和电视艺术学院奖(1951)　 电影奖-最佳纪录片(提名)

影片曾获得1952年奥斯卡最佳纪录片，记录了人类航海史上的一次奇迹。挪威人类学家、探险家托尔·海尔达尔和五名伙伴坐上一艘以太阳神康·蒂基命名的用9根轻型原木制成的原始木筏，从秘鲁出海远航，横渡大西洋，进行洲际间航海探险，101天后成功抵达玻利维亚，创下了航海史上的奇迹。这次活动源于一个传说：在很久以前，他们的祖先太阳神――康·蒂基带领自己的部族，从大洋东岸乘坐木筏，追随太阳移动的方向，漂洋过海…… 　　第24届奥斯卡金像奖(1952)　 奥斯卡奖-最佳纪录长片　 Olle Nordemar 　　第4届英国电影和电视艺术学院奖(1951)　 电影奖-最佳纪录片(提名)

《权力的游戏》制片人弗兰克·多尔格要为德国ZDF电视台开发一部全新惊悚剧集《康考迪亚》（Concordia），设定类似《少数派报告》，数百万台摄像机连接到一个人工智能系统，该系统监控公民生活的方方面面，并在犯罪嫌疑人犯罪之前阻止他们，整个城市没有枪支，犯罪率为零，直到有一天，在郊区发现了一具尸体……该剧集已邀请《弗兰肯斯坦传奇》的编剧Mike Walden撰写剧本。

《权力的游戏》制片人弗兰克·多尔格要为德国ZDF电视台开发一部全新惊悚剧集《康考迪亚》（Concordia），设定类似《少数派报告》，数百万台摄像机连接到一个人工智能系统，该系统监控公民生活的方方面面，并在犯罪嫌疑人犯罪之前阻止他们，整个城市没有枪支，犯罪率为零，直到有一天，在郊区发现了一具尸体……该剧集已邀请《弗兰肯斯坦传奇》的编剧Mike Walden撰写剧本。

Documentary in which Ros Savill, former director and curator at the Wallace Collection, tells the story of some incredible and misunderstood objects - the opulent, intricate, gold-crested and often much-maligned Sevres porcelain of the 18th century. 　　Ros brings us up close to a personal choice of Sevres masterpieces in the Wallace Collection, viewing them in intricate and intimate detail. She engages us with the beauty and brilliance in the designs, revelling in what is now often viewed as unfashionably pretty or ostentatious. These objects represent the unbelievable skills of 18th-century France, as well as the desires and demands of an autocratic regime that was heading for revolution. 　　As valuable now as they were when first produced, Sevres' intricacies and opulence speak of wealth, sophistication and prestige and have always been sought after by collectors eager to associate themselves with Sevres' power. Often the whims and capricious demands of monumentally rich patrons were the catalysts for these beautiful and incredible artistic innovations. 　　The film explores the stories of some of history's most outrageous patrons - Madame de Pompadour, Louis XV, Marie Antoinette and Louis XVI, as well as their foreign counterparts like Catherine the Great, who willingly copied the French court's capricious ways. Ros tells how the French Revolutionaries actually preserved and adapted the Sevres tradition to their new order, and how the English aristocracy collected these huge dinner services out of nostalgia for the ancient regime. In fact, they are still used by the British Royal Family today. 　　Like the iPads of their day, these objects, ostentatious to modernist eyes, were the product of art and science coming together and creating something beautiful yet functional. Ros re-connects us with the fascinating lives and stories of the artists, artisans, painters and sculptors whose ingenuity, innovation and creativity went into making some of the most incredible and incredibly expensive ice cream coolers, vases and teapots of their day. We also see inside the factory, still open today, and witness the alchemic creation process for ourselves. 　　Taking us behind the museum glass and into some incredible private collections, the film reveals stories that are as louche, extravagant and over-the-top as some of the objects themselves. They might be unfashionable or even unpalatable to minimalist modernist tastes right now, but in this documentary we are taken back to a time when these objects were universally loved and adored, when they were the newest and most incredible things that had ever been created.